Author Archives: Bobduh

Suisei no Gargantia – Episode 13

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This show is making these writeups pretty tough. Not because it’s difficult to suss out the various levels of this show – I think a second viewing would help elaborate the arcs of the different thematic points (the fear of entering society, the definition of humanity and the individual, the purpose of society, the roots of human conflict), but I also think I’m doing okay at noting a good number of them as they pass by.

No, this show is tough because I really like it and a lot of critics really don’t. I think it’s full of interesting ideas, I think the tricks it pulls with pacing and tone are very compelling, and I love the overall world it creates. The usual Urobuchi complaint is certainly in full effect here – that the characters and narrative work in service of the themes, and are thus somewhat weaker and more archetypal for it. But I don’t really have a problem with that; Ledo’s the only fully-articulated character, but not every show has to be about characters, and making this story’s cast and specifics more critical and distinct would make its ideas less universal. I also think it’s built to a pretty compelling finale here, and that the Kugel-being-dead reveal is a pretty effective way to complete Urobuchi’s diagnosis of the Alliance’s all-in society. I’m hoping Gargantia’s Stairway to Heaven doesn’t simplify everything, but I’m also excited to see another episode directly written by Urobuchi. Bring on the new Eden.

Episode 13

1:38 – “I am their support system. That is to say, I am the presence called God.” I guess it helps when the lines Urobuchi draws in the sand are the same ones I’d be prone to draw

2:27 – “One who abandons thought and decision-making deviates from the definition of ‘human’.” Yeah, this show is super-unfocused and lacking in clear themes [RES ignored duplicate image][1]

Sorry, I’ll stop throwing stones. It’s aggravating, though

3:11 – Striker’s getting a little Mwahaha here, but I actually really like how Chamber is the one articulating the nature of humanity, not Ledo

3:53 – “In this foreign environment, you have continuously made the correct decisions and maintained your humanity. As a result, I have not been corrupted.” This is an interesting line depending on how you’re interpreting the purpose of the robots. I’ll have to think about it

4:06 – “Let’s take it down.” “I am in full agreement.” #1 Bromance Spring 2013.

5:15 – “When we left Gargantia’s protection, we chose our own course. We can’t back down now.” Nice that they complicate the assuming adulthood idea a little, but still have Pinion himself back them up, who has already been interpreted through this lens earlier (when he was having doubts and the mechanic girl told him they all supported him)

6:20 – Pinion’s sticking to the path he’s chosen. His hero’s death was pretty heavily foreshadowed last episode, but it’s nice he gets a last moment with his crew

9:00 – And Chamber reaches full power by merging his will entirely with Ledo’s. Society is about the bonds we choose – it is not weakness to rely on each other, but it must be a willful, independent, human choice

10:47 – Hah! Their secret weapon is the bottom segment of the space elevator? Awesome

15:18 – “Goddamnit, quit it with the hero’s death monologue and let me save you!” Cute

19:02 – “A noncombatant is not allowed in the cockpit.” CHAMBER NO YOU ARE BEST BRO

21:17 – It makes sense thematically that the system which had coddled him had to die for him to enter society.That doesn’t make me feel any better

And Done

Whew! Man, that ended way more optimistically than I’d expected. I’d figured the Stairway to Heaven would cause some terrible repercussions, or at the very least that Pinion would die, but this show is fundamentally very optimistic, and all of its themes regard seeking our better nature and taking risks, so I guess punishing the characters for their attempts to fulfill their destiny or help each other would work directly against that. This last episode made the robots seem more or less entirely sentient, which I’m fine with – though I thought Striker’s elaboration of her society was pretty ham-handed and didn’t really make the most of the “optimal societies all work efficiently towards a central goal” and “happiness is narrowing your viewpoint till there is only one correct path and following it” stuff, which I found much more compelling. Overall, the show is clearly Urobuchi as fuck – it demonstrates a tremendous cynicism towards the influence of larger systems, and a tremendous faith in the power of individual agency and ambition, as well as individual, willfully chosen connections. I think it was Chamber’s speech about how the Hideauze’s evolution didn’t change the nature of their conflict that made me like him as a “character,” but he was awesome here, and I guess I’m just a sucker for these ideas and this world, cause his last stand really got to me even though it wasn’t fundamentally different from many similar speeches and battles. I am extremely satisfied.

