Yearly Archives: 2016

Fate/stay night: Unlimited Blade Works, Part Two – Review

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Well, I’m sure you knew it was coming. I reviewed the first half about a year ago, and now that the second half’s blurays have finally come out, it’s time to go once more into the breach. I actually really enjoyed UBW’s first half, even if I already felt its writing was somewhat dragging down its fantasy-action appeal. But here in the second half, the turgid writing pretty much wholly sinks the production, resulting in one of the least compelling shows I’ve watched in recent memory. UBW’s second half is a mess, and it’s a shame, because there really are some nice fundamental ideas in there. Ah well.

You can check out my full review over at ANN!

Unlimited Blade Works

Missed Chances in Colorful

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I really, really wish Colorful were a better movie than it is. The kind of movie that Colorful is trying to be is a great idea – a painful, intimate portrait of depression, where any slight hints of the supernatural are really just there to better illustrate the context of the protagonist’s life. A movie that fully embodies the mindset of feeling divorced from happiness, and the reality of an unhappy adolescence. Colorful works somewhat better in retrospect, but even looking back on its trials, it’s a messy, awkward movie, one too caught up in its own bitterness and too hamstrung by its conceit to really invite the audience in. But it certainly tries to be something.

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Shirobako, Part One – Review

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Aw hell yeah I’m reviewing Shirobako. I’ve talked about Shirobako repeatedly and at length, but that’s no reason not to spend more time repping the best show of 2015. Shirobako remains just as compelling on my third watch, and it’s actually even more satisfying to see the initial circumstances and relationships of the characters before they evolve over time. Shirobako is funny and propulsive and endearing and heartbreaking, a show that’s surprisingly moving for how easy it is to watch. Considering what huge successes both Shirobako and Girls und Panzer turned out to be, I really hope Mizushima has many more originals coming down the line.

You can check out my full review over at ANN, or the notes for the five episodes I watched before switching to full marathon mode below!

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Dagashi Kashi – Episode 6

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Dagashi Kashi continued on its merry way this week, pulling off another episode that was far from laugh-out-loud funny, but also plenty endearing regardless. I like this cast, it’s nice spending time with them, that’s pretty much all I need from this show. I’m glad the show generally sticks to jokes that actually respect each of them as people, and I think its way of weaving small bits of characterization into larger comic bits is actually pretty graceful. It’s an easy show to watch, and that’s pretty much all I ask of it.

You can check out my full review over at ANN, or my episode notes below!

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Hyouka – Episode 18

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The school festival has ended, with half of Hyouka’s characters left at their most tense and unhappy moments so far. Satoshi has attempted to match Oreki and failed, ultimately validating his own lack of confidence. And though Mayaka is trying to reach out to Satoshi, she’s also left with feelings of inadequacy – not only can she not help the boy she cares about, but her passion for manga has been rewarded with the knowledge that even those far better than her feel like failures in their own eyes. Given all these sad, climactic character shifts, you might expect Hyouka to now start ramping up towards some final, cathartic revelations.

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ERASED – Episode 7

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ERASED is back in action. After a couple of outsourced episodes that saw the show falling into “solid but unremarkable thriller” territory, this one brought the show home both in terms of staff and quality. Satoru’s childhood material is just inherently more compelling in its mood and genre space than his adult stuff, but on top of that, this episode was also full of great individual shots and a wide variety of clever cuts. ERASED’s best episodes capture a sense of nostalgia that feels far more true-to-life than the adolescent nostalgia that is anime’s usual stock-in-trade. You can really feel the crisp February air in this show, or smell the melting snow. Its aesthetic strengths are what raise it above genre territory, and I really hope they hold strong to the end.

You can check out my full review over at ANN, or my episode notes below!

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Active Raid – Episode 7

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Well, that was fast. After an unlikely episode that demonstrated Active Raid at its absolute best, we were back to the scrapheap this week, as the show rambled through what was almost certainly its worst episode so far. This episode was bad enough that I’m still not quite sure if it was intentionally bad – if the show has somehow realized its episodic drama could not be more emotionally or dramatically hollow, and is thus leaning into that in the most ridiculous way possible. But there were plenty of scenes here that basically had no purpose if you assume the show was trying to be funny, so no, this was just a really supremely terrible episode of anime.

You can check out my full review over at ANN, or my notes below!

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Blast of Tempest – Episode 1

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Blast of Tempest opens with three high school students – Aika, Yoshino, and Mashiro. Aika and Mashiro are siblings, and Aika seems to harbor some sort of resentment towards Yoshino. She immediately calls him a “con artist,” and then all three of them seem to turn to the same script, speaking of how “the time is out of joint.” Their dialect shifts from generic teenager to Shakespearian embellishment as the three alternate the final lines: “O, cursed spite. That ever I was born to set it right!”

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Winter 2016 – First Half in Review

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And suddenly, six weeks have passed. Fortunately for me, it’s actually hard to pretend the winter season has rushed by; not because the shows themselves have proceeded slowly, but because I live in goddamn New England, and so every day is an interminable march of suffering through sub-arctic temperatures and mocking snow. I hate winter, and I’d rather live in a place where it doesn’t exist, but for the moment I’m stuck here. As far as anime goes, this has actually been a perfectly reasonable season.

This seems like one of those seasons where, to an even greater degree than normally, the show quality just drops off a cliff after the second tier. In an ordinary season, there are a decent number of shows I’m not watching that people in a general sense are still enjoying – things that don’t appeal to me genre-wise, or whose writing or art style don’t gel with me, or some other quirk of preference. But this time, it seems like nearly everyone I know is watching the same shortlist of anime, and then there’s just a vast desert of nothing. But this actually doesn’t affect my viewing habits at all – I never tend to find more than half a dozen or so shows watchable, and as far as that small crop goes, as long as I have two to three shows that seem genuinely good, I’m satisfied. But it’d be far too mature of me to just say “I’m enjoying a fair number of shows for a variety of reasons,” and besides, we’ve got traditions to uphold. So let’s start at the top and ruthlessly rank this season’s claimants to the throne!

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Hyouka – Episode 17

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The grand finale has arrived! We’re finally at the last episode of the school festival arc, the school festival arc to end all festival arcs, the arc pinpointing the anxieties of young identity and self-expectations by the studio best able to make those feelings real. The episode opens with the continuation of Chitanda’s climactic radio announcement, where she makes use of all the perhaps misguided advice Irisu has given her and all the confidence she’s gained over three days of propositioning people to ask the whole school for help in catching Juumoji, and also maybe selling a few anthologies.

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