Kizumonogatari is back, and holy crap this second act. The original novel was already as violent and sexually charged as anything in the series, but transposing that to film resulted in one of the most gloriously over-the-top sensory experiences imaginable. It still seems absurd that this film exists at all. I’m so happy it does.
You can check out my megasized review over at ANN!
The shoe at least partially dropped in this week’s Girlish Number, forcing Chitose to… well, quickly learn how to act at a light novel-ready level and thus avoid much personal growth altogether. I was still happy to see this episode challenging Chitose, even if its resolution was pretty convenient, and I assume this means things will hopefully get tougher for her going forward. Chitose is a jerk, and jerks who are unchallenged by the world don’t make for the best protagonists. As long as Girlish Number doesn’t let her get away with being herself, it’ll continue to be a very entertaining show.
You can check out my full review over at ANN, or my notes below.
Sound! Euphonium 2’s fourth episode ended up more or less resolving the Yoroizuka/Nozomi conflict, which was unexpected but very welcome. The show’s definitely had trouble making this a story worth caring about, but this episode nailed its big dramatic moments while acting as a clear demonstration of a new KyoAni director’s unique talents. KyoAni have such a reliable and growing team that I’ve recently found myself enjoying their productions purely in how they let more and more of these creators demonstrate their talents. They were low on directors for a little while there, but their next generation is terrific.
You can check out my full review over at ANN, or my notes below.
Anime is so friggin’ good this season. I thought I was lucky last season, given my sturdy crop of half a dozen reliably entertaining shows, but this one is offering a solid handful of shows that could easily be the best anime of a normal season. Yuri!!! On ICE is consistently funny and extremely propulsive, Sound! Euphonium is every bit the equal of its predecessor, Girlish Number is giving Watari Wataru an easy canvas to riff on, and March comes in like a lion might still be my favorite thing I’m watching. With Flip Flappers and Izetta each offering their own very different strengths, pretty much every kind of show I like is solidly represented here. I remember noting in the spring season that all I was lacking was a strong character-focused story – well, I may not be getting a Conrevo-style themey-wemey show this time, but I think I can be content with this embarrassment of character-focused riches. Anime is being very good to me, so let’s stop with the rambling and RUN THESE SHOWS DOWN!
It’s generally a bad sign when I have to try and diagnose some work’s appeal in terms of cultural trends as opposed to aesthetic merit, but that’s kind of where I fall with Welcome to Night Vale. I’d heard about the show briefly in some other contexts – it played a central role in the legitimately entertaining story of Dashcon’s rise and fall, and The Mountain Goats’ Heel Turn 2 debuted on it, so I’d actually listened to a couple minutes while skipping to that. But taken in full, I just can’t really see the appeal here. So I guess I’ll explain it, and then maybe you guys can figure it out?
March comes in like a lion finally spent basically a whole episode in its reflective, melancholy tone this week, and the results were predictably excellent. The show’s random tonal switches and jokes are such an isolated weakness that I actually don’t really feel that put off by them – they’re awkward, but when it comes to all the stuff that counts, March is excellent. I’m looking forward to following these characters for a long time!
You can check out my full review over at ANN, or my extremely limited notes below.
The nice thing about working for ANN and Crunchyroll is that I get to be as greedy as I want when it comes to writing about shows. Sure, I’ve already got three great anime over at ANN, but why should Flip Flappers have to be left out? So this week I return to Flip Flappers, and talk about some of the neat details used to construct Cocona’s internal world. I hope you enjoy it!
Why It Works: FLIP FLAPPERS’ Lonely World of Windows and Doors
Alright, time for some Eureka Seven! It’s been a while since I watched any of this one, so I’m very ready for some surfing robots. Once I’ve cleared up Brotherhood, Eureka Seven will probably be the biggest of the semi-modern gateway anime I really have to commit to, just to see one more big piece of anime history. So let’s get right to it!
Hello and welcome to another episode of Nichijou! We’re nearing the halfway point of the series, which means it may be time for some of the show’s greatest secrets to be revealed. Will Mai tell her friends about the event that keeps her up at night? Will the professor break the terrible news to Nano and Sakamoto? Will the red light-green light pair finally settle their differences and find happiness?
Yeah, I don’t expect anything like any of that to happen. Let’s watch some goddamn jokes.
Girlish Number’s second episode wasn’t quite as entertaining as the first, but it had a lot more structural work to do, so I’m happy to be forgiving. My main concern now is exactly how farcically the show will present its take on the industry – too much absurdity and incompetence, and it just won’t feel like a world at all. But the dialogue is still very strong, and that does a lot of work by itself.
You can check out my full review over at ANN, or my notes below.