To the surprise of no one, it turns out I wrote up a review for good ol’ Symphogear. This show was a trip and a half, and I hope I was able to convey some of that in my text. It’s a little weird “evaluating” a show like Symphogear – I mean, metric-based evaluation is always weird, because art doesn’t really work that way, but with a show like Symphogear it’s even more difficult than usual. Normally, I can sort of fudge the reality that the intersection of narrative storytelling and aesthetic execution can only really be discussed in, well, discussion-oriented terms, and vaguely declare that one show is “better at what it’s trying to do” (relative to my valuation of the merit of its inherent goals etc etc) than another. But Symphogear is good because its story is a mess, so it’s a bit tougher to judge.
Anyway. Did my best. You can check out my full review over at ANN, or my episodic notes below!
Episode 1
First episode is glorious madness. A big concert, an attack by “Noise,” a crazy fight, a song-sacrifice
The style of the fights is pretty great – this episode at least has very good animation, the enemies have distinctive designs, and the freeze-frame shots of attack names are a wonderful touch
ONLY MUSIC CAN SAVE THE WORLD
The music may be idol stuff, but the tone is ridiculously metal
Hibiki loves to help people, of course
Tsubasa gets her attack names flown in on badass scrolls with blooming flowers, fitting her samurai aesthetic
The characters have a solid rapport. The dialogue feels more natural than a lot of shows
Energetic direction, and ridiculously energetic music. Both the idol songs and a lot of operatic stuff
This first episode has two major fight scenes, a concert, and a chase from aliens that turn people to ashes
Hibiki’s powers activate!
CODENAME: GUNGNIR
Wow jeez, Hibiki’s transformation is some awful body-horror shit. And then she becomes a beast. Quite a first episode!
Episode 2
This glorious melodrama
Symphogear is basically an epic hair-metal ballad. It’s November Rain
AND SHE JUST STARTS SINGING FOR NO REASON
She also can’t really sing, lol
Tsubasa flies in on a motorcycle which she crashes into a monster, then backflips off of it while singing in vague Latin-German
Okay, now we’re getting stills for the fights
Super dramatic sound design and shots for even Hibiki dropping a cup
Imprisoned by the secret agents!
Basically an Eva command center, completely with nonsense Eva battle-lingo
“THAT’S ENOUGH FRIENDLINESS” Tsubasa way cool
“THERE’S NO NEED FOR SMILES WHERE WE’RE GOING”
They… threw a party for her?
Genjuurou Kazanari is the leader dude
“NAAAANDEEEE????!?!?!” This show really has a tone… issue. It’s super hyperactive
Of course the secret monster-fighter is also a top record-selling idol
Miku is Hibiki’s friend
Miku is her rock
Tsubasa is HAUNTED BY THE PAST
Every dramatic beat is obvious and played out in a cliche way, but the show isn’t taking itself seriously at all
The Relics are products of heretical technology, found in ruins, which give idols superpowers
And of course singing creates the wave that unlocks the relics
“When it happened, I could feel a song in my heart”
A lot of the joke moments don’t really work at all. Simplistic pratfalls and “waa waa” moments
TSUBASA IS TORMENTED
She can’t even tell Miku?!?
TSUBASA WON’T ACCEPT HER. THE PAIN IN HER HEART IS TOO GREAT
Hibiki just wants to save the fuck out of people
Chief dude pondering Hibiki’s choices
This show combines lots of little genre bits – transformation scenes, school stuff, idol stuff, battles, scifi melodrama
Fight scenes are 100% rule of cool flashy nonsense
Episode 3
“I cannot accept your existence!”