Yahari Ore no Seishun Love Comedy wa Machigatteiru – Review

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It’s a common complaint about anime. Why are so many series obsessed with high school? Why do we only get young protagonists? Why aren’t there more stories I can still relate to, now that I’ve grown beyond that setting? And it’s an extremely valid one – anime does squander its infinite potential by adhering to such similar settings, and we really are deeply lacking in protagonists covering the range of mature human experience. The reasons for this trend (the age of the fandom, the high premium placed on nostalgia and escapism, the natural tendency to continue making what sells, the adherence to safe formulas, etc) are as understandable as they are disappointing. And the complaint doesn’t even take quality into account, which is another issue – many of these shows tread the same ground, they often deal in archetypal, empty characters, they often exist as pure escapism or viewer self-insert fantasies, their humor repeats, their drama repeats worse, they exist as commercial shells and have no greater human ambitions. Sometimes it can feel like we’re well and truly fucked when it comes to imbedding some creative spark and ambition in this sea of similar, empty productions.

To this jaded and completely reasonable perspective (one which you can probably tell I largely agree with), I would have to say: OreGairu.

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Yahari Ore no Seishun Love Comedy wa Machigatteiru – Episode 13

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Guys I don’t even know. Can I take this? Will tomorrow even be worth living through? I’ve suffered a lot in my life, but this, this…

OreGairu is ending, you guys. What am I gonna do.

I’m not gonna get all weepy now – I’ll save the histrionics for the review. I know the actual show is pretty much already over, and that this final episode is an anime-original. It’s almost like they knew I’d need one more nostalgic adventure with these characters. This episode also marks the original light novel writer’s first time collaborating on an anime (I think). This is a good thing, because I want him writing all of the shows from now on, and he has to start somewhere. Hopefully in a few years he will work at all the studios and write everything.

Doing my best to stay objective here. Oh god. Here come the tears. Fuck it, roll the episode.

Episode 13

0:37 – “If everything is worth experiencing, then there’s little doubt that the feeling of not experiencing something is, in itself, worth experiencing.” -Sniff- I’m gonna miss you, buddy

0:52 – “The worst part is how convincing he is despite not being consistent at all.” So damn cute together. And once more the show outright says that Hikki’s philosophy is nonsense, something most of the criticism aimed at this show seems to miss entirely. The feeling of not experiencing something may be worth experiencing, but the feeling of not experiencing OreGairu seems like a pretty big loss for those guys

6:45 – It’s funny seeing an actual legitimately energetic person make Yui as weirded out as the misanthropes

8:10 – Also funny seeing how into this project Yui is getting. This is basically a fanservice episode, but fanservice in this show is just the characters being themselves around each other

10:50 – I say that, and then we actually get Yui in a Saber costume

11:47 – And Hayama takes the gold. I’d be perfectly happy if the rest of the episode were just a Hayama being awesome montage

12:57 – And then there’s nice callouts like remembering Silver’s weakness is fashion, or finally pairing the two otaku together for an episode

13:55 – “The starting shell has been blown!” This episode is completely insane

17:50 – “If it’s for you, I can handle way more than this!” My god this episode. That rallying speech was hilarious too. I didn’t think such a derp episode could be so satisfying

19:27 – “Did you really think I’d leave you unmarked?” Of course Hayama’s also totally buying into it. I think this probably all works for me because after the trials of the series, it’s just really satisfying to see these characters have fun together for once

21:23 – “You were watching too?” “I-I just happened to see it.” Thirteen episodes in, and we have finally arrived at the tsundere starting line. Life is tough

And Done

Well, that was surprisingly fun. I figured it’d be pretty much a write-off bonus episode, and it kinda was, but they ran with that and had the characters actually cut loose and be comfortably silly together. Definitely nice to see the brighter life they’ve earned through the course of this series.

