Alright, so this one technically isn’t another Flip Flappers article – it instead focuses on Studio Pablo specifically, whose gorgeous background art lends the show so much of its power. But Pablo aren’t only associated with Flip Flappers, meaning I got to have a lot of fun digging around through their history to find even more highlights of their work. As someone who often appreciates shows for their mastery of tone more than anything else, background art is pretty dang important to me. I hope you enjoy the piece!
There are a lot of anime out there! Literally thousands, with over a hundred more being released every year. There are new hits every season, and old favorites that have slowly lost their topical sheen. Given all those shows, it can be understandably hard to pick what to watch next – anime, like every other medium, is full of stuff that will disappoint you, and everyone’s tastes are different.
My own tastes in particular are a little weird – I like arthouse stuff and intimate character studies and occasional cathartic message-focused shows. But fortunately, there is indeed such a thing as “normal” taste in anime, or at least the most common preferences shared by fans outside of Japan. And today, I’m hoping to help that audience – or more specifically, hopefully, You.
Couldn’t keep myself away from Flip Flappers, as it turns out. The Why It Works articles are actually very well-suited for exploring the show, since its ideas are all relevant across episodes, and so it’s handy to analyze single threads that have carried between them. This time I talk about the show’s use of visual symmetry, which essentially expands on my earlier writing about the show’s generally stellar visual storytelling. Take a look!
Hello again! For this week’s Why It Works, I focused on a roughly three minute scene from the latest March, and basically unpacked it into an investigation of Rei’s personality and the nature of teaching and media salesmanship. It’s always nice when some offhand element of a show gestures towards a larger topic like this, and I had a bunch of fun writing this one. I hope you enjoy the piece!
On this week’s Why It Works, I finally found an angle for digging in to Girlish Number, one that basically highlights the show’s favorite things – insults and character writing. Girlish Number isn’t a fantastic show, but it certainly has strengths worth talking about! Hopefully next season offers some reasonable critical fodder – I’m already wondering exactly how I’m gonna fill my column without JoJo to always lean back on. Oh wait, Rakugo is coming back, nevermind. There’s always something to cover!
ANYWAY. This article’s about Girlish Number. I hope you enjoy it. Here’s the piece!
I was back to Flip Flappers again this week, discussing how so much of Flip Flappers’ larger storytelling beats are mostly relegated to imagery and background noise. While I enjoyed Flip Flappers from the start, I’ve only been feeling more impressed by its storytelling as the episodes pile up. If its second half is as strong as its first, it could easily stand as one of this year’s lasting anime highlights.
Today I’ve got a new ANN editorial for all you lovely folks! This time I’m diving deep into questions of tone and authorial voice, discussing the difference between cynical characters and cynical productions, and offering my own very predictable take on this whole mess of concepts. I had a lot of fun with this one – authorial voice is an inherently thorny and fascinating concept, and character writing is something I’ll never get tired of talking about. I hope you enjoy the piece!
So yes, I technically may have used SHELTER as an excuse to ramble about Idolm@ster again. Those may ultimately be the facts as they are presented – but is that a crime you could convict me for? Could ANYONE fault me for using this clearly valid opportunity to talk about why Megumi Kouno is extremely good? I present myself to the people: let he among you who is without moe cast the first stone.
I took a few weeks away for the start of the fall season, but I couldn’t stay away from JoJo for long. This week I go into another of JoJo’s general-purpose strengths – the way it’s so genuinely invested in not-so-thrilling adventures that it drags the audience along as well. It’s pretty much a constant for JoJo, but I figured a week where Kira faced down a cat-plant was as good a time as any to discuss it!
The nice thing about working for ANN and Crunchyroll is that I get to be as greedy as I want when it comes to writing about shows. Sure, I’ve already got three great anime over at ANN, but why should Flip Flappers have to be left out? So this week I return to Flip Flappers, and talk about some of the neat details used to construct Cocona’s internal world. I hope you enjoy it!