We’re coming to the close now. With 2016 ending on America electing its first Russia-approved candidate, it’s a little hard for anime to really shock me, and so I’m perfectly fine with embracing stability in my Japanese cartoons. The fall’s highlights all seem to be ending strong at this point – Euphonium has risen from a weak middle arc to some stunning Asuka-focused material, Flip Flappers is actually making a coherent transition into its more straightforward endgame, and Yuri on Ice is finally giving Victor the focus he needs. And if strong new episodes aren’t enough for you, I also made posts I’m happy with for fans at either end of the pool: a next step recommendation list for new fans, and a dive into Studio Pablo’s background work for regulars. But these posts are for celebrating the week’s anime, so let’s get right back to that and RUN THIS WEEK DOWN!
Alright, so this one technically isn’t another Flip Flappers article – it instead focuses on Studio Pablo specifically, whose gorgeous background art lends the show so much of its power. But Pablo aren’t only associated with Flip Flappers, meaning I got to have a lot of fun digging around through their history to find even more highlights of their work. As someone who often appreciates shows for their mastery of tone more than anything else, background art is pretty dang important to me. I hope you enjoy the piece!
Turns out anime is good, everybody. Who would have guessed! As usual, nearly everything I’m watching this season operated at a level I generally just associate with my seasonal favorite, leaving me with a pile of cartoon riches to luxuriate in. Euphonium rallied from a weaker episode with possibly the strongest episode of the season, March continued to lay sturdy dramatic bricks in between episodic pleasures, and Flip Flappers steered itself right back towards the compelling bonds between the three leads. Even JoJo’s Bizarre Adventure was acting like it had something to prove, working hard to give Hayato’s struggle all the manic energy it deserves. Anime will likely go back to being bad again soon, but I can’t say I mind having barely anything to complain about. But I’m not doing this critic shtick for nothing, so let’s start off with some complaints and then work our way to the fawning praise!
Couldn’t keep myself away from Flip Flappers, as it turns out. The Why It Works articles are actually very well-suited for exploring the show, since its ideas are all relevant across episodes, and so it’s handy to analyze single threads that have carried between them. This time I talk about the show’s use of visual symmetry, which essentially expands on my earlier writing about the show’s generally stellar visual storytelling. Take a look!
This week in anime felt a little lonely, courtesy of March taking a sick day, but the rest of our contenders did their best to liven things. Flip Flappers and Euphonium had unexpectedly ordinary episodes (at least for those shows’ definitions of ordinary), but Girlish Number continued to focus on strong character writing over industry commentary, which is definitely where the show shines. Kira found himself with yet another ridiculously specific serial killing-enabling power, and Yuri on Ice decided it was time to introduce a tragic incest narrative and make Yurio a catboy. All in all it was a pretty standard week down on the anime farm, but I still found a thing or two worth talking about. Let’s run ‘em down!
It was very clear this week that many of this season’s shows took careful notes based on my first half in review post, and adjusted their content accordingly. Normally it takes at least a few weeks for shows to shift gears based on my exact preferences, so I was happy to see the response time so accelerated here. Shows like Girlish Number and Sound! Euphonium clearly took my complaints to heart, and as we all know, being able to accept constructive criticism is an admirable quality. I’m glad we can all agree anime turns out better when it listens to me specifically.
Alright, impossibility of my writing affecting anime production in any way whatsoever aside, this week really did see many shows directly tackling some of my existing complaints. Girlish Number dug in to its cast, Euphonium emphasized the variables that had worked in the first season, Yuri on Ice offered its most well-earned and best-composed personal material yet, and Flip Flappers was just fantastic in all regards. The fall season continues to impress in new ways, so let’s start with those flip flaps and RUN ‘EM DOWN!
The season’s halfway point has arrived! Normally this is the part where I’d comment on how quickly time seems to be passing, and probably make some offhand gesture towards our inescapable mortality, but given we just concluded one of the most horrific and dispiriting political contests in my country’s history, it really doesn’t seem like time’s been passing all that fast lately. But if you wanted fatigued political commentary, you’d check my twitter feed – in spite of all else, the world keeps turning, and that means talking about cartoons!
This season has been offering us a terrific bounty so far, presenting close to half the shows that will likely star in my year-end list. The better shows get, the more small-minded and useless it seems to rank them in any kind of reductive list, but what’s the point of a tradition if it’s not celebrated far past the point of reason? So let’s once more do that thing I always do, starting at the top and running down my favorites of the season so far!
I was back to Flip Flappers again this week, discussing how so much of Flip Flappers’ larger storytelling beats are mostly relegated to imagery and background noise. While I enjoyed Flip Flappers from the start, I’ve only been feeling more impressed by its storytelling as the episodes pile up. If its second half is as strong as its first, it could easily stand as one of this year’s lasting anime highlights.
This was a perfectly respectable week in anime! In fact, it was more than respectable – Yuri on Ice managed to grab my interest in a way it never had before, Flip Flappers pulled off a stunning vignette that raised the bar for the show altogether, and Euphonium had possibly the best musical performance I’ve seen in anime. This season is just ridiculous, you guys – normally something like Yuri on Ice, Euphonium, or March comes in like a lion would be the bright spot in a largely weaker lineup, but this season’s crop basically starts at JoJo/Girlish Number and only goes up from there. Given I’m writing this prior to the election results, the world may literally be on fire by the time this gets posted (UPDATE: the world is literally on fire), but at least we’re going out with some pretty cool cartoons. Let’s RUN ‘EM DOWN!
This was a workhorse week in anime. We’re several weeks out from the premieres, meaning most of this season’s shows have more or less established their tone and structure, but we’re still also some distance from the sort of narrative shakeups that often mark the midpoint of one season productions. That point in the season means many shows are entering a bit of a lean period at the moment – demonstrating their fundamental quality, but not really dazzling with any new talents. Yuri on Ice and Flip Flappers have largely settled into their genre spaces, Girlish Number and Euphonium each hit some mid-sized dramatic turns, and JoJo just kept chugging along. Weeks like this put the onus on me to come up with new stuff to talk about, so thanks a fuckin’ lot, anime. Fortunately, after possibly more than a hundred of these Week in Reviews, I’ve learned how to spend a lot of time talking about basically nothing. So if that sounds like fun to you, pull up a chair and take a seat as we RUN THESE SHOWS DOWN!