Hataraku Maou-sama! – Review

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Maou is kind of a tricky beast to review, because though it’s always fundamentally a comedy, it puts on a number of specific hats throughout its run – satire, sitcom, drama, action, romance, etc. But it’s actually normally quite good at whatever it attempts; the action finales of 5 and 11/12 are fairly satisfying, the everyday life drama of the central characters is more believably slice of life than most actual slice of life shows, the characters are decently well-written (with a caveat – but I’ll get to that). The show’s overall high level of storytelling and aesthetic craft is almost certainly its greatest asset – but it can also sometimes kinda be its greatest weakness.

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Hataraku Maou-sama! – Episode 13

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And so we find our shift coming to an end.

Hataraku Maou-sama! has been a number of things over this season. It’s been a takedown of the fantasy genre (briefly), an everyday slice of life sitcom (frequently), a backwards jab at our current society (very occasionally), a character-focused comedy (constantly), and an action/drama (when it really feels like it). No show has forced me to adjust my expectations so often – sometimes for the better, sometimes for the worse. There were moments when I thought it was getting pretty damn ambitious, but ultimately I’m happy enough with it settling for being well-written, smartly paced, and endlessly likeable. It couldn’t be a more obvious choice for a second season, so I suspect we’ll be seeing these characters again soon, but even still, I hope this last episode gives them the sendoff they deserve.

Episode 13

0:56 – “I have to return to Ente Isla. I’m sorry.” I love when this show just plays a dumb genre scene completely straight. It’s like the joke is “we don’t have to make a joke here, these stupid overwrought anime parting scenes are a joke already.” If you find boob size jokes more funny than this, I don’t know what to say to you

1:45 – Chucking Sariel through the gate by his foot is a nice gag. I also like that they’re just summarizing the aftermath this time, and that they’re starting the episode off with the underlying question of whether the status quo will end. This show is always solid on the fundamentals

3:47 – “Truly, we are star crossed lovers…” The joke isn’t great, but the musical accompaniment is. This show’s soundtrack is almost as good as its expressions

7:00 – “Just checking up on him? Isn’t it about time you two stopped making excuses to one another?” I AGREE. How many light novels is this series, again?

I know, it’s somewhere around eight. Don’t remind me – goddamn serial entertainment…

7:17 – “He slaughtered my whole village – I can’t forgive him for that.” Oh come on. I have waited NINE EPISODES for this goddamn conflict to progress, and they decide to remember it now? You are a cruel bastard, Maou

Again, I know, serial entertainment and all that, but I can’t help feeling that aside from introducing Suzuno, we might as well just now be reaching episode 6 actual-narrative-wise

8:23 – I love how Emi coming in doesn’t make Maou feel guilty at all, but as soon as Asriel enters he realizes he’s being fawned over by two girls. Asriel truly is best general

11:58 – This episode’s getting some good mileage out of actually subtle dramatic expressions. Nice to see they can use their facial powers for good as well as evil

17:53 – “Why is a demon general getting worked up over working for an evil corporation, anyway?” Aw man. They were doing so well, and then they had to explain the damn joke. Tragedy

20:21 – I really didn’t expect this last episode to be entirely dedicated to Lucifer falling for an internet scam, but it’s somehow kind of appropriate

22:23 – Love this ED singer’s voice in all her stuff

23:12 – Cute circle – befriending Emi cost him his umbrella and befriending Suzuno cost him Dullahan, but here Emi is getting his back

And Done

Hah! That’s all we get. Well, they certainly are confident in that second season – this one didn’t resolve shit.

Anyway, kinda funny and random final episode – Someday in the Rain level of anticlimax there, where it’s just another day in their meandering lives. It certainly wasn’t a highlight, but it wasn’t trying to be. I think it worked.

Dansai Bunri no Crime Edge – Episode 13

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I’m tired, boys and girls. These old bones have seen too much; too much pain, too much hardship, too much hair and bruises and bodily fluids. I’ve done the best I can, and I’m proud of every damn minute – proud of all of you. I wouldn’t take this bizarre and sexually confusing journey back for the world.

