And so Biscuit Hammer ends, with a final volume that pays back all my investment and then some. Biscuit Hammer’s conclusion is spectacular, a sequence of battles and moments of emotional catharsis more consistently rewarding than basically anything else in the series. I still had issues with these chapters, from the awkwardly welded-on nature of Anima and Animus to the ever-messy art, but the overall effect of this finale was so strong that I can’t really complain. Biscuit Hammer will always be a messy work, but it’s a passionate and worthy one all the same. If you haven’t checked it out yet, definitely give it a try.

You can check out my full review over at ANN, or my chapter notes below!

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I’m back for more Biscuit Hammer, and this volume… unfortunately couldn’t live up to the standards set by the last couple. It’s not that surprising, really – Biscuit Hammer has always been a compelling but wildly inconsistent production, and its victories come down to personality triumphing over craft more often than not. Biscuit Hammer is one of those weird stories that succeeds largely by ignoring storytelling fundamentals – when it works, it’s because some vague semblance of craft manages to attach itself to the story’s clear and ever-present talents for character writing and quirky execution, not because it’s a fully realized story executed with a confident understanding of how to actually tell one. I really, really like Biscuit Hammer, but I get the feeling that whatever this artist is working on three stories from now is going to be the real masterpiece. But I’m fine with this wacky-ass, aesthetically ridiculous, utterly heartfelt shounen drama until then.

You can check out my full review over at ANN, or my notes below!

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Back to the manga front, with some more Biscuit Hammer. This story is just getting consistently better at this point, with the story and characters gaining complexity and poignancy as everyone moves towards the endgame. The art is also improving, though it’s still a mix of highlights and lowlights – some of the shots of the horse in particular made me kinda wince. If you can’t draw a horse, it is pretty ambitious to make a Horse Knight one of the main characters of your story. But that’s beside the point – this story is great, and you should buy it. I hear the manga hasn’t been a success for Seven Seas, which is a shame, because they really deserve to be lauded for bringing this one over.

Anyway. Here’s my full review over at ANN, and you can check out my chapter notes below!

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More manga reviews! Branching out this time, switching from the ever-enjoyable Genshiken to the cult classic Lucifer and the Biscuit Hammer. I wasn’t so hot on Biscuit Hammer’s first couple volumes, but it really clicked for me this time – with what seems like the full cast introduced, the story’s gaining a lot of interesting texture while maintaining its great personality. The art’s still crappy, but hey, it’s an endearing kind of crappy. Anyway!

My full review’s available over at ANN. Manga notes below!

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