Uchouten Kazoku – Episode 7

Whew. I’ve been busy cavorting with old friends all weekend, and I’m really not much of a social dude, so it is extremely satisfying to have something as calming and excellent as Uchouten Kazoku to come back to. Last week’s episode focused on that most alarming of incongruencies, the fairly blase attitude everyone takes towards tanuki-eating. As I’ve said elsewhere, while this show normally does a tremendous job of grounding its fantastical leanings in such universal conflicts and emotions that they appear almost mundane (or beautiful, but beautiful in a way that reflects all moments of sudden and unexpected beauty, not just unbelievable ones), the disconnect between these characters’ acceptance of the tanuki-eating and its inherently horrifying nature is a little hard to square. Or at least it is for the show’s two central characters – Yasaburou and Benten.

Not that this is a bad thing. In fact, the complexities of each of their feelings, and the way Yasaburou often treads around emotions and responsibilities he knows he will have to address, is one of the show’s great strengths. And considering how strong this show’s character writing is, I’m not really worried about that emotional disconnect; last week someone hypothesized that the disconnect is probably a strong indicator of where the show still intends to explore, and I’m inclined to agree.

Anyway. Enough nonsense.

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Summer 2013 Halfway Point: Season So Far

Management: Sequel to this post. My general thoughts so far on the winners, losers, and casualties of my summer season.

This has been a very good season, and though there hasn’t been anything I enjoy as much as I enjoyed OreGairu in the spring, I think the top show is technically better this time. But the top tier is really good all around. In descending order:

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Summer 2013 Halfway Point: Week in Review

Management: Speculatively calling this the first half of a two-parter on the summer season. This half will focus on the specific episodes that have marked the halfway point in my schedule (I’ll probably add in Monogatari after it airs), and the upcoming one will cover my thoughts on the overall series so far.

So! Halfway through the summer season, and there really haven’t been any crazy upsets so far. My top tier is still Uchouten Kazoku, Gatchaman Crowds, and Monogatari, but I’m enjoying the also-rans as well. Let’s check in on what the crap everybody was doing this week.

Free! 6

This episode felt kinda tedious to me. I think this show has pretty much only three things that make it watchable to me:

  • The concept is funny and results in some cute subversions of genre tropes
  • It’s very pretty and the direction is occasionally inspired
  • The better episodes are actually very funny in their own right

Unfortunately, this week focused on the character relationships, and KyoAni’s slice of life characters are always too thin to afford compelling character drama. I mean, I love character-focused stuff, it’s my favorite thing, but for character-focused stuff to be compelling you need characters with a little more depth than “the genki one,” “the glasses-pusher,” etc. Bleh.

Uchouten Kazoku 6

I didn’t like this episode as much as the last two, but its first and last acts were still tremendous and heartfelt and beautiful. However, the centerpiece of this episode was a long conversation that I’m frankly still trying to figure out. Tanukis being eaten by humans (and that just being accepted as something that happens sometimes) has always been the point of greatest disconnect between this show’s fantastical flourishes and sharply grounded character conflicts, and this episode basically dove directly into that disconnect, presenting a long monologue by the mild-mannered but strongly pro-tanuki-eating professor, complete with a flashback where Yasaburou’s father displays absolute complacency towards being eaten, and only professes a hope that he doesn’t ruin an otherwise agreeable hot-pot. And Yasaburou is pretty much charmed by him!

I just don’t know how to square this – perhaps on a thematic level eventually all these contrasting viewpoints will fit into neat holes regarding the value of a life well-lived (we’re actually pretty close to that point, I think), but on a more practical character-empathy level, I just can’t relate to the way these characters treat the tanuki-eating. Which is frustrating, since this show is normally incredibly good at grounding its fantasy in universal human emotion. So while I can’t say this was a “bad” episode, it was certainly a tough one for me to wrap my head around.

C3-bu 6

C3-bu is also turning out to be more slice of life than I could have hoped for, but fortunately this show is more fun in concept, more creative in execution, more regularly funny, more dramatically sound, and populated with much better characters than Free. I’m actually just enjoying this show on its own merits at this point – Yura’s personal issues are being handled with more grace and thoughtfulness than I expected, and it really knows how to handle either a fantasy-world or standard gag setpiece. You’ve won me over, moesoft.

The World God Only Knows S3 6

TWGOK slowed down the pace this week, which I guess is fitting for the Shiori episode. Shiori’s inner monologue was both funny and relatable, and her own fantasy-world imaginings are always great, but this story itself felt far more lazy and convenient than this season has been so far. I feel this show’s strengths are its humor and its habit of pointing out and subverting cliche story structures, but this one just played entirely by the book – Keima’s plan was very simple and it worked perfectly. It was perfectly watchable, but I was still kinda disappointed.

Attack on Titan 18

This episode was definitely a step down from the previous two (which I very much enjoyed), and felt a bit like one of Trost’s renowned “oh shit this story doesn’t correlate to our number of episodes let’s check in with everybody maybe take five for a flashback and move the plot forward seven inches” episodes. The first half was more excitement with the female titan, who’s apparently beginning to favor some style in her kills, but the second half consisted of people getting up into some trees and wondering why they were in them. I’m not worried, since the female titan represents a much more immediate threat than Eren not remembering he was human or the giant boulder ever did, and this show is still leagues better in its second half, but that second half was still not particularly engaging stuff.