We began as humble explorers, keen on striking out for new horizons. A compelling soundtrack, a few strange and irreconcilable visual details – these were our clues, the breadcrumbs that led us to this winding, treacherous path. How could we have known the perils to come? The lines crossed, narrative rules broken or fundamentally misunderstood, yearnings awakened, never to slumber again? And yet, each turn of the screw held its own strange and rarely mentionable pleasures. Hair as sex object – haircut as virginity proxy. A deaf piano tuner. A moe needle addict. A witch named Witchy. A loli assassin. Each new tangle in the weave added subtleties to the glossy sheen, braiding itself naturally into locks fortified by random misappropriations of genre conventions and a fundamental certainty that everything happening could not conceivably be any more erotic.

My friends, tonight our journey comes to an end. But let us not dwell on that – nay, let us consider it a new beginning; a revision of the world we knew, now colored by our common pilgrimage. For the moments we have shared will stay with us, connecting us like shimmering ebon tresses no matter the distance. Though our paths may diverge, our common ends will never split. Though our time together may be shorn, no Goods may sever the time we had.

Let rise the curtain, friends. Let our final hour be bright and soft as silk.

Episode 13

0:25 – The Hair Queen gazes at the loli, at the flames, at the loli. Gritting her teeth, she comes to a decision. To hell with Gossip and all the rest of them. She has her principles

0:53 – Really? Greyland is in the House? I mean, I know you never intended to be classy, Crime Edge, but…

Gah, fine. Whatever. Raise the roof, Greyland is in the house

1:11 – “Hey, Lolino. Now that you’re delirious from blood loss and unable to actively murder me, I figured we could have a bonding moment.”

1:38 – I had to backtrack to confirm he was wearing half a pair of glasses. Ain’t give a damn.

2:07 – “As for how or why she was found, most members of Gossip don’t have a clue.” The joke is that there are actually people who care about the exposition and world-building in made-up nonsense stories like these ones. I had an argument yesterday with someone mad that the technology in frikkin’ Gargantia doesn’t make scientific sense. Because clearly that makes the point of that show come tumbling down

2:20 – “He was looking for something miraculous… something that could cut my hair.” “Dear god, let me find a tool to cut my daughter’s relatively inconvenient hair!” Fucking first world problems…

2:44 “I was jealous… and so I decided to end your life.” “I see.” Man, Iwai is just #1 at bonding with people who try to murder her. It’s the shounen protagonist gift

4:34 – And it all comes down to this. Can the love of such a pure maiden tame the savage beast?

Wait. Iwai isn’t pure in the slightest.

Well, we tried

5:02 – Is it just me, or does Kiri’s berserker crab walk look exceptionally silly?

Also, while we’re here, might as well mention that this whole “spirit of the killer” thing is taking the sex-fetish-as-addiction thing to staggering new depths of creepiness. At this point, any attempts to say this show is a metaphor for anything will probably make it come off as more rapey than it already is

5:42 – Yep, things are getting pretty weird

6:17 – “Savagely, like a wild beast… he violated my hair.”

There it is, folks. Pack it up, get the gear in the van. Not sure where we can go from here

8:54 – Aaand her hair starts growing again.

I mean, does the show want me to actually articulate the idea it’s getting at here? Regarding how the Hair Queen thing is a metaphor for her comfort level with her self and sexuality, and how her relationship with Kiri has changed and subsequently regressed that sexual identity? I’m not gonna do it. This show just said “he violated my hair.” It has lost all analysis privileges

9:27 – Well, it’s nice to see Iwai and Emily are getting on like a forest on fire in which someone’s hair was just violated

10:02 – SERIOUSLY? We are SERIOUSLY following up that scene with a bath scene starring Iwai and Lolino? Crime Edge, you don’t give a single fuck. And by that I mean take a seat right over there

10:07 – “I lost my motivation. I wonder what I was hung up on all these years?” Well it’s nice to know your desire to murder an innocent girl wasn’t just an errant fancy or anything

13:32 – “It’d be easy for me to say killing is wrong.” On the one hand, what the fuck, why are these characters naked for this entire fucking episode. On the other hand, it’s refreshing to see a shounen protagonist admit that people have different circumstances, and sometimes moral high grounds are just convenient disconnects from the world. On the third, fourth, and fifth hands, why are these characters naked for this entire fucking episode.