And Tsubasa tries to kick a sword into Hibiki
The boss is Tsubasa’s uncle
This show has some really solid, colorful backgrounds
THE TRAGIC DEATH OF KANADE
Tsubasa blames herself, of course
Nice piano track for this flashback, too. A very diverse soundtrack
Sacrist D Durandal – basically this show’s Terminal Dogma. The Evangelion references come thick and heavy
It’s some crazy powerful Relic
Ryoko Sakurai is the scientist lady
holy shit that was some bad walking animation
“Come on, stop being stupid”
The disconnect between the wacky school stuff and Eva stuff is pretty interesting. Two different ridiculous shows
Oh no, Hibiki’s drawn away from Miku. The disconnect between her two lives is so tragic!
The backgrounds are all pretty gorgeous
Everyone gets their transformation scene
ono, a giant grape monster
Hibiki’s PISSED
BERSERKER HIBIKI
“I have something I want to protect, too!”
Episode 4
“Give me the power to kill the Noise!” “Even if it means you end up going to hell?” There’s just something about Good Shows
“She gained her Symphogear by singing through blood and vomit.” What a touching story
Episode Four: Falling Tears
“The armor of Nehushtan”
This fight’s fun. Dynamic camera angles, reasonable animation, good colors
Oh my god, this crotch camera angle
“If I can take back Nehushtan, I can restore my honor!”
TSUBASA BLEEDING FROM HER EYES
The “Ultimate Song” goes beyond their body’s limits, normally blowing them up in the process
Hibiki learning Tsubasa’s story
The drama isn’t particularly effective in a human sense, but it’s still entertaining
“Always stay who you are, Hibiki”
Actually a really nice scene between Hibiki and Miku
Madoka’s VA was the perfect choice for Hibiki. Good mix of kinda rueful derpiness and resolve
Episode 5
“Strike like you’ve been eating thunder and crushing lightning!”
Oh my god, Hibiki’s doing classic boxing training
This Engrishhh
Soooo baaaad
SOLOMON’S CANE IS ACTIVE
Chris being tortured by her master
“This is the truth of the world: only pain can connect people’s hearts”
And her master is naked, for some reason
“Noise are considered top-tier secret information.” But everyone knows about them?
Hibiki’s group is called the Disaster Squad
Foreign countries want to get their hands on the Symphogear, of course
Tsubasa finds the will to fight again
I like the architecture of this world
ONO, THE AMERICANS. Or somebody
Sacrist D Durandel, kept in the lowest level, “The Abyss.” Yeah, Eva much
So Hibiki’s organization won’t even explain things to their school? Brilliant work
They’re trying to get Durandel to some ruins
Nice sketchy shots for Durandel’s activation. And Hibiki going berserker again
So scientist lady is probably evil
Episode 6
Tsubasa and Hibiki becoming friends
Miku takes out a book called “Being Honest with Yourself,” sees Hibiki with Tsubasa, and then puts it back on the shelf. Amazing
Tsubasa says her reason for fighting is positive, but also a kind of survivor’s guilt
In order to protect her everyday life, Hibiki must step further and further away from it
Tsubasa teaching her to unleash her Armed Gear
Getting some Miku moments
Chris comes to fight Hibiki! And Miku is there!
Okay finally, Miku sees Hibiki kicking ass. Good, I was getting tired of this
Oh my god, Hibiki’s speech to Chris is amazing. “I’ll tell you my weight when we’re better friends!”
Chris hates the friendship talk
“If I can’t stabilize the energy with my Armed Gear, I’ll just hit her with it!”
And then she punches her in the gut. Awesome
Episode 7
This show is the opposite of subtle, and it actually works. Every plot beat is thunderous, every emotion is outlined and highlighted. But it’s not a “so bad it’s good” situation – it’s just very silly, and totally okay with that, and having so much fun along the way that it doesn’t matter. Its idea of symbolism is that Miku scene, which doesn’t work according to any traditional metric, but is so brazen and ridiculous that it’s totally endearing anyway. It also helps that these scenes of dramatic absurdity are basically just garnish for the consistent fight scenes, and not expected to carry the weight of the production. It’s not “traditionally good,” but it is Very Good
More body horror stuff with Chris’s armor
More butt shots
“I’ll show you the power of Ichii-Bal!”
