All good things must come to an end. I think I’ll be able to take this one a little more gracefully than Uchouten Kazoku – at this point, it’s actually a nice feeling to see great shows finish strong. That doesn’t end our engagement with them – the best shows can be watched again and again, our relationship with them enriched by sharing them with others. Additionally, sales or no sales, Kyousogiga marks the creative debut of a great new director, which is always something to be celebrated. I don’t want this story to continue – it’s come back around to where it began, and I’m very ready for it to end well.
Episode 10
0:33 – Did somebody say ending where we began? Yep. I’ve said it before and I’ll say it again – the best stories are little jewels where every facet reflects the whole, and each piece contains a part of the work’s full intention. If you find yourself writing something and asking “how should I end my story?”, you weren’t writing a story in the first place, you were just writing a series of things that happen. A good story’s ending is inevitable
3:17 – One thing he shares in common with Myoue. He apparently finds meaning in his life through the things he loves and feels inspired to protect. Which is a nice reflection of the idea of the Mirror City or family (which obviously are connected in significance) as a set of binding responsibilities – it’s the ways we’re tied to other people that reflect back and define us. It’s what we do for others that makes us who we are
3:42 – Great image. His eye the eye of the world
3:43 – And another great one. Always refreshing to see a show not afraid to play with visual style
3:57 – Mirrors and mirrors. You can’t help repeating your family’s patterns, sending your baggage on to your kids
4:31 – He’s still a child. Seeking direction or approval wherever he can find it, throwing tantrums, unable to express the love he professes in a constructive way. A shame he didn’t have siblings as good for him as Myoue’s were
4:59 – Koto lays out some hard truths
5:40 – And then some even harder ones. At least Myoue reached this level of honesty – he knew his lack of purpose was a kind of self-hatred. The Monk is just like a baby – he feels discontent, and so he lashes out and breaks things. Our whimsical gods
5:51 – Ah, that’s so graceful. To his oldest son, the power to create. To his youngest daughter, the power to destroy
5:56 – This show is so gorgeous. I love the planet highlighted through her transparent hair
6:09 – Koto’s kind of stealing my job here. Defined by our children and family etc etc
6:24 – Koto’s expressions and design are so good. And jeez, could the Monk be any more of a sullen kid? Whining that the son who’s lived for hundreds of years desperate for his recognition “doesn’t like him.” This guy
7:02 – All these wonderful visual choices goddamnit it makes me mad most anime is so conservative
9:10 – I hope you guys are taking notes. This is seriously some gorgeous narrative/thematic integration we’re getting right here. Family and the City, a cage until you realize it’s your reason for living. Though it doesn’t have to be siblings – the Monk found love, and thus his purpose, creating his own family just as he created his own world. The siblings were thrust into a family, and did not accept it willingly – outside of Koto, who’d never had siblings/a past, and thus happily embraced the chance to have a family for once, bringing the others together through her appreciation of what to them had become so inescapable it seemed a prison
Ahhhh it ties together so well! This is exactly what I was hoping for – not some meaningless battle, but a scouring and acceptance of the self – the family acknowledging each other and through that redeeming itself. Ah, gorgeous
9:45 – Koto’s back to doing what she does best
10:38 – His expressions are fantastic. As is Koto’s sisterly concern
11:13 – Dear lord this show is pretty. It’s the lifestream!
…jeez, that reference makes me feel old
11:59 – Ah, so lovely.
Incidentally, I’m fairly confident this show has weeded out the popcorn crowd at this point, but yeah, this is how stuff like this resolves. The real “final battle” was last week – Myoue finding purpose in his own existence. This is a personal story – after the personal, the rest is history
12:06 – Did I mention I love this show’s diversity of visual styles? This one’s great because it actually stays close enough to the standard style to not seem like an emotional flourish – the lack of detail and flattened shading make it seem like they’ve entered a place that’s only really a rough sketch of a world
12:31 – They explained the animals! Holy shit. They were actually significant!
12:53 – Also, the narrator who opens each episode turns out to actually be the voice of god. That’s… that’s pretty cute
13:10 – Koto doesn’t let a little thing like becoming god faze her
13:43 – I like how each of the siblings literally has a very different mental image of their father
14:31 – You used to be such a crybaby, Koto
15:15 – But you’ve become so strong
16:33 – You don’t have to find your own meaning
16:52 – God this show
17:41 – Almost fanservice. These two make such a great pair
18:14 – Can’t go and selfishly kill yourself. Your family needs you
19:02 – His has been a very selfish love
20:50 – This show knows when to be silent
21:05 – And gah these backgrounds. What a wonderful conception of the realms of the gods
21:40 – This show really, really does not want you to kill yourself
22:40 – No easy answers here. You want a life purpose? Well, there aren’t any. Just gotta keep living
23:08 – “This here is all I have. I can accept this place as my home, like any other.” Really do love those opening lyrics. Home isn’t just a place, it’s the people you share it with
25:44 – Until next time
And Done
Welp. Gorgeous ending to a gorgeous show. Wrapped everything up wonderfully, full of beauty and heart and intelligence, a small personal story with endless humanity and resonance. Yeah guys. We got another one.
Not much to say – the show made everything explicit by the end there, and it expressed its messages beautifully, so what’s there to add? It’s nice to see the birth of another classic. I should have a review up soon, but I don’t think it’s any surprise this little gem’s a 10/10 and one of the best shows in recent memory. These are the shows I watch anime for. Hope you enjoyed the show, hope you enjoyed the writing, and hope you all know we all need each other out there. See you again soon.
Yup, pretty happy here too. It’s hard to articulate but while I would have liked one or two things to have changed (mainly I’d like to have a better idea of what girl!Koto is going to be doing now) I’m still really satisfied with it and crushed that after two years I don’t have any more Kyousogiga to look forward too. ;-;
I AM looking forward to actually being able to buy and show off this series at some point! There are already a ton of people I want to force this show on…
Yea it truly was a great show! I was also a bit worried with the high priest thing that threatened to turn into a battle but they went on beautifully. It was an emotional ride for me I’m a pretty sensible guy ahah. Also never skipped that great op. To me it’s a fair 9/10.
That OP was so good! Got me excited for the new episode every week
“I don’t want this story to continue – it’s come back around to where it began, and I’m very ready for it to end well.”
My thoughts exactly. It was a solid series, I enjoyed it, and it managed a near-perfect blend every episode of insightful and entertaining. Now that it’s over though, I feel as though the story is fully complete – anything added on top of this would probably just feel unnecessary to me.
The feeling of a show ending well is so satisfying. And I’m already kinda looking forward to rewatching this one – there’s enough imagery and character foreshadowing that I’m sure it’ll be rewarding in its own way.
Shows with a clear end are actually quite rare.
I’m perfectly satisfied by this ending.
I don’t feel like I need anything more, and this feeling of achievment is pretty great.
I may not have always loved it as much as you, but I am really glad I watched it.
I’m really waiting for the next author(s)’s work .
I didn’t know the director (Rie Matsumoto) was a female until today. I can probably count all the ones I know of on one hand, so it’s always great to discover a new female director. It really came full circle with its influences from The Life Is But A Dream poem and the buddhist concept of death and rebirth. And then, I started getting Uchouten feels all over again when MC Koto started talking about “looking at the sunset together” and whatnot. This show was quite a ride from start to finish and it sure will be missed now that it’s over.
Yeah, this year has actually been really great for female directors – the industry is still horrifically slanted, but it’s a good sign. And any show that warrants Uchouten comparisons is doing something right in my book.