Maybe it’s a metaphor for my fist in the author’s face

15:16 – “This hospital is run by Gossip.” Yes, that makes sense to me

16:28 – More exposition. This isn’t even pretending to be a last episode. Fuck you, Crime Edge. You can’t keep doing this to me. I’m under no obligation to cover your goddamn second season

17:17 – Why does she keep attacking him with her boobs when she knows he’s into Iwai? Shouldn’t she be smothering him with her hair or something?

19:27 – Dat piano ballad OP arrangement

19:41 – “You will fight many more enemies…” Wait, what? We’re getting the ending speech now? They haven’t even fucking made up yet! You can’t do this to me, Crime Edge! You fill your last episode with random nudity and pointless exposition and don’t even have the main characters share a conversation GAH, CRIIIIIME EEEEEEDGEEEEE!!!!

20:33 – Wait, final haircut appointment? Oh thank god

21:50 – His shears sing out, cutting softly, deftly, like a gentle breath of wind. It feels good. It feels right. -FIN-

22:45 – Except for this montage of batshit insane images from the extremely presumptuously expected sequel

And Done

Well.

Jeez, I don’t even know.

Was it good for you?

That show, guys. That show. When it wasn’t incoherent it was offensive, when it wasn’t offensive it was inept, and when it wasn’t inept it was actually kind of touching. I dunno. It’s too stupid to be problematic. It’s too strange and personal to be satire. It’s too Crime Edge to be anything else.

Our story ends where it began, with two young lovers sharing the innocent joy of cutting hair, changed by their journey and yet somehow still the same. Their path has led them through many trials and a rogues gallery of memorable acquaintances: Sharktooth, Fishwoman and Sis, Ragemaiden, Lolino, Glasses-pusher, and all the rest. They’ve learned… well, they haven’t actually really learned anything, the themes have been pretty incoherent all along. They’ve learned cutting hair is sexy. I guess they already knew that. I guess the sexiness was inside them all along. And that’s something we should all take care to remember.

Anyway. I enjoyed this demented little shounen-drama-mystery-romcom-erotica. It was weird and disjointed and sometimes troubling and always extremely honest. I think honesty is a good thing to strive for in art. And in the spirit of practicing what I preach, I’d like to honestly say it’s been a pleasure writing these, and hearing that some of you enjoy them has meant a lot to me. Thanks for reading. Fuck you all if you think I’m covering another season of this lunacy.

Regards and love and all my shears,

Bobduh

Is Anime an Inferior Medium?

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Question:

Many people seem extremely dismissive of otaku culture and anime in particular, claiming anime is an inferior cultural medium to books, movies, etc. How would you go about refuting this argument?

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Attack on Titan – Episode 12

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Alright, finally got some time for Titan. It’s definitely earned a fair shake this week – Pixis’ focused and theme-outlining speeches from last episode definitely helped renew my interest in this show, and partially made up for the pretty terrible pacing and lack of meaningful action that have recently brought momentum to a standstill. It’s also just nice to see someone displaying actual competence in this universe – getting down on humanity for their panic and weakness is great and all, but it’s kind of an empty message if your portrayal of humanity is all babbling strawmen like the bearded officer. Pixis displayed actual charisma, got straight to the point when necessary, and used a handy dash of psychological warfare to rally troops in the face of terrifying odds. We know a recap episode is coming soon, so hopefully this episode will ride the current momentum into a fast-paced and eventful conclusion.

Episode 12

4:08 – “We must win this battle.” It still seems crazy to me that they’re betting both Eren’s power and the entirety of this fighting force on Eren’s powers maybe working the way they hope they do. Sure, losing the buffer wall puts them in serious danger, but potentially losing both these resources seems far more risky.

