Mawaru Penguindrum – Episode 3

Today is Curry Day! That most inclusive and all-purpose of meals, a general dish that can be suited to all palettes, perfect for enjoyment with friends and family. As Penguindrum #3 opens, we hear Ringo’s happy memories of curry with her parents, as her room is framed like some underwater treasure chamber. The Takakura siblings don’t have much, but they have each other – their family is happy, even if its fate is unclear. Ringo is very sure of her fate, but it seems like all she wants is a happy family.

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Mawaru Penguindrum – Episode 2

Penguindrum’s second episode is a much easier twenty minutes than the first. Not only is it more of a fun, propulsive adventure than a tragic drama, it’s also just much less dense, more or less sticking to one straightforward narrative. The brothers must find the Penguindrum, and the Penguindrum is in the possession of Ringo Oginome… probably. And so they head off, tailing Ringo (a girl whose name is literally “apple”) as she goes about her fairly unusual day.

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Mawaru Penguindrum – Episode 1

So. Penguindrum. One of the thorniest, richest anime of recent years, a show that draws on classic tales and modern traumas to craft a story full of weird textural inferences and strangely poignant moments. Penguindrum is many things, but before anything else, it is a clear reflection of the style of Kunihiko Ikuhara. Ikuhara’s only directed three original anime over the past twenty years, and in spite of that, he is one of the most lauded and influential creators in the medium. He’s also as close as a medium as collaborative as anime can get to an auteur – famously difficult to work with, his shows share a common identity that mark them as indelibly his (even when they’re lifted by contributions from his often brilliant collaborators). Penguindrum exhibits all of his core qualities, so before I get into this show specifically, let’s talk a bit about what makes Ikuhara tick.

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