And of course the chief shouts it dramatically afterwards, and then it flashes on the monitors
“If there’s one thing I hate, it’s singing!”
Oh my god, Chris’s song is amazing. And now she attacks with friggin’ gattling guns and rockets. Fantastic
Chris’s lyrics are the best. They make her way more endearing. A huge oversight, not translating them
Tsubasa’s back, and she’s leveled up! Admitting she needs Hibiki’s help, etc
“Fine? A woman called ‘end?!?’”
Miku’s mad Hibiki was keeping secrets
And now Chris is helping two kids find their dad. They have synthesized the most adorable possible villain. Anime is too powerful
Chris humming in spite of herself. “I hate singing. Especially my own song, since it does nothing but destroy”
Mad science monologue about Hibiki fusing with her artifact
“I don’t think I can be your friend anymore!” loool
Episode 8
More crazy electro-guitar music
Miku runs into Chris, of course
Chris in a blanket-lump. Shameless pandering
The Miku drama’s pretty lousy, and drags the show down a bit. The characters are also pretty frequently off-model
Chris advising Miku to beat the shit out of Hibiki
Oh no, a Noise activated by loud noises! How will Hibiki save Miku THIS time?!?!
The transformation scenes give the show some stock footage
The finale of this fight with the octopus and whatnot is fuckin’ great. ANIME YEAH
These backgrounds are also great
Episode 9
Miku joins the team
Wow, this comedy scene sure isn’t funny
The Commander finds Chris
Chris has a lot of anger inside her, but it’s very understandable anger. Her story is the best in this season
Date montage with the three girls
Hibiki sure does have a burning heart
And of course Tsubasa picks an old-timey samurai ballad at karaoke
Tony Glazer wants to bring Tsubasa to the international music stage! Oh no!
Crazy-ass finale sequence cutting between Chris and Hibiki fighting and Tsubasa performing
Wait, they’re actually going to make Tsubasa’s career a conflict? Ugh
Episode 10
This show has the absolute worst Engrish
“I neutralized the explosion using a martial arts technique”
This adult versus kid thing with Chris and the Commander seems to be a big point
“I HATE MY DEAD PARENTS MOST OF ALL” amazing
An actually effective emotional moment between Chris and the Commander!
“Kadingir…” “I tried looking for it on the internet, but all I got were game walkthroughs.” Brilliant
Big fight at Tokyo Tower
“Don’t get me wrong. It’s not like I wanted to help you or anything.”
FRIENDS AT LAST
Great new guitar track for their first fight together
And this is Chris’s new song! Great stuff, great finale
MEGA DEATH QUARTET god her attack names are amazing
Episode 11
The school’s under attack!
Welp, apparently their base’s own elevator shaft is the “Kadingir”
The villain outfit is ten kinds of ridiculous
The Commander knew all along!
“BUT DO YOU THINK YOU CAN STOP ME”
Commander’s just beating the crap out of her bare-handed
So now we’re learning Ryoko actually had Fine’s ancient priestess genes sealed inside her, a much dumber explanation than just “Ryoko was evil”
So now she wants to blow up the moon. Sure, fine
Big fight, Chris does her final song
Episode 12
Hibiki’s going beast mode now that Chris sacrificed herself
Some pretty solid animation here. The show has fine animation overall, just a couple loose spots
This synth track kinda sucks, though
Fine even does the Dio two halves unsplitting thing
Awesome, totally fantastic sequence for Tsubasa. Badass stuff
Tsubasa blew up the space laser!
Hibiki’s in despair with both of her friends dead
“What’s wrong with using anime as an example?!” I love it. It’s like a protest for this whole series
I love how they just have to form a pyramid and hit one giant switch
haha, of course they sing the graduation song
AND THEY’RE ALL UP. IT’S TIME
Episode 13
Awesome fight sequence with all three of them singing together
Fine’s basically become a giant JRPG boss
This battle’s great. Going through ridiculous stages, working together, solid animation
Everyone actually shouting support to Hibiki as she fights The Beast. We must include EVERY cliche beat!
