Hello all, and welcome back to Wrong Every Time. Today we’ll be continuing a show I last watched four friggin’ years ago, as we explore the second episode of Space Battleship Yamato 2199. My initial essay on the first episode offers a pretty instructive look at where my head’s at as we enter the second. While Yamato’s reverence for war machines doesn’t really move me, its status as a cross-generational tale of Japanese identity is fascinating, and in any case it’s such a confident, well-executed production that it succeeds purely as an adventure narrative. And with the first episode concluding on our hero literally discovering the Yamato itself as a half-buried relic of the past, I imagine the show is perfectly aware of its own thematic baggage. Let’s see what we find in episode two!
Author Archives: Bobduh
Winter 2021 – Week 9 in Review
Hello everyone, and welcome back to Wrong Every Time. I’m pleased to report that I’ve had a delightful past week in film, running through an array of productions that were overflowing with all sorts of entertaining monsters. My house held a “monsters then and now” double feature of the original Godzilla and the new Monster Hunter, we chewed through a terrific home invasion film, and we also checked out Shudder’s mean-spirited yet hilarious new horror-comedy. Giant monsters, human monsters, goofy monsters, and monsters you hunt down in order to collect parts to make your big sword even bigger and swordier – perhaps not the most genre-diverse crowd, but an entertaining one nevertheless. Let’s break ‘em all down in the Week in Review!
Symphogear AXZ – Episode 13
Hello folks, and what the fuck is up. You all ready for some goddamn SYMPHOGEAR!???!?!?? I know I certainly am, and that it’s been far too long since we last checked in on the team’s adventures. Hibiki’s fist has been suspended in mid-punch for weeks now, her roar of “I’ll punch you with my song” resounding with all the force of a show’s essential pitch expressed as dialogue.
Adam is one of the most vile, irredeemable villains this franchise has concocted, and with the alchemists having already sacrificed themselves, it falls to our heroes to Finish This Fight. Having rescued Hibiki from one of those evil cocoons that our characters keep stumbling into, the team is fully assembled, and undoubtedly about to unleash some combo attack that exceeds my theatrical imagination. It’s frankly hard being a hype man for a show that’s this genuinely hype, so I’m gonna give myself a rest now, and just let the show take the reins. Let’s dive into the final episode of SYMPHOGEAR AXZ!
The Big O – Episode 11
Hello everyone, and welcome back to Wrong Every Time. Today I’m eager to dive back into The Big O, and perhaps uncover a few more secrets regarding Paradigm’s strange history. The Big O’s last episode was actually brimming with information regarding the world of Paradigm, though in classic Big O fashion, all of that information was gracefully woven into the course of one more episodic investigation.
As Dastun sought answers regarding the identity of his destined woman, we in the audience learned a great deal about Paradigm, and the world around it. For one thing, it seems like Paradigm’s government is a sham. In spite of the city theoretically possessing a full board of representatives, all of those representatives in turn answer to the city’s true boss, with Angel at his side. Additionally, it appears that the show’s claim that the outside world has been destroyed is just another form of population control, as the episode culminated in outside forces sending a giant robot stomping through the city. Rather than the final holdout of a dying humanity, Paradigm is looking more and more like an isolated dictatorship, raising the question of whether even the mass amnesia was intentionally provoked in order to better control the populace.
But questions like that seem a little outside of Roger’s pay grade, at least while we’re still halfway through the first season. Whatever perils may come, I’m sure The Big O will convey them with genre-savvy finesse and plenty of style. Let’s get to it!
Wonder Egg Priority – Episode 7
[CW: Discussions of self-harm. Big Rika episode ahead!]
What did Ai mean by her flight out of home, and her announcement that she’d be going back to school? I frankly wish that was a rhetorical question, and that I was about to unload some insightful musing on her psychology at this particular moment. Unfortunately, I’m as stumped as anyone – while it was tonally clear that the conclusion of episode six helped Ai reach some personal epiphany, the actual nature of that epiphany is unclear.
After an episode that was unabashedly constructed as an exploration of gaslighting’s debilitating power, it seems unlikely that Ai’s takeaway would be “actually, what everyone else tells me I’m supposed to feel is correct.” Her entire support network is telling her to doubt her suspicions of Sawaki – so has she decided to take those suspicions underground, and investigate Sawaki herself?
