I’m back for more Biscuit Hammer, and this volume… unfortunately couldn’t live up to the standards set by the last couple. It’s not that surprising, really – Biscuit Hammer has always been a compelling but wildly inconsistent production, and its victories come down to personality triumphing over craft more often than not. Biscuit Hammer is one of those weird stories that succeeds largely by ignoring storytelling fundamentals – when it works, it’s because some vague semblance of craft manages to attach itself to the story’s clear and ever-present talents for character writing and quirky execution, not because it’s a fully realized story executed with a confident understanding of how to actually tell one. I really, really like Biscuit Hammer, but I get the feeling that whatever this artist is working on three stories from now is going to be the real masterpiece. But I’m fine with this wacky-ass, aesthetically ridiculous, utterly heartfelt shounen drama until then.
You can check out my full review over at ANN, or my notes below!