I think I’d be more accepting of this as a necessity to keep the story moving quickly if the story actually weremoving quickly in general, or if this show didn’t place such an emphasis on plans and tactics. As is, it’s a little harder to suspend my disbelief

4:58 – Mikasa versus the Titan. That’s a great image and a great moment

8:05 – “Unlike us, he’s an irreplaceable resource.” Thank you.

8:29 – It’s Jean! SAVE US, JEAN!

9:07 – “Minimizing losses is the correct tactical choice. The bosses are in the right!” Jean always best character – I love seeing his strong understanding of strategy and absolutely terrible understanding of people slam against each other. Nice pep talk, Coach!

11:08 – Is this the screencap you fuckers wanted? [1] Pretty adorable, admittedly

12:07 – Well, we’re halfway through the episode, and so far Eren has successfully hit himself in the face and fallen down. Not exactly what I was hoping for

12:15 – “During training, instructors will sometimes intentionally cut trainees’ cables to gauge their reactions.” That’s pretty brutal! I’d say a mean little detail like that is worth a dozen terrified reaction faces

16:02 – “Back then, Eren emerged from their weak point. I’m sure that’s a clue about what they really are.” And clearly that’s a clue about where this story is heading

17:05 – “Eren, get out of there!” Eh. This is the exact same dramatic trick they pulled when Eren was basically comatose in front of the firing squad – and it wasn’t very satisfying then, either. It’s not about accomplishing some heroic task, with specific, defined obstacles (the way their raid on the gas supplies was, which is in my mind the only really successful action setpiece so far) – it’s about them dragging out moments while we wait for Eren to wake up again. Maybe this works in manga format, but here each “panel” is several seconds of the camera zooming while the show attempts to build tension around a binary conflict (will he wake up, yes or no) we’ve seen before and pretty much can guess the ending of

I think that’s all pretty obvious, so for the sake of making this writeup interesting, let me at least think about how I’d handle a moment like this. Well, first of all, I probably wouldn’t be here – I don’t think “everyone slowly gets themselves killed while Eren, the one truly relevant factor, either succeeds or doesn’t succeed” is a very good use of this show’s resources, so I’d probably have spent an episode integrating Eren’s abilities in some dynamic way and then set up a mission where both his part and the part of the regular squad were meaningful and interesting in their own right. If I were in this particular moment, I’d say we need something to add relevant tension to the conflict. I’m guessing the best way to do that would be to run with that little flashback Eren had, and have a thematically relevant flashback to accompany Eren’s awakened resolve – his inability to accept the complacency of the other humans has always been pretty key to his character, and maybe remembering that could also be the key to his ability to master the Titan. This would also make for a nice symmetry with Mikasa and Armin’s own resolve-discovering flashbacks this arc

17:37 – Oh look, they’re doing that. That’s good

21:11 – “Deserts and oceans and massive tracts of land!” I’d make a Holy Grail reference, but I’m pretty sure “massive tracts of land” is just Commie being Commie

And Done

So it’s looking like only incredibly strong primal emotions (“I can’t die here!” “I have to protect them!” “I was born into this world!”) can actually guide the Titan? I guess that works.

Otherwise, pretty meh episode. I liked the stuff with our main trio’s squadmates, but I pretty much always like their brief relationship-building exchanges. Otherwise, more redundant we’re-all-gonna-die stuff from the peanut gallery, and the conflict with Eren was pretty much an exact copy of the second time he became a Titan. I’m assuming next episode will finally bring an end to this conflict – hopefully the next arc won’t drag its story out to the degree this one has been doing.

Summer 2013 Preview/Predictions

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New season zomg everybody hit the deck. The lineup of shows is available here, and certainly covers a pretty diverse spread of genres. As for what I’m moderately excited about? Let’s get to it.

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Suisei no Gargantia – Episode 12

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Welp, I’m late, but in my defense your face is stupid. Two episodes to go. Gargantia in the crosshairs. All themes primed to explode.