That might actually make sense, in more than just a strictly narrative sense. One of my major misgivings about the whole egg saving process is that by the time they “save” these girls, they’ve already been terribly abused – and what’s more, these trials only defeat the girls’ mental images of their harassers. In the real world, their abusers are still out there, still making life miserable for new victims. To truly change the world, these abusers must be confronted in reality, before they drive their victims to suicide. So is Ai simply taking her mission to the next level, and attempting to become a real-world egg savior?
Let’s find out.
Winter 2021 – Week 8 in Review
Hello everyone, and welcome to another week on this cold, lonely rock. This week in non-anime media started, as many of them have tended to, with Martin Scorsese. Not because I watched another Scorsese film (I’m actually running kind of low on those, which I’m a little proud of), but because he released another terrific essay, articulating both his love for cinema and his fear regarding what’s become of the artform. Let’s start off with that article then, and carry on into my week in cinema!
Why It Works: Kaiju Are Making a Comeback!
For this week’s Why It Works, I took stock of just how generous our current era is in terms of kaiju productions. We’ve got the Anno-Higuchi films, Legendary’s surprisingly good MonsterVerse films, and even a pair of high-profile kaiju anime coming this spring. As someone who’s only recently gotten into the genre myself (I just watched the original Godzilla this weekend!), it’s nice to have so many great examples of the form to choose from, and I was happy to shed a bit more light on these excellent productions. Here’s the piece!
Hugtto! Precure – Episode 19
Hello folks, and welcome the heck back to Wrong Every Time. You all up for some Precure? It feels like we’re living in a different timeline entirely from when we last checked in, and though the world at large is still mostly on fire, I imagine the world of Hugtto is as friendly and soothing as ever. A bit moreso than usual, in fact, considering Emiru and Lulu just poignantly reaffirmed their friendship.
The Emiru-Lulu relationship has turned into one of Hugtto’s unexpected highlights, contrasting two of the show’s most unusual characters in a way that humanizes both of them. Last episode reconciled them on an emotional level, but they’re currently still just Precure-adjacent, rather than actual Precures. I’m expecting that to change soon, but whatever happens, I’m sure Hugtto has a delightful time in store for us. Let’s get to it!
Great Pretender – Episode 2
Hello everyone, and welcome back to Wrong Every Time. You down for some Great Pretender? Personally, I’m pretty jazzed about it. The show’s first episode was an energetic and beautiful heist introduction, elevated substantially by the one-two punch of Sadamoto’s character designs and Takeda’s background art.
Sadamoto’s designs seem absolutely perfect for a show about a bunch of swindlers; their crooked angles, sharp edges, knowing eyes, and perpetually broken smiles are all ideal for depicting the untrustworthy swagger of confidence men. Meanwhile, Takeda’s characteristic use of simplified photorealism and bold color is here elevated through an impressionistic approach to light and shading, wherein splashes of color don’t actually conform to the background linework, but rather simulate the emotive effect of light falling across the scenery. The story so far has mostly just been a workmanly heist prologue, but with art design this fantastic, I’m feeling well-fed regardless. Let’s see what our crooks get up to in episode two!
Wonder Egg Priority – Episode 6
It would seem that Wonder Egg Priority’s shell is on the verge of cracking. After two episodes that held close to a traditional “monster of the week” model, each subsequent episode has driven new fissures through the show’s structure, as fantasy trials are fused together (like with Rika), contrasted against each other (Momo), or stretched like taffy into a kind of episode-fringing garnish (Neiru). This is no accidental process – though saving the egg girls is Ai’s ostensible quest, it’s been clear for quite some time that Wonder Egg’s “villain” encompasses more than just a few abusive caretakers. The burdens Ai and her fellow victims suffer from are systemic, and Wonder Egg understands that. Individual acts of bravery and solidarity cannot overcome a rigged game.
In light of that, Wonder Egg Priority has been gradually turning the lens away from the fantasy creatures Ai and her friends must face, towards the structures and guardians that gave rise to this system in the first place. So far, everything in this show has worked on the level of both narrative and metaphor, so I expect Acca and Ura-Acca to be the same – not just “bad guys,” but perhaps some irreducible reflection of society’s callousness towards the young. With the team assembled and the shell nearly broken, Wonder Egg Priority stands on a precipice. Let’s find out what’s waiting below.