The Tatami Galaxy – Episode 3

Returning to The Tatami Galaxy feels a bit like returning home. It was a show I initially watched early on in my post-college return to anime, and even wrote about for reddit back when I was writing for upvotes rather than rent. It, like basically all Yuasa productions, embodies the intersection of animated creativity and thematic inquiry that specifically enthralls me about anime – an intersection frequented entirely by creators who simply cannot suppress their own artistic inquisitiveness, who are working in animation specifically because it offers more fanciful freedom than any other pursuit they could imagine, more ability to capture life as experienced rather than simply as recorded, more potential for bending narrative and art design to unimaginable, transcendent purposes.

Continue reading

The Tatami Galaxy – Episode 2

After a rambling, almost stream-of-consciousness first episode, The Tatami Galaxy follows up with one that essentially gives the game away. We soon learn that our protagonist Watashi is stuck in some kind of loop, a Groundhog Day-esque cycle that keeps him forever repeating the first two years of college. This is bad news for Watashi, but likely a necessary conceit from our perspective; after all, in a story this scattershot, fast-paced, and circuitous, it’s necessary to have some structure for the audience to hold onto. And so we find ourselves hanging desperately from Watashi’s shoulder, as he moves from the tennis club and prank-related infamy to his school’s illustrious film club.

Continue reading

Character Design 101: Want and Need

Management: Vague character-arc spoilers for a few shows here – FLCL, Eva, Tatami Galaxy, Cowboy Bebop, Hyouka. Hyouka’s the only one I get particularly specific on.

Gonna share something a little different today! Recently I’ve been thinking about characters, which is probably because I am always thinking about characters. While a lot of my personal views on character writing have obviously come from reading and watching a whole lot of stories, a fair amount of my understanding has also come from writing characters. As a fiction writer, knowing how to write a fleshed-out human being is rarely optional – but even just as someone who just wants to poke more deeply at the things they consume, I think analyzing characters from a character-creation standpoint can be very enlightening. Characters are kind of like trees – though the individual branches of their actions may look strange and circuitous, generally everything winds its way back to the central trunk of their base nature and desires. And looking at characters trunk-first can do a whole lot of work to make sense of their wildly winding limbs.

So let’s get down to that trunk, to the absolute base nature of a character. There are a few ways to approach this, but personally I think the easiest way to consider character writing is to start with two key variables. The two often-conflicting desires that tend to define their choices, their conflicts, and their ultimate resolution: what they want and what they need.

Continue reading

Top 30 Anime Series of All Time

Yep, I’ve finally put together a top shows list. As I hopefully made clear in part one and part two of my critical biases post, this is obviously my list – it represents the things I think are most valuable in stories in the way I think they’ve best been articulated. It’s also just a list of shows I enjoy – there’s no hard criteria here, so I wouldn’t stress the numbers too much. Also, it’s a bit front-loaded – I only started watching anime seasonally about two years ago, so the last couple years are disproportionately represented. Incidentally, I’m not including movies here either – I think direct comparisons between shows and films are a bit of a stretch, but if they were included, this list would certainly be somewhat different. And finally, I’m absolutely (and thankfully) certain this list will change over time – there are still piles of widely beloved shows I’ve never seen, so I’m sure the current rankings will be filled out in the years to come. So with that all said, let’s get to the list – Bobduh’s Top 30 Anime of All Time.

-edit- I have now created a Top Shows Addendum for shows that have either fallen off or just barely missed this list. Please enjoy these additional almost-top shows!

Continue reading

The Tatami Galaxy or: How I Learned to Stop Worrying and Love the Ride

Hey guys, it’s Bobduh. New review today! Hopefully a little less overwhelming than the last, since I have no grand argument I wish to prove on this one. I just watched a really great show and want to talk about it.

The Tatami Galaxy or: How I Learned to Stop Worrying and Love the Ride

The Tatami Galaxy is a dizzying spectacle of an anime. Adapted by Yuasa Masaaki (the extremely distinctive director behind Mind Game, Kaiba, Kemonozume, and recently Kick-Heart) from a novel (a real novel, not just a My Light Novel Can’t Be This Pandering and Derivative LN) by Morimi Tomihiko (the writer of Uchouten Kazoku, which is currently my choice for best show of the year), it’s basically perfect. Not gonna slowroll that – this goes on my list with Madoka and Katanagatari of shows that I couldn’t see meaningfully improved. It’s already there.

Continue reading