Hunter x Hunter 92

This arc has gone totally nuts, and this episode was a nuts cherry on a nuts cake. Desperate giant-ant surgery was witnessed, vows of parenthood and brotherhood were made, and now a minor army of powerful monsters with hallucinogen-prompted designs have begun spreading out to conquer the world. This show is basically my definition of entertainment.

Gatchaman Crowds 5

This show never lacks for ambition, does it? This episode focused on the not-so-secretly most important character, Rui, and had him basically set out his thesis statement on his ideal, communal, utterly crowdsourced society. Showing its usual respect for easy answers, this speech was immediately shut down by one of his subordinates rightly calling him a naive, idealistic fool, and promptly hanging up on Rui to go play with his adorable daughter.

Rui’s plan has always had a number of internal inconsistencies, with his belief in a human nature that’s far less reliable than he thinks certainly being one, but another being the fact that for all his rhetoric regarding the death of heroes and the equality of his system, he is king of his powers. He decides when they’re used, he pulls the trigger, he is judge jury and executioner. This episode was the breaking point on that internal tension, when the collapsing tunnel finally prompted him to make himself the hero-celebrity he’s never wanted to be. Now he’s finally going to come into direct contact with Hajime, who is perhaps the only human being who truly represents the spirit of community his hundred were supposed to embody. This show just keeps getting better and better.

And the rest

Monogatari was a recap this week, and I’ve officially dropped Watamote – the show seems to really not have any aspirations outside of humorously and deservedly dumping on Tomoko, and that’s just not too compelling to me. I’m very excited for next week, though – a new arc in Monogatari, a new day in Uchouten Kazoku, and the long-awaited confrontation of Gatchaman’s two leads promises plenty of action, excitement, and thoughtful understated character drama. My favorite things!

 

Uchouten Kazoku – Episode 6

I’ll probably be taking it a little easy on this one, since I just finished writing the Shinsekai Yori manifesto and am pretty much done with writing forever at the moment. Anyway. Uchouten Kazoku is the best, and last week’s episode was the best, and hopefully it will continue to be the best. The End.

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Uchouten Kazoku – Episode 5

Last episode pulled the family together for the closest thing to a resolution the show’s demonstrated yet – but of course, this show isn’t normally about neat resolutions. It’s about people. That’s why it’s good. It employs great craft of storytelling, but it’s not telling tales – it’s just documenting the lives of some people. That they happen to be very interesting people, and that the world they inhabit is rich and colorful and lovingly articulated, and that their conflicts and turmoil reflect on issues of family, maturity, and self-image that are utterly universal? Yeah, that’s probably just an accident.

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Uchouten Kazoku – Episode 4

So, we’ve had three vignettes so far, each helping to illustrate the relationship between Yasaburou and his world, as well as his somewhat love-hate relationship with responsibility. He’s resentful of it, but actually a natural at it, and seems easily the most capable of his father’s four sons. But he himself values freedom, exemplified through his infatuation with the whimsical, apparently dangerous Benten. Though each episode so far has been fairly self-contained, this one seems like to be a direct follow-up to the last, portraying the festival that will likely bring Yasaburou’s family into direct conflict with the tanukis they no longer have any social power over. It seems like every episode has forced Yasaburou to exercise his natural gifts for negotiation and leadership in more and more direct ways, and the high stakes of a drunken mid-air family feud strike me as a pretty natural next step.

Or, you know, this show could do whatever it wants to. Its mastery of storytelling is clearly beyond my depth, so I’m happily on for the ride either way.

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Summer Season 2013 – First Quarter Roundup

Because evaluating shows before they even reach their halfway point is obviously an intelligent idea, let’s check in on the season so far. Heroes have risen, villains have fallen, and a couple shows have pretty much just done exactly what I expected them to do. It’s time for the

Summer 2013 First Quarter Anime Roundup

This season is actually kinda crazy-good. I was originally skeptical it could even begin to compare to last season, but a couple wild card hits have set it up as an extremely strong lineup. This is particularly exciting because it’s implying there are some great lesser-known creators out there – last season I knew Urobuchi and Brain’s Base made good things, but my two favorite shows this season were basically shots in the dark. Let’s do it in order…

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Uchouten Kazoku – Episode 3

Alright! Time for the easily best show of the season. By virtue of its subtle plotting, incredibly naturalistic and understated dialogue, confident, meditative pacing, and realistic focus on family ties and community, Uchouten Kazoku has almost certainly lost the interest of the anime community at large. That’s okay! Turns out we still get actually good shows even when we consistently prove the community isn’t ready for them. I’m not bitter! Nope, definitely not bitter. Don’t think anyone could possibly accuse me of being bitter. Anyway!

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Uchouten Kazoku – Episode 2

This season is shaping up nicely, and at the moment Uchouten Kazoku is its cornerstone. The first episode was unique, well-written, and extraordinarily sharply directed and animated. It seems like it might become an actually mature and thoughtful examination of young adulthood, which I probably don’t need to tell you is something anime virtually never does. Not much else to add – I’ve been waiting for this all week, let’s get to it.

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Summer Season Initial Impressions

Management: My writeups will still obviously all be on the test, but here are my overall initial impressions of this season’s lineup.

This week sure was summer. I caught the first episode of a whole tidal wave of shows, dropped several, clung to a few more, and was actually impressed by exactly two. Let’s get those out of the way first.

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