Alright, let’s get back to Magical Lyrical Girl Nanoha! So far, my experience with the show has had its ups and downs, largely illustrated through the difference between the first and second episodes. In that first episode, Nanoha’s distinctive direction added lots of energy and visual appeal to a relatively familiar magical girl template. In the second, those directoral flourishes faded significantly, leaving me with a so-so genre piece notable mostly for its clear influence on future shows like Symphogear. That mix of positive and negative is a little troubling, frankly – “the production and visual energy plummet after a great first episode” is a problem shared by countless shows, whereas the show’s current narrative issues are the kind of problems that tend to persist throughout productions.
That said, there’s still a fair amount of novelty in the show’s “magical girl drama reimagined as heavy scifi shounen vehicle” premise, and some of my current complaints, like the show’s weirdly stilted pacing, are the kind of quirky issues that can often blossom into engaging elements of a show’s identity. Nanoha’s extended scenes with her family don’t carry that much emotional weight yet, but the show is clearly invested in building up her general home life, suggesting its emotional ambitions will soon move beyond “Nanoha zaps a monster and it’s awesome.” Either way, the show has established a narrative template and a wider world while also powering us through Nanoha’s first two assignments as a magical girl. Let’s see what episode three brings!
