This week I went back and took a second look at Parasyte, which still holds up pretty well across its first half. In retrospect, it’s less my kind of show than I would have thought a year ago, but it’s still a fine horror-thriller with a lot of polish. The one glaring weakness is, of course, the music. Parasyte’s music sounds like the kind of noise a robot attempting to imitate the concept of human music would create – grating electronic brips and braps that shift jerkily in some uncanny approximation of tempo and melody. But hey, you can’t win ’em all.

You can check out my full review over at ANN!