There’s too friggin’ much good anime, you guys. We’re now over three weeks into the winter season, and I’m still so buried in worthwhile shows that I’m struggling to manage it all. I’ve been doing my best to cram in lingering episodes of Mob Psycho, my two CG-heavy properties seem to actually be getting better over time, and there are still plenty of things I haven’t even gotten the chance to continue. I’ve been hearing good things about Endro!’s later episodes, and Dororo could well be the best dang show of the season, but I am doing my best here. And I suppose Too Many Good Shows is always the best problem to have, even if it does turn all my Week in Review posts into monumental undertakings. Even if I haven’t caught up on everything, I’ve caught up on plenty already, and I have piles of thoughts to share with all of you. Let’s break down at least a slice of this season’s bounty in one more Week in Review!
Author Archives: Bobduh
Tsurune – Review
The hits just keep coming today, huh? Anyway, this should be the last of today’s articles – my full review of last season’s excellent Tsurune. Tsurune’s strangely refreshing tone was a consistent joy all through the fall, and I was happy to discuss it one more time. Let’s get to it!
Why It Works: The True Nature of Strength in Mob Psycho 100
For today’s Why It Works, I’ve got a plus-sized breakdown of Mob Psycho’s overall thematic thrust! Well, not its entire thematic thrust – there are also subthemes regarding social difference and mob mentalities and whatnot that I didn’t directly address, BUT STILL! This is basically a classic thematic essay, and I’m pretty happy with it. Mob Psycho embodies a great deal of what I love in anime, from its visual experimentation to its psychological inquiry to its quirky dramatic sensibilities, but its underlying belief in the power of human kindness and worthiness of all people is what speaks to me most. I hope you enjoy my tribute to this wonderful show!
The True Nature of Strength in Mob Psycho 100
Magical Girl Lyrical Nanoha – Episode 11
We’re deep in it now, folks. With our hero having made her final goodbyes to her family and settled accounts with basically all other lingering threads, it’s time for Nanoha and Fate to square off for what Nanoha herself described as the “first and final time.” Literally the entirety of this narrative has been building to this; while Nanoha has at times focused on more specific family drama, or on elaborating its wild worldbuilding, all of these smaller pieces have always existed in service of Nanoha and Fate’s relationship. The show may have started off with a more traditional magical girl quest, but at this point, even the jewel shards are only important insofar as they lend tangible stakes to Nanoha and Fate’s emotional/thematic battle.
Speaking of, I suppose a brief breakdown of our thematic narrative so far would probably be appropriate. Nanoha is a show about family and human connection above all else; Nanoha’s own family has been illustrated with uncommon specificity, while all of Fate’s problems stem from her inability to escape her mother’s reach. Nanoha the show understands that familial bonds aren’t inherently positive, but they are inherently powerful; for Nanoha, that power manifests as a great sense of self-assurance and concern for the people around her, while for Fate, that power keeps her from seeking to escape a deeply abusive relationship. The power and ambiguity of families is a theme that underlines many of my favorite works, from the restless Monogatari to the poignant Eccentric Family, and Nanoha is doing an excellent job of illustrating that complex and inescapable concept. I’ve seen few shows that handle familial abuse this well, and few shows that illustrate how a stable home can grant you true strength with Nanoha’s subtlety and focus. However this plays out, I’m confident the show will be steering this grand thematic clash to a satisfying end. Let’s get right to the battle of Fate and Nanoha!
Ojamajo Doremi – Episode 47
Folks, it is absolutely time for more Ojamajo Doremi. Having just finished contributing to one more season of the ANN preview guide, I find myself thankful anew for how charming and consistently, fundamentally excellent this show is. There are creative trends within this industry that worry me deeply, but there are also shows so earnest and compassionate that they give me hope we’re all gonna make it through. And while I may feel more and more distant from seasonal late night anime trends over time, there are also shows whose appeal feels utterly timeless, and that only resonate with me more as I become an old and grumpy cartoon curmudgeon. Ojamajo Doremi is no less relevant today than the day it was produced, and its empathetic stories are a welcome reminder of the poignancy and creativity of this medium at its best. Let’s all take a moment to appreciate what anime can be, as we explore one more episode of Ojamajo Doremi.
