And so Nagato’s valentine drama resolves in the most predictable way possible. This whole arc was definitely a bit of a disappointment, and as I said in my review, it seems to demonstrate the limits of this show’s dramatic reach. Hopefully I’m mistaken, but there are far more tired and rote shows than there are unique and engaging ones, and this episode did not give me much hope for Yuki-chan. We’ll have to see.
My full review is available here. Notes below!
Hoo boy was this show garbage. Hot, steaming garbage. This is actually the most negative review I’ve written for ANN, beating out even the Sword Art Online Swimsuit Episode. At least that had SAO’s usual solid aesthetics to create some interest – this was just a collection of terrible ingredients tossed together in a terrible stew. Do not watch Looking Up at the Half-Moon.
Feel free to check out my review, though. And you can look back on all my permanently exasperated, frequently disbelieving notes below!
I wasn’t as big of a fan of this episode as the last several, but this is still a very good show, and now I at least can actually see how this show might end within a single season. Kumiko remains great, Taki got another standout episode, and everything’s still pretty and well-written and at least reasonably composed. Sound! Euphonium continues apace.
Here’s my full ANN writeup. Notes below!
It was do or die time this week, and two shows ended up on the chopping block – both Plastic Memories and Punch Line won’t be joining us for the rest of the season. Punch Line was always a stretch, but I’m pretty sad to see Plastic Memories go. Fortunately, those drops are really just reflective of what I already knew about this season – the top tier is fantastic, everything else is kinda crap. BBB, Oregairu, Sound! Euphonium, and Ore Monogatari!! remain excellent, Unlimited Blade Works and JoJo are still perfectly entertaining, and Nagato Yuki is… well, Nagato Yuki. Keep doing your thing, Nagato.
Hey guys! I wrote another essay, and we’re doing a bit of an experiment this time – the folks at ANN asked if I could send some pieces their way, and so we’re going to see what the usual ANN readers make of my heart-on-sleeve thematic pieces. If this works out, I’ll likely be able to write more consistent essays in the future, so here’s hoping they give a damn. Like those poor souls in Shirobako, I’m basically doing anything I can here to keep writing, but it’s not easy! Feel free to comment there or right here, and let me know if you have any concerns about me shipping some of these to ANN – I was somewhat anxious about it, but this will ultimately hopefully allow for more writing altogether, which I’m guessing is what people want the most. So here’s one more set of lyrics, playing in my newest piece, on that most heartwarming of dramas.
“I keep my head up tight / I make my plans at night / And I don’t sleep, I don’t sleep, I don’t sleep til it’s light / Some folks float, some are buried alive.”
– Shine a Light, Wolf Parade
Yeah, Oregairu is brilliant. I’ve already written a couple thousand words about it today, so I don’t really have much left for this blurb besides: damn. This sequel is doing everything I could have hoped for, focusing on the show’s strengths, highlighting its strongest characters, and generally executing at a higher level than the original. We are very lucky to have it.
My full ANN post is here. Notes below!
Haruhi continued her invasion of Nagato’s show this week, almost accidentally stealing Kyon as Nagato derped about working on Valentine’s Day chocolate. I didn’t feel like this heightened drama was a great fit for this show, and said as much in the review, but it certainly is an interesting experience to see the assumptions of one show acting as the “villain” in another one. Still, I think cute scenes with Kyon and Nagato are basically this show at its best. We’ll see how this wacky misunderstanding plays out next time.
My full ANN review is available here. Notes below!
We’re doing it. I think we’re doing it. Sound! Euphonium just keeps holding steady, demonstrating remarkable control in its direction and storytelling. KyoAni are pulling off a top-tier version of exactly the kind of show they do best, and it is damn satisfying to see it in action. At this point, it seems strange to me that the evidence is pointing to this being a one-cour show – the pace of character work and plotting here just seems much more appropriate for a twenty-something episode show. But there haven’t been any missteps yet, so I’ll trust they know where they’re going, and keep enjoying it as long as it stays this good.
Here’s my full ANN post. Notes below!
So I know this is supposed to be the bad season that follows winter’s shocking bounty, but it turns out this season is actually really good. It’s not exactly a deep bench, and Plastic Memories is so far turning out to be a disappointment, but Blood Blockade Battlefront, Oregairu, and Sound! Euphonium are all top tier shows, Ore Monogatari!! isn’t far behind, and even the rear of the pack is relatively entertaining. I normally only expect one or two truly great shows in a season, so even if nothing else rises in my standings (and honestly, there’s not much that could, outside of maybe a surprise turn by Punch Line), this is still solidly above par. Who would have thought that a season with a sequel to one of my all-time favorites, a show directed by one of my favorite directors, and a new low-key drama by KyoAni might actually be pretty okay?
Yeah, I guess I should probably have seen this possibility. Well, for once, I’m very happy to be proven wrong. Let’s run ’em down!
My first Oregairu S2 post is up! Don’t have much to say here that I didn’t already say in the piece – I love Oregairu, the new season is so far even better than the old one, and I wish we got more shows that were nearly this sharp in their character writing. I really hope it stays this good!
My full ANN writeups is available here. Notes below!