Well, that was fun. Last week turned out to be a pretty good moment to stop giving a fuck about this show, since KyoAni apparently felt the same way. Stinky Idol Apocalypse was great, but it’s looking like we’re going back to serioustown this week. Not that this changes my resolution – as far I’m concerned, KyoAni and their half-assed commitment to legitimate storytelling can both go to… wherever aesthetically impressive but emotionally sterile shows go. I waited a year for KyoAni to stop twiddling their SoL thumbs and engage, and this is what I’ve got to show for it. I’ve got a stacked roster of shows with legitimate merits and barely one fuck left to give. With tracks or without, I’ll ride this last train to the end.
Author Archives: Bobduh
Fall 2013 – First Half in Review
Welp, halfway through the season. I’ve loved, I’ve lost, I’ve found new favorites and forfeit significant respect for old ones. Overall, this season easily eclipses the last three in terms of purely watchable shows, though its top tier is fairly similar in size to last season’s. But then again, that “watchability” level might just be a sign of my entertainment standards dipping, so I guess I have nothing valuable to tell you! On that note, let’s run down the list.
Kyousogiga – Episode 5
Alright, time for the best show of the season. My evangelizing has already begun in earnest – last night, I ended up watching the first two episodes again (1 and 2, skipping 0) with one of my housemates. Which, first of all, let me notice a few more nice details in this very well-designed piece. Yase’s lines in the first episode are great, and gain a retroactive poignance given the events of her own episode – when asked if she likes it in the Mirror Capital, she says “Yeah! I love being with Mom, and fun stuff happens all the time. Like that train station that just opened!” Ouch. Koto’s fox-father also wears a mask strongly reminiscent of the one worn by the priest who banished the first Myoe, and at this point it seems beyond question that her fox is Myoe himself.
But beyond seeing more clever details, just letting the show do its thing this second time really ground in exactly how strong this overall production is. There’s just no comparison – if most shows are daytime television, this is film. The aesthetic, the writing, the direction… it’s all great, and the show makes no mistakes.
Monogatari S2 – Episode 19
Can Monogatari top last week’s thrilling twenty-minute monologue? It seems difficult to imagine, but I guess we’ll see. Personally, I’m kind of set for this arc – that episode was impressive enough to cover my “wacky formal experiments” quota for the moment, and it also focused on one of the most interesting and emotionally charged relationships in the show. So I guess I can accept it if Mayoi has to go and regain consciousness or something.
Kill la Kill – Episode 6
Holy shit you fuckers, it’s Thursday. Time for friendship and violence and the power of questionable empowerment. Last episode was great, Ryuuko and Senketsu’s friendship is beautiful, and Mako was glorious as always. I am ready to be dazzled.
Fall 2013 – Week 5 in Review
I almost feel like this entire season has had an overall theme for me – entertainment. Normally, I only watch 3-4 shows in a season, but I actually find all of those shows stimulating in some way – involving some degree of give and take. Last season, Eccentric Family, Gatchaman Crowds, and Monogatari all actually engaged me, providing interesting ideas and conversations along with their great aesthetics. I wouldn’t finish an episode and think, “well, that was fun” – I’d actually be doing fist pumps about how great this medium is, and how well those shows were handling their ideas. This season? There’s an awful lot of sound and fury. Which is fine, for what it is, and I’m not saying every show is that way – intelligence is more than just thematic density, after all, and I think most of these shows are smartly written. In fact, maybe the difference here is that this season has a lot of strict entertainment in the styles that actually appeal to me, considering the glut of self-aware comedies and smartly constructed action/adventure shows and whatnot.
Maybe I’m just developing shit taste.
Who knows.
Kyoukai no Kanata – Episode 6
Well, at this point I think I’m ready for Kyoukai to impress or disappoint or whatever. Clearly expectations are antithetical to the various pieces KyoAni are putting together here, so I’m just giving up on them. Other shows can worry about being insightful or creative or ambitious – as long as KyoAni keeps making this stuff entertaining, I guess I’ll be fine.
Why Do Critics Hate Popular Shows?
Management: This one should obviously go without saying, but it comes up so often in response to criticism that I figured I might as well give a more full response. A couple thoughts that I’d rather just link than constantly paraphrase.
Question:
Why are critics so against shows that are popular? Just because perfectly good shows likes SAO or Titan become popular, they have to pull at the seams and attack them? It seems mean-spirited and pointlessly non-conformist to put down shows just to look “critical.”
Gunbuster and Finality
Loss is a constant of living. As long as you live, as long as you continue to make connections and entrust others with your feelings, you will always be saying goodbye, always be letting go. And this can be a crushing reality – people can spend their whole lives seeking connections long past rekindling, and the grieving process is different for all of us. This letting go is perhaps not the cheeriest subject for a cartoon, but it is a powerful and deeply human one, and the ways we overcome the continuous goodbye of living can be inspiring in their own right. As is so with Gunbuster.
Monogatari S2 – Episode 18
Look, the arc’s damn title is “Shinobu Time.” I don’t care if Shinobu already stole Mayoi’s actual title arc. Shinobu’s just a way better character than Mayoi, and if Mayoi ends up stealing this one, I will not be pleased. I don’t watch Monogatari for Mayoi/Araragi’s rambling, pointless conversations or “haha Araragi’s a pedophile” jokes – shit like that almost had me dropping Bake right in the middle of Snail, and has always been the centerpiece of the “in spite of…” list that silently follows any “Monogatari is fantastic” statements by me. Yeah, I know some people like it – they have that right. Personally, I’m hoping even Isin isn’t troll enough to name the arc Shinobu Time and then screw me like this.
Super mad about cartoons! Alright, let’s watch some damn Monogatari.