And we’re back for more Casshern Sins! The last episode was an absolutely terrific one, as Casshern’s brief friendship with a painter offered a clear portrait of how far our hero has come. Casshern’s journey out of purposelessness has felt almost like a classic escape from depression – from cursing his nature and not seeing any point in his own survival, he’s come to find great value and even joy in the world around him. The world is sculpting Casshern, and even in a place this destitute, it’s giving him reasons to live. Let’s see what he runs into this time!
Natsume is not the main character of his show’s seventh episode. As the episode opens, we see a white summer hat abandoned in the forest, accompanied by a voice that seems excited to see it. Treating the hat as a strange kind of friend, the voice wonders “is no one going to come pick you up? You’re so pretty.” The view opens up, and we see the bearer of this voice is a young fox in human form. “I’ll show you to Mom,” he says, and then we learn his mother has passed away. This fox’s only friend is the discarded treasure of a human. Like Natsume’s faded shrines and disused railway stations, even the things we abandon can become precious to someone.
Man, this show is going to be a lot of fun to write about. It’s pretty much brimming with all the small, well-observed details of human interaction that make Kyoto Animation shows so special, and it’s also got a lovely sense of humor that occasionally dunks on its cast without ever feeling judgmental. It’s really just charming and well-constructed all around. If you’re not watching it, check it out!
You can read my full review of the first three episodes over at ANN, or my episode three notes below.
Dear lord has this season ever begun. Having just barely survived the most absurd preview week yet, my relative watch-positioning on this season’s various attractions is an absolute shambles. I’ve got shows I’m already somehow two episodes behind on, shows I just reviewed this week for ANN, and shows that ended weeks ago and I only just now found time to watch. In light of that, I’m gonna be keeping things a little loose for this Week in Review, and just running down what I actually watched this week in whatever order comes to me. It’s been a hectic week in anime, so buckle the fuck in and let’s RUN THIS SHIT DOWN.
Aw hell yeah, it’s time to write up some Eccentric Family. Season two’s first couple episodes have mostly just established our two big additions to the cast, but that’s pretty alright by me – it’s been wonderful to meet all these great characters again, and already interesting to see how their society has shifted since last time. The show’s own throat-clearing allowed for a pretty comfortably structured article too, so I guess that’s nice.
You can check out my full review over at ANN, or my episode two notes below!
It’s time for more Ojamajo Doremi! Last episode saw Doremi finally passing the level nine witch exam, in spite of making every terrible choice possible on the way there. There were no extenuating circumstances like when she had to help Pop this time – Doremi is just pretty bad at doing things, and so most of her time in the witch world was spent sampling cakes and getting lost. Still, she at least did demonstrate that she’s pretty good at riddles, which is certainly a talent of sorts. Let’s see what nonsense she gets up to this time!
Today I’m back with the latest Ancient Magus’ Bride. This one’s a bit of a mixed bag – the fantastical adventures are as strong as ever, but Alice’s story felt like it was held down by the author’s awkwardly vague impression of what her life might actually be like. Still, I can’t blame the author too much for trying to write beyond her comfort zone. And the second half is still pretty great!
Today on Why It Works, I once again parlay my forced familiarity with this entire new season into a series of speedy recommendations. My choices here shouldn’t be too surprising to anyone who’s read the retrospective, but hey, gotta make sure all potential audiences are hearing the good anime news. Here’s the piece!
I finally got to see the last film of the Kizu trilogy this week, and yeah, it was definitely a time. I’d say this was probably the weakest of the three films, but the first two set an extremely high bar, and I think this one still sits comfortably among them. This act also features the story’s most brutal and unexpected dramatic turns, and since I already knew those were coming, it was probably a bit less of a gut-punch than a first time viewer. My review doesn’t really contain any spoilers, so have at it!
So, Candy Boy. This is a bit of a strange one, both in structure and in content. As far as production intrigue goes, it seems Candy Boy was initially just one eight minute original net animation, released along with the artist Meilin’s Candy Boy music single. I’m pretty sure that’s the only reason this is called “Candy Boy” at all, as the actual content here doesn’t feature any boys at all (so far). Then the show received a seven episode additional series, along with two bonus episodes packed in with those episode’s DVDs. So it’s basically a strange, media mix jumble from top to bottom.