Neon Genesis Evangelion – Episode 6
Neon Genesis Evangelion’s fifth and sixth episodes collectively form a neatly contained arc, as the battle against the show’s third angelic antagonist is contrasted against Rei Ayanami’s formal introduction. In spite of being present and even dramatically central throughout all of Evangelion’s early episodes, our understanding of this girl has mirrored Shinji’s – that is to say, we have no clue. She has been a cipher, with even sequences like Shinji’s intrusion into her apartment only enhancing her sense of mystery. In a show that’s so fully and thoughtfully attuned to the emotional experiences of its characters, Rei has stood as a strange outlier, accepting her duties with a blank stare at every turn.
Winter 2019 – Week 2 in Review
Hello all, and welcome to the new season’s first Week in Review! I’m still kinda scrambling to catch up on everything (I still haven’t watched Mob Psycho’s latest episodes, since I’m determined to trick my housemates into watching that one), but I’ve definitely got more than enough thoughts for a rambling Week in Review. So far, this season is looking to be an unusually fun one – that is, the proportion of shows I’m watching just because they’re propulsive entertainment, rather than harrowing psychological inquiries or whatnot, is pretty high. I suppose it’s not surprising that a season featuring both TATSUKI and Mizushima’s returns would be a particularly bubbly one, but I’m certainly enjoying it! Between that and the season’s many other contenders, all I’m really lacking at this point is a character drama on the level of After the Rain or whatnot. Fortunately, I’m also complementing this season with imports of Bloom Into You from last season, meaning I’m currently enjoying an extremely balanced diet of excellent anime. Let’s explore the bounty then, as we run down this season’s stars in the Week in Review!
Why It Works: Nick’s Picks for Winter 2019
Well folks, you know the drill. With the winter season having unloaded its initial bounty, this week I offered my seasonal recommendation of Crunchyroll-specific properties in my Why It Works column. It wasn’t hard to fill the list this time, as even with several of my own favorite properties appearing on HIDIVE, this season is looking strong enough to easily fill a suite of recommendations. I’d frankly really like to be watching Endro! myself, but just can’t be sure I’ll have the time. Either way, enjoy some more picks!
Hugtto! Precure – Episode 5
Folks, it has been far too long since we watched Precure, and that ends right now. I’ve been greatly enjoying our journey through this latest Pretty Cure production so far, with the show’s most recent episode standing as the clear and dazzling standout. The first segment of Homare’s introduction to the team was a stunning display of evocative direction, fluid animation, and poignant storytelling, conveying Homare’s fears with engaging visual direction and welcome understatement. Sequences like the basketball match were elevated through both energetic action cuts and a close focus on character acting, while scenes of Homare intentionally distancing herself from potential suffering were given visual gravitas through their careful staging. That episode rose up to a finale that excelled in both narrative and visual execution, balancing action cuts that really conveyed the weight and scale of this battle with Homare’s painful and deeply held fear of failure. I’m not expecting another episode quite that good so soon, but Homare’s story has been told with grace so far, and I’m excited to see how it ends. Let’s get right to it!
Ojamajo Doremi – Episode 46
Pack it in folks, you know it’s time for more Ojamajo Doremi. Though every episode of Doremi seems to be special in its own way (excepting those witch frogs, fuck those witch frogs), our last episode was special for a very specific reason – it was lucky enough to have Ojamajo Doremi’s character design Yoshihiko Umakoshi on board as animation director. In Umakoshi’s hands, the vivid expressiveness of these characters felt even more apparent than usual, as all number of incidental moments were elevated through flavorful details of movement and character acting. It was a beautiful episode that demonstrated the unique power of simplified designs, and how the details that make characters come across as human aren’t contained in the specificity or detail of their design, but the fluidity, sense of weight, and underlying personality that brings them to life.
That episode also served as Doremi’s first Christmas special, meaning we’ve likely now moved on into the new year. With that shift comes also a pretty significant turn in Onpu’s attitude – from a position of complete self-obsessed antagonism, she’s now demonstrated a sense of loneliness in her home life, as well as a willingness to help others. Whether Onpu’s shift or something else entirely is the focus this week, I’m excited to get to it. Let’s find out what Doremi and the gang fumble their way through next!