This week on Crunchyroll I gave a wave to a few of the less renowned premieres of the season, before we get into the period where I can only really discuss the shows I’m actually following. There’s just too many dang shows out there for me to watch everything, but I’m sure somebody could use the direction of these recommendations. It can become easy to forget that to most people, there’s really no way of knowing what new shows might actually appeal to you!
The new season has begun, meaning Why It Works has a whole new crop of shows to talk about! Today I started with Izetta, breaking down a bunch of the details that come together to make that opening train scene work so well. It’s nice to have such a broad selection of new things to discuss!
I finally got around to featuring Thunderbolt Fantasy over at Crunchyroll, just in time for the end of the season. With most of the new shows not yet airing, I figured this was a perfect time to catch up on a show that definitely deserves some recognition. Thunderbolt Fantasy was an excellent ride, and I’m happy to hear we’ve got another season on the way!
I guess I just can’t help myself. I returned to the JoJo well once again this week, since Koichi and Kira’s fight offered such a handy demonstration of one more of the show’s myriad strengths. You could probably do some further writing on how JoJo manages the hues of its palette shifts to echo their emotional intent, but I stuck to the basics this time – most great comic/animation artists give their characters distinctive visual signatures, and JoJo is able to use those signatures combined with its own style tricks to create some profoundly impactful battles. Let’s get to it!
The Ancient Magus’ Bride’s first prequel episode came out last week, so of course I had to dig in for Why It Works. This adaptation is definitely doing a strong job of capturing the offhand style of magic that makes the manga so charming, even if its story isn’t really focused on the relationship that keeps it strong. My only real complaint is the somewhat impersonal CG layouts – I briefly mention them in this article, but they were certainly at the back of my mind pretty consistently through my viewing. But aside from that, this was a beautiful and very atmospheric premiere!
And so my retrospective of the dogs of JoJo concludes with a tribute to JoJo’s most noble hero: Iggy the Fool, who gave up his life so an asshole Frenchman may live. Us stalwart dog lovers salute you, Iggy. You did the best you could in a game you weren’t meant to win.
I’ve enjoyed writing these very silly articles, so I’ll probably think up more nonsense to cover soon enough. I hope you enjoyed them too!
JoJo has been terribly and consistently unkind to its dogs, and I for one have had enough of it. Part of being a critic is accepting that sometimes you have a moral responsibility to write a two part article in memory of fictional animals. I didn’t choose this duty, but I will not shirk my responsibilities. Dear dogs of JoJo, please accept this offering in memory of your sacrifice.
Today I got to write a piece on Sweetness & Lightning for the first time, which was nice. The show honestly doesn’t offer that much to dissect a lot of weeks, but the Tsumugi-focused episode was a clear standout, so I had plenty to talk about. Hope you enjoy the piece!
I returned to JoJo again this week, unable to avoid the temptation of talking about a Yukako episode. Unfortunately, this article isn’t really about how Yukako herself is awesome – it’s more about the framing of her Cinderella story, and the influences it’s drawing on in both a narrative and visual sense. Hopefully that still sounds pretty entertaining!
Today I discuss Orange’s somewhat unique framing device, and the interesting way it colors our relationship with Orange’s characters. Some mild philosophy of the viewer shenanigans for your Saturday afternoon.