Hibiki has a last talk with Fine before she crumbles to dust. Of course
Hibiki really doesn’t have much of a singing voice
Everyone monologuing their character arcs before punching the moon
And of course they’re alive again, somehow
Can you pinpoint the difference between the effects of Jojo or Symphogear’s over-dramatic fun to Attack on Titan’s over-dramatic mess? (And sure, maybe how the AoT director avoided, or didn’t, those same lines in Code Geass/Death Note?)
Or what made you pay more attention to KLK’s story, souring the experience, vs. not here? Was it just a matter of expectation, Symphogear having a shitter start helping its case? (And maybe then the second season will be evaluated as worse, as it might begin to repeat its arcs the way KLK did)
It’s more than one specific thing, but I can at least point out a couple differences here. First, with Attack on Titan, the show both had a clash in tone (attempting to evoke real drama, constantly fumbling it) that Symphogear generally avoids by being either being self-consciously silly or not laboring its drama, and also serious pacing problems that Symphogear lacks. Attack on Titan hung its tension on “will they make it” drama that both required a real investment in the characters and got dragged out over many episodes – Symphogear never wastes time or demands investment in that way.
With Kill la Kill, the issue was more with structure and repetition. I enjoyed KLK’s first half, but both its storytelling and its fight scenes began to get pretty repetitive in the second – Symphogear doesn’t have that problem, and its character work is actually a bit more coherent than KLK’s.
I think the common thread here is that both those shows stretched their content too far and attempted to fudge the problem through unearned character investment. Symphogear doesn’t waste time or attempt to be anything it’s not good at.
Some highlights for me from your notes:
“TSUBASA WON’T ACCEPT HER. THE PAIN IN HER HEART IS TOO GREAT” – Seeing such overwrought melodrama in all caps in the middle of your notes was too much. I laughed more than I should have.
“- Oh no, a Noise activated by loud noises! How will Hibiki save Miku THIS time?!?!
– The transformation scenes give the show some stock footage
– The finale of this fight with the octopus and whatnot is fuckin’ great. ANIME YEAH” – What!? What octopus!? What happened? Not only do things seem to have escalated quickly I am definitely missing something in reading the notes alone.
“I neutralized the explosion using a martial arts technique” – This line.
“So now she wants to blow up the moon. Sure, fine” – I love how this comes across as a mix of defeated and nonplussed. I can almost see the look on your face.
Highly amusing notes but now I have to watch this.
“the show can drag when it leans entirely on its shaky character writing”
Heh. Wait till you get to the second and third seasons. It feels like they overdecorated the cake that is Symphogear instead of making new cakes.
I think these might be the best notes you’ve ever posted. Symphogear is a truly wondrous treasure.
I can’t wait until CR puts up S2 for you.
Has anybody seen Macross Frontier? If not, you should at least check out the first episode, it is pretty spectacular. There are a lot of similarities in style and content to Symphogear, though honestly I think Macross Frontier does a better (much better, in fact) job of weaving together stellar music and gorgeous visuals for the fight scenes. The animation and audio production levels are both way higher, and the sound is better balanced between the music and the sounds of the fights. The only (and admittedly pretty big) downside is that Macross Frontier, despite all the gorgeous space battles, giant robots, and crazy aliens it has to play with, basically focuses its dramatic narrative on a shallow romantic love triangle. Bummer 🙁
“-despite all the gorgeous space battles, giant robots, and crazy aliens it has to play with, basically focuses its dramatic narrative on a shallow romantic love triangle. Bummer”
I hate to say it but isn’t that kind of a tradition for just about anything Macross related? I mean it usually ends up that way in just about every incarnation.
Still, I need to check out Frontier. Sounds pretty good nonetheless.