I was back to Flip Flappers again this week, discussing how so much of Flip Flappers’ larger storytelling beats are mostly relegated to imagery and background noise. While I enjoyed Flip Flappers from the start, I’ve only been feeling more impressed by its storytelling as the episodes pile up. If its second half is as strong as its first, it could easily stand as one of this year’s lasting anime highlights.
Today I’ve got a new ANN editorial for all you lovely folks! This time I’m diving deep into questions of tone and authorial voice, discussing the difference between cynical characters and cynical productions, and offering my own very predictable take on this whole mess of concepts. I had a lot of fun with this one – authorial voice is an inherently thorny and fascinating concept, and character writing is something I’ll never get tired of talking about. I hope you enjoy the piece!
So yes, I technically may have used SHELTER as an excuse to ramble about Idolm@ster again. Those may ultimately be the facts as they are presented – but is that a crime you could convict me for? Could ANYONE fault me for using this clearly valid opportunity to talk about why Megumi Kouno is extremely good? I present myself to the people: let he among you who is without moe cast the first stone.
I took a few weeks away for the start of the fall season, but I couldn’t stay away from JoJo for long. This week I go into another of JoJo’s general-purpose strengths – the way it’s so genuinely invested in not-so-thrilling adventures that it drags the audience along as well. It’s pretty much a constant for JoJo, but I figured a week where Kira faced down a cat-plant was as good a time as any to discuss it!
The nice thing about working for ANN and Crunchyroll is that I get to be as greedy as I want when it comes to writing about shows. Sure, I’ve already got three great anime over at ANN, but why should Flip Flappers have to be left out? So this week I return to Flip Flappers, and talk about some of the neat details used to construct Cocona’s internal world. I hope you enjoy it!
This week on Crunchyroll I gave a wave to a few of the less renowned premieres of the season, before we get into the period where I can only really discuss the shows I’m actually following. There’s just too many dang shows out there for me to watch everything, but I’m sure somebody could use the direction of these recommendations. It can become easy to forget that to most people, there’s really no way of knowing what new shows might actually appeal to you!
The new season has begun, meaning Why It Works has a whole new crop of shows to talk about! Today I started with Izetta, breaking down a bunch of the details that come together to make that opening train scene work so well. It’s nice to have such a broad selection of new things to discuss!
Goodnight Punpun’s second volume is clammy and claustrophobic and cold. Its characters are alternately bundled in heavy winter clothes or sweating and naked beneath the sheets, suffused with a sense of spiritual isolation or simply embarrassed at the wriggling baseness of their desires. Childhood is over for Punpun, and even if it was an awkward and frightening time, it was still laced with precious, golden memories. Punpun is in middle school now. Middle school is terrible.
I finally got around to featuring Thunderbolt Fantasy over at Crunchyroll, just in time for the end of the season. With most of the new shows not yet airing, I figured this was a perfect time to catch up on a show that definitely deserves some recognition. Thunderbolt Fantasy was an excellent ride, and I’m happy to hear we’ve got another season on the way!
Alright, I’ll confess: I wasn’t able to get a meaningful distance into Heaven’s Feel. I got through all of the pre-route scenes that involved Sakura, and I had a nice long chat with Kotomine at the church, and then I got nearly murdered by Ilya, and then Rin finished me off with an interminable conversation about magical energy. All of that took several hours of clicking through, but it didn’t really accomplish anything narrative-wise – I’m still basically in the introduction phase of the route, and there’s no indication that that’s going to end any time soon.