Ojamajo Doremi – Episode 38

Saturday has come again, and it’s absolutely time for some more Ojamajo Doremi. Doremi has entered a somewhat odd interim phase in its current arc; after Onpu’s dramatic debut and declaration of intent, she’s mostly just hung around, acting occasionally villainous but more often just indifferent to our heroines’ plights. Her nefarious benefactor Majo Ruka obviously has a legitimate stake in sabotaging Rika and her ojamajos, but Onpu mostly just seems down for whatever, and willing to work with any side if it sounds like fun.

In meta-genre terms, Onpu and Ruka’s appearance has kept Doremi focused on fanciful witch world conflicts, from the dramatic race of two episodes ago to the witch frog invasion last week. This makes sense; like with Ruka’s first appearance, it’s difficult to pull off a classic “one of our classmates has a problem”-style episode while also keeping things focused on the inter-witch drama, and so Doremi is temporarily prioritizing its magical worldbuilding over its moral lessons. Unfortunately, these episodes don’t tend to be as strong as Doremi’s standard material – the system of magic in this world is too arbitrary to really invest in, and these episodes tend to lack the satisfying emotional substance or thematic payoffs of the more realistic conflicts. Still, Doremi has always managed a reasonable balance of its various component materials, and I’m guessing this recent swing towards magical malevolence will pay off soon. Let’s see what schemes Ruka and Onpu cook up this time!

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Bloom Into You – Episode 1

Hello folks, and welcome back to Wrong Every Time! Today we’re embarking on another new anime journey, as we explore the first episode of the ongoing Bloom Into You. I actually reviewed this episode once before for the ANN Preview Guide, but those pieces are designed mostly just to be a “is this worth checking out” snapshot, so today I’m happy to revisit it. As I mentioned in that post, my outside knowledge of Bloom Into You is fairly limited – I know it’s a generally well-regarded yuri romance known for its slow pacing and uncommonly sensitive emotional insights, but that’s about it. That’s more than enough for me, to be honest – I’m a sucker for romance and stories that respect and celebrate all our small emotional turns, so I’m very on board for a gentle love story.

As for this anime production, my only experience with director Makoto Katou is 2015’s Beautiful Bones. That show was certainly pretty, but I often felt its use of rainbow and pastel colors essentially overwhelmed the screen, saturating our perspective in a manner that felt more overbearing than evocative. Still, most of Beautiful Bones’ issues were more reflective of its source material than its visual execution, and with a well-regarded manga and veteran composer Jukki Hanada (Love Live!, A Place Further than the Universe, maybe half of KyoAni’s recent productions) handling series composition, I’m excited to see what Katou can really do. Let’s dive right into Bloom Into You!

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Princess Tutu – Episode 17

We open Princess Tutu’s seventeenth episode with yet another strange, thematically resonant image; a rose standing alone, captured in either a mirror or a picture frame. “Once upon a time, there was a young man with a beautiful face” our untrustworthy narrator explains. “The people loved the handsome young man, but he never showed any interest in loving anyone. This is because all he loved was himself. When the young man, who had neglected to love anyone and sought only to be loved, found someone he truly cared for, he realized he had lost even the words to express those feelings.”

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Ojamajo Doremi – Episode 37

Folks, it is absolutely time for more Ojamajo Doremi. With Doremi’s generous, handsome, and highly intelligent principle funder having recently stuffed the Doremi fund, we’re looking at Doremi Saturdays for a while to come, and I couldn’t be happier. The show’s last episode held to one of its less common modes – a wholly plot-focused adventure in the Witch World. Pitting Doremi, her friends, and their fairies against an uncommonly disciplined hare and an absurdly speedy tortoise, the episode was a gleeful celebration of Doremi’s very silly world, offering few life lessons beyond “if you’re making a hole for Doremi to crawl through, make sure to leave room for her hair orbs.”

That episode also saw the continuation of Onpu’s antagonism, though frankly, “briefly interrupting the girls for a conversation while shopping” isn’t exactly the height of villainy. Onpu is treading a difficult line of kinda sorta maybe attempting to sabotage the girls while also remaining their friends, which feels like a natural expression of her generally staged existence. Onpu likely sees friendship as perfectly compatible with villainy, because to her, both of these things are a kind of performance. The only thing she seems to genuinely care about is making sure she herself gets what she wants, and she seeks that goal with the bright smile and feigned innocence of a natural performer. We haven’t seen a single moment of true honesty from Onpu, and I’m eager to see the show actually investigate her character. Whether this particular episode focuses on her or not, I’m excited to see Doremi ramp up into another high-stakes arc. Let’s get right to it!

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Magical Girl Lyrical Nanoha – Episode 7

Today we’re jumping back into Magical Girl Lyrical Nanoha! The show crossed a very important milestone last episode: it was actually, genuinely good. Nanoha’s been a perfectly watchable show from the start, and has been interesting enough in terms of its design and execution to give me plenty to talk about, but its first few episodes were neither so narratively gripping nor so compellingly executed that I’d actively recommend it. Things like its unusually mundane conversations and unique backgrounds were interesting aesthetic tools, but they weren’t being used to truly elevate the overall production.

That all changed last time, fortunately. On the visual side, the show’s background art was stronger than ever, offering a mix of dramatically charged and just-plain-beautiful compositions that made for an inherently compelling viewing experience. And on the narrative side, the show’s idle, incidental conversations contributed directly to the episode’s emotional core, naturally humanizing Nanoha’s relationship with her friends. On top of that, it seems like the show’s overarching paradigm is about to be broken as well, as the destruction of Nanoha and Fate’s staffs promises at least some disruption to the status quo. Boasting a new paint job, a greater mastery of its own strengths, and an urgent cliffhanger hook, Nanoha is looking stronger than ever as we enter its seventh episode. Let’s get right to it!

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Ojamajo Doremi – Episode 36

Today we return to Ojamajo Doremi, in the grips of one more dramatic witch-on-witch arc! Last episode introduced Onpu, a child actress who absolutely made the most of her debut by dunking on Tamaki, grappling with Doremi, and ultimately using mind control powers to make sure she earned a romantic lead role. That episode was an utter joy in its own right, exemplifying Doremi’s more farcical material, and once again leaning heavily on the endearing rivalry between Doremi and Tamaki. Tamaki is a terrific antagonist, and framing an episode around “Tamaki is challenged by a new girl who’s EVEN MORE Tamaki” was a great idea, even before we got to the silly appeal of their various audition challenges.

Of course, once the battle was over and Onpu had claimed her prize, we swiftly learned that this was all the plan of an old foe – Rika’s long-time rival Majo Ruka. The last time Ruka appeared, we ended up running through an arc that saw the girls losing their shop altogether, a paradigm-shifting conflict that ultimately felt a little drawn out. Ruka’s material lacked the emotional thoughtfulness of Doremi’s classmate-focused episodes, and I felt it leaned into the show’s magical worldbuilding in a way all these vaguely defined spells couldn’t necessarily support. That said, Onpu has already proