Winter 2015 Season Preview

Time again for the ol’ season preview, where I run down everything that looks mildly interesting next season. This time that’s actually pretty easy, considering virtually everything I’m enticed by is either a sequel or a second half. Unfortunately (well, for me anyway), that really just means the actual madness will have to wait until I watch everything else for the preview guide anyway. As usual, my preview won’t actually cover everything – it’s easy enough to check out the full list at anichart if you’re interested in checking out the other shows, if you want to for some dumb reason. Winter is looking a great deal more manageable than fall, but winters are always kind of sparse, and there’s certainly still some cartoons to look for. Let’s run ‘em down!

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Sword Art Online II – Episode 21

This episode was basically Sword Art Online in a nutshell. Fun action setpieces that are sometimes undercut by their own lack of tension, self-indulgence that makes it very hard to take seriously, and massive butterfingers when it comes to emotional drama. In light of that, my review gets a little bit meta in its thoughts on SAO as a thing I’m approaching as a critic. It’s hard! SAO is fundamentally “bad” according to a great deal of what makes stories effective in a general sense. SAO don’t give a fuck.

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Log Horizon II – Episode 9

We jumped over to Shiroe’s camp this week, where things aren’t going terribly well. I was legitimately surprised by how solid Shiroe’s central death-reflection monologue was – after a long arc with Akatsuki that’s been about as kid-friendly as possible, I definitely wasn’t expecting a long sequence predicated on being old enough to feel embarrassed about the ways youthful insularity is actually a kind of selfishness. That by itself would have made this one of the best episodes this season, but that last repeat of the Ash Lake sequence was just too egregious of a cost-cutting measure for me to let slide. Still, I’m looking forward to where Shiroe’s arc takes us from here.

Incidentally, I’m including my actual during-episode notes below the cut for this one. They’re notes for me, not for any audience, so they’re far less “performative” than the time stamp posts, but I’ve had people ask me to post them a few times, so I’m including them anyway. Hope you enjoy!

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Parasyte – Episodes 8-9

Double-header this week, which gave the show enough time to weave in about half a dozen small conflicts. I thought the show over-told a fair amount during these episodes, but the stuff it was conveying was actually really interesting, so I couldn’t muster too much annoyance at that. It’s kind of unusual for a Madhouse production, but this show is really leaning heavily into the strength of the source material – the execution isn’t elevating it, it’s just a perfectly reasonable articulation of a very good story. I guess that means it’s not as strong as it “could have been,” but the show’s still quite good, so eh.

Parasyte

Fall 2014 – Week 8 in Review

Anime got pretty heavy this week, you guys. Between Shirobako and KimiUso, things were altogether a little too real in the land of Japanese cartoons. That’s how I like it, though – the sharp stuff is what I watch media for, and you can’t depict earnest triumph if you’re not willing to accept the possibility of failure. Pretty much everything else is holding steady, but my favorites are actively climbing at the moment, and it feels pretty goddamn great. Here’s hoping they both turn out to be as good as this week would promise.

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Ask Bobduh: Storytelling and Videogames, Part One

Management: I mentioned back in… uh, May or something that I was planning on compiling/archiving some of my more worthwhile Ask.fm answers into miniposts on Wrong Every Time. I’ve been distracted by a variety of things since then, but have finally gotten a few together that seem worth keeping, and so here’s the first of them. Enjoy!

Maybe you’ve already answered something like this, but what’s your favorite example of video game storytelling?

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Sword Art Online II – Episode 20

Sword Art Online chugs merrily along. I think the best way to describe this episode would be “inoffensive,” and, well, I guess I’m okay with that. This new conflict is pleasant enough, it’s nice to have some time away from Kirito, and the show isn’t doing anything to actively shoot itself in the foot. I’m approaching the point where I no longer have to actively concentrate to stumble across the finish line of my time with SAO – with only four episodes to go, from here on out, I can hopefully enter a controlled fall and just tumble my way to victory. I’m gonna make it. I’m almost home.

Oh fuck goddamnit Kirito what are you doi

Sword Art Online

Log Horizon II – Episode 8

Akatsuki’s Akihabara Adventure came to an end this week, with a final fight that I honestly found kinda underwhelming. It’s not like Log Horizon is usually that visually impressive, but they’ve been hyping this conflict all friggin’ season! It sucks to see even the most dramatic moments reduced to still frames and speed lines, particularly since the episode three weeks ago seemed to demonstrate that this new show staff actually can pull together an aesthetically compelling production when they want to. Ah well. Bring on the Shiroe raid, I suppose.

Log Horizon

Plots Twists and Other Parlor Tricks

Look at this rabbit in my hand. See the rabbit? Surprise! It’s actually a turtle.

Pretty impressive, huh?

Alright, maybe that one didn’t work on you. How about this one. Look at this character – she’s just a mild-mannered high school student, right? Surprise! She’s actually an evil wizard.

Still nothing? Hm.

Okay, one more. Look at this upbeat, slice of life story. Got a good picture of it? Surprise! It’s actually a dystopian sci-fi drama.

Alright, you get the picture. Let’s talk about plot twists.

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Parasyte – Episode 7

Shinichi found some new friends this week, and then set off to murder an old one. Parasyte’s pretty much just a smart thriller with very high-quality ingredients at the moment – its ideas are always simmering, but the base dynamics of its narrative and the way it keeps intelligently introducing new variables are what keep it engaging episode to episode. It’s a fine thing to see.

Parasyte