The season halfway point has arrived at last! In spite of early speculation by certain disreputable parties, the winter season hasn’t fallen on its face, and is actually turning out to be stronger than last winter. It’s still certainly a weaker season, but for some reason that’s just how winters tend to be – and given I’m supplementing this season’s offerings with regular injections of unfair additions like Planetes and Nichijou, I can’t really complain. But today, it’s all about the winter shows, as I commence the seasonal tradition of ranking everything I’m watching at the exact point those rankings are least likely to be meaningful. Theoretically, this is supposed to reflect the fundamental pointlessness of constructing hierarchical rankings of art in general – in practice, it’s more like most other traditions: I do it because I started doing it and I’ve been doing it for a while and goddamnit if I’m gonna stop now. So let’s start right at the top and run this season down!
This was another perfectly acceptable week in anime. I’ve pretty much accepted that this is going to be a workmanly season – there’s nothing I’ll love as much as Oregairu or Flip Flappers, but most of my list will consistently turn out solidly enjoyable episodes. Dragon Maid is the comfiest thing I could hope for, Tanya continues to be far too entertaining for its own good, and Rakugo holds up the prestige end of the season with relative grace. March also seems to be recovering from its weaker stretch, which is nice to see. This probably won’t be the season we come back to at the end of the year, but hey, some seasons are just trying to pay the bills. So let’s start with some fuwa fuwa dragons and run this week down!
Today on Crunchyroll, I use the perfection that is Kanna to take a look back at wonderful anime daughters of days past. I guess it’s because I’m an old man now, but it turns out that a fantastic anime daughter is one of the fastest ways to my heart. I’m very grateful I have Miss Kobayashi’s Dragon Maid to ease the passing of Nichijou, even if nothing will truly replace the professor in my heart. And for now, please enjoy this celebration of one of anime’s greatest treasures!
Well now I’ve got too many damn shows. Having added two shows to the schedule, along with rewatching and writing the hell out of Bakemonogatari, means I’m actually feeling at least as overbooked as I did last season, and I don’t even have something as infinitely layered as Flip Flappers to make all my Crunchyroll articles easy. This anime gig is tough! Still, “too many good shows” is not the worst of problems, and I certainly don’t mind this season shaping up to be more respectable than anticipated. Thank you KyoAni for introducing me to my perfect dragon daughter, your charity truly knows no bounds. Let’s get right to it and RUN SOME SHOWS DOWN!
Well shit, where the hell did all these shows come from. Last week I was basically on the verge of rechristening the Week in Review in Rakugo’s honor, and now I’ve got all these friggin’ words about dragon maids and nazi lolis. It turned out the winter season wasn’t quite done with me yet, and so it looks like we’ll be returning to my regularly scheduled ramblings. The second episode of Miss Kobayashi’s Dragon Maid was miles better than the first, and the second and third episodes of Tanya were… actually really entertaining? I mean, I can at least say for sure now that the show definitely isn’t Mahouka – a great part of the appeal is watching Tanya get kicked around by the actual deity of her world. Whether that appeal keeps the show entertaining for a full season, I couldn’t begin to say, but either way, it’s time for words. Let’s start with the two newcomers and RUN THESE SHOWS DOWN!
Hello and welcome! With the new anime season’s first week having come and gone, we are left with an immense pile of new series to investigate. A great part of the fun of new media is the joy of discovery, but I detest joy and your acquisition of it in particular, and so I’m here to steal that pleasure from you. Instead, you will now read my list of impressions for basically every new show that came out, which will dictate the terms of your entertainment for the next three months.
Working for ANN’s preview guide means I really do watch basically every new show, and offer a reasonably sized take on all of them (you can check out ANN’s full list here, and find my thoughts under Nick Creamer). But even that is so much material that it’s kind of ridiculous to engage with, and so here at the blog I group everything I watched into vague descending categories, with both brief thoughts and a link to my longer ones. This has been a fairly iffy season so far, so I’m sorry to say the lower brackets will be kind of stacked this time, but there’s still plenty of worthwhile anime to discover! Feel free to skim at your leisure, or just skip to the part where I start rambling incoherently and losing hope in existence. THE CHOICE IS YOURS.
Incidentally, I won’t be covering the shows that are chained to various awful licensing situations here, so just imagine my thoughts on Little Witch Academia are “please Netflix, please spare us from the pain of this empty season.” Alright, I think that covers it. Let’s run this season down!
I’ll be honest – this upcoming anime season is looking pretty sparse. Perhaps this is our punishment for having such a strong current season, or perhaps the good and just anime gods are displeased with Flip Flappers’ low sales numbers, but either way, we’re going to be scavenging for scraps come January. That said, there are still some bright spots here and there – sequels to strong first seasons, shows with promising creators, originals that might have have some kind of special spark. And we’ve certainly had weak winter seasons before – in fact, this winter may just end up being a repeat of last year’s, where Rakugo stood head and shoulders above the rest of the pack. We’ll get by, as we always do. And we’ll probably have some nice cartoons to help us.
As usual, I won’t be previewing every single show of the coming season, and I also won’t be providing traditional synopses. You can check a site like anichart for all that stuff – instead, I’ll be highlighting the specific shows that seem to have potential, along with the generally staff-related reasons I feel that way. Plot is cheap, but strong artists are irreplaceable. So let’s start at the vague peak of my interest level and run this next season down!