The Crafting of Magic in Witch Hat Atelier

From your first glance at its volume cover, it is clear that one of Witch Hat Atelier’s great strengths is its lush illustrations, which delight in both their whimsical form and detail-rich content. Even the chapter index is adorned with herbs and baubles, speaking to the love of tiny mysteries and scene-setting details attendant in this realm of old woods fantasy. A pinch of this rare herb, a shaving of root, and something bright and glittering from the high jars of the atelier; the magical artisan at work is this story’s quintessential image, capturing both the wonder and the skill of true creation.

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Hope and Wonder in Girls’ Last Tour

Since its beginning, Girls’ Last Tour has been a story about coming to terms with the end of things. Its very title points to the finality of this journey, preemptively putting to rest any thoughts of surviving beyond the apocalypse. Most stories find their characters rallying against fate with all their might, hoping to change their very destiny. There is no such hope of upending fate here; Girls’ Last Tour knows its characters’ destiny, and is instead focused on the more intractable conflict of how you comport yourself when you know things are ending. When the hubris of assumed immortality is stripped away, what defines us as fundamentally human? When we cannot be comforted by the endurance of our legacy, what else do we have left?

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Endurance and Inheritance in Girls’ Last Tour

Snow falls gently on a disused battlecruiser as we return to Girl’s Last Tour. In the years since the anime adaptation’s release, our world seems to have spun significantly closer to the future as posited by this story, with climate change, the revival of economic serfdom, and an ascendant far right all pointing towards mankind’s self-inflicted decline. Given our increasing proximity to apocalypse, I can appreciate all the more the lessons provided by Chi and Yuu: Chi’s industrious, pragmatic preoccupation with immediate tasks, Yuu’s zen appreciation for whatever life offers her. Like the heroines of Girls’ Last Tour, we possess no way of directly challenging the conditions informing our lives; whether it’s through busying ourselves with what we can do or learning to “get along with the hopelessness,” this manga seems to increasingly be providing a blueprint for navigating our modern age.

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Chainsaw Man and the Poverty of Our Dreams

Chainsaw Man commences with a grim litany of prices paid, as our hero Denji recounts all the body parts and organs he’s sold to winnow down his overwhelming debt. Having hacked off all expendable kidneys, eyes, and testicles, he announces he’s reduced his debt to a mere thirty-eight million yen. It’s not a price he could reasonably pay, not a price he expects to pay with all the fruit of his desperate labor. It is a death sentence, executed by way of a thousand financial cuts, and it will follow him until the day he finally gives up.

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When Bleach Was Great: The Ballad of Ichigo and Rukia

Hello everyone, and welcome to Wrong Every Time. Today we’re going to be engaging in a somewhat unusual exercise, as I’ve been assigned a unique request: expand this tweet on Bleach characters’ Ichigo and Rukia’s suitability as a couple into an entire article. I was initially intending to decline, because it was a tossed-off tweet about a series I hadn’t fully read in decades, more intended to be an emotionally charged stab of nostalgic resentment than a critical thesis. But upon further reflection, it does feel like there’s a bit more meat to this feeling than “the couple I liked didn’t get together.” Framed more generally, the narrative failings of Bleach stand as a handy example of the narrative pitfalls of shonen storytelling altogether – so let’s dig into this topic a little, and see what we can suss out.

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Dead Dead Demons and the Banality of Apocalypse

Late in Dead Dead Demons’ first volume, its boisterous heroine Ontan stares out over the city of Tokyo, a vast alien mothership hanging silently above. In spite of the imminent threat, the city is quiet. After months of frantic news reports, the mothership has become just another feature of the skyline, an accepted feature of the modern age. Ontan has news for her complacent city. “Everyone seems to have forgotten what happened that day, and are living their peaceful lives as if it’s a given. But I have something I’d like to tell them: there’s no such thing as an endless summer break!”

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Blue Flag – Volume 2

Blue Flag’s second volume starts off with a reminder of the first thing that struck me about the first volume: the careful attention this story pays to the way clothes hang on the body, and project confidence, insecurity, or any manner of other emotions purely in the fit of the fabric. 

It’s fitting for a story about adolescence to be preoccupied as well with the awkward physicality of our outfits – how some of us seem to exude natural confidence at all times, while others seem perpetually uncomfortable in their own skin. It’s also fitting for a story by KAITO, who is so capable of conveying emotions through presentation, as with their masterful use of paneling. Gaining comfort with both our bodies and our feelings is a circuitous learning process, and though some of Blue Flag’s leads seem more confident in their clothes than others, they all struggle with the difficulty of presenting an authentic self.

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Spirit Circle: A Comfortable Boredom

“It’s hard for me to hate you,” Touko admits in Spirit Circle’s fifth volume. This isn’t a happy revelation. It’s spoken with bitterness, more of an accusation than an apology. And it’s easy to see why: hating Fuuta makes everything easier for Touko.

With Fuuta serving as the target of her rage, all of the injustices that have befallen Touko make a certain kind of sense. In our chaotic and frequently tragic world, it can be comforting to believe all of your problems are a result of some specific antagonist, some malevolent force that is specifically denying you the happiness you deserve. The idea of getting revenge for a grudge inherently implies some faith or hope in the order of things. When you were wronged, that was a deviation from how things are “supposed” to go, and you must “set things right” by punishing the person who caused this deviation. We cling to villains because the truth is much scarier – that life is simply chaotic without purpose, and bad things often happen to good people.

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Spirit Circle: What We Keep, and What We Leave Behind

Initially, Kouko’s demand that Fuuta relive his past lives must have felt like a kind of divine punishment. Dragged out of his happy, oblivious adolescent experience, he has been forced to experience hardship after hardship, carrying the suffering of multiple lives on his own shoulders. Fuuta’s past lives don’t even possess the decency to merely lurk in memory; they surge upwards at the most inopportune times, tainting his current experiences with the stifling taste of old, unfulfilled grudges and regrets. Thanks to Kouko, Fuuta carries his past with him always, living with one foot dragging through a mist of half-forgotten sentiment.

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My Hero Academia, Volume 22 – Review

My reviews of the My Hero Academia manga continue today, though I’m personally far more occupied dealing with the final challenges of preview week. To be honest, I’m mostly linking this review here as an excuse for a general check-in; it’s currently looking like new premieres will be more or less concluded by Sunday, so you can expect my Virtually Every First Episode Retrospective the Monday after that. That’s right, I am TIMELY motherfuckers, and will be back on the Current Projects circuit right after that. In the meantime, this volume of My Hero Academia was great, and I hope you enjoy my review!

My Hero Academia, Volume 22