Strangulation: Kubishime Romanticist

“You’re guilty of the crime of being you, and so, too, shall that be your punishment.”
Jun Aikawa, the World’s Strongest Contractor

When I reviewed the first volume of the Zaregoto series, I was somewhat at a loss as to what to actually write about, as I’m not really a mystery fan. It’s clear that Nisio Isin himself started his writing career far more fascinated with mysteries for their own sake than he ended up – though shows like Monogatari are technically constructed around mysteries, they always ultimately reveal themselves to be about human psychology, instead. Who did what to who is never the actual point; it’s what drove a given story’s players to that point which is interesting, and “solutions” generally hinge not on figuring out who’s guilty, but on whether the guilty party can learn to embrace whatever truth they’re hiding from themselves.

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Decapitation: Kubikiri Cycle

I wouldn’t call myself a person who likes mystery stories. Locked rooms, remote islands, strange killings with no earthly explanation – all of that stuff strikes me as arbitrary in a way I don’t really want to read. Part of it comes down to the fact that such stories are often liars, or at least not tellers of the whole truth. Sherlock Holmes stories are deceivers – Sherlock Holmes himself is not a detective, but a magician. When Sherlock Holmes pulls out a solution, we are astonished not because he used the same information we had in a more elegant or insightful way, but because his brandishing of new, unheard information was so dazzling that we believed in the trick anyway.

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