Hello folks, and welcome back to Wrong Every Time. Today we’re checking in with Lilisa and the gang for one final episode of Rock is a Lady’s Modesty, as our quartet face off against the repulsive tourists of Bacchus. With their total focus on external validation and blatant disregard for the sanctity of rock, they have stirred Lilisa into a defensive fury, giving her the perfect outlet for her frustrations regarding her increasingly tenuous surface life. This is not what rock is all about!
But what is rock all about? Over the past twelve episodes, this production has offered a variety of answers to that question, none of them fully encompassing the mixture of social rebellion and personal validation our leads seek on the stage. For Otoha, rock is a haven of self-satisfaction in a life spent pleasing others; for Lilisa, music connects her to her absent father, and lets her express the unsociable feelings she keeps locked behind a polite smile. Rock can mean whatever any isolated teen needs it to mean, and while this story has occasionally gestured towards the medium’s inherent political associations, it has mostly proven a celebration of these particular characters, fondly articulating the increasing mutual trust of our leads. That’s fine by me; in a world as oppressive as Lilisa’s, even just holding onto your soul is a form of protest, a blow struck against the insincere smiles and cutthroat calculations of high society. So let’s raise our middle fingers high one last time, as our girls bury these jokers once and for all!