Let’s talk about that for a second. I assume this and the next episode will probably settle these ideas a bit, but right now, this show is fucking crazy-rich in interpretations. My own focus has been on how Gargantia, Ledo, and the Galactic Alliance explore the purpose of society and how society relates to individual identity. I think that’s a pretty sweet interpretation! But you could also make a strong case for the Alliance system representing the classic and now-decaying Japanese ideal of entering a corporation upon leaving education, rising in an utterly linear fashion within that organization, and being protected by it until the day you die. Or you could talk about the specific historical philosophies our sides are representing – Kugel’s pseudo-Randian theocracy, Gargantia’s lightly capitalist collectivism. Or you could hone in on the theme of entering society, focusing on the way Ridget and Pinion have dealt with their emerging responsibilities, as well as what Chamber and the cockpit might represent. Or you could talk about the show’s layered views on human nature and the inevitability of conflict. Or its much more straightforward but still solidly articulated views on the military-industrial complex. Or the 1984-esque perspective control, focusing on Ledo’s early inability to translate the purpose of Gargantian society and Kugel’s recent redefining of happiness.

So yeah. By all means, take your pick. The show is a rich goddamn tapestry, and even if many of these ideas are relatively straightforward in their expression, that expression is still generally well-articulated, and the summation of all these ideas is a vivid, compelling, and multifaceted world. This show’s a gem. I hope it finishes strong.

Episode 12

0:51 – Pinion’s like a kid in a candy shop. Which I guess is a part of what he represents – humanity’s hasty bravado and careless glee in creating newer and deadlier weapons

1:57 – In order to plea on Gargantia’s behalf, Ledo leaves Chamber, preferring to represent himself in person

2:46 – You know we’re in the shit when there’s no time for the OP

6:31 – Aw maaan, is Kugel gonna murder a bunch of senior citizens because they’re a drain on society? Well, I guess they’re really hammering in what a saint Ayn Rand was. Utterly rational societies, everyone!

8:29 – Jeez, nicely done. Hammering the point home or not, that wave of bodies falling is a chilling image. As is the rain washing away Pinion’s temporary allegiance. And there we have it – Ledo chooses the way he wanted to contribute to Gargantian society over the most efficient role chosen for him by the Alliance

8:54 – I also like that Pinion’s hair has been let fall loose now that he’s given up on the titles and bravado. When I watch this show for a second time, I’ll probably be on the lookout for more efficient visual cues like that or the symbolic colors

10:20 – “Combat policy formulation is in your hands, Ensign.” Awww yeah, fucking fist pump. It’s really hard for me to not treat Chamber like an actual character – he really does seem to have a genuine connection with Ledo. But hey, that fits perfectly in line with his role as teacher/parent in the Japanese society metaphor, and that could be the right one, so who knows?

10:35 – Ledo joins the rebellion in the space of one smirk from Pinion. Pretty efficient storytelling!

13:40 – “He’s gonna turn against an old friend to protect us, and we’re just going to leave him?!” Not if the “entering society shouldn’t be frightening, we’re all there for each other” camp has anything to say about it!

18:24 – I didn’t want to pause during this holy shit viva la revolucion finale but my damn roommate interrupted me so I might as well say I think the sound design here is fucking dynamite. And also all of the other things that are currently happening

21:27 – Oh man, Striker was indeed on autopilot. A society so rational it governs itself!

And Done

Man, that whole “squids have rejected their humanity, and thus are no longer human” argument is looking pretty threadbare when the alternative is a corpse in a machine. But anyway, fuck yes that episode was awesome. The first half of two straight episodes of dramatic and thematic dominoes tumbling down. Pinion’s turn was surprisingly satisfying, Chamber’s defection to Ledo’s orders was confusingly heartwarming, and the finale was pretty goddamn epic. Great music, it bounced well between the various smaller conflicts, there were some really nice visual touches like their cannons parting the sea of mist – the plot and themes are still being respected, but this was also just a sweet freaking episode in all the best pure-entertainment ways. Nailing it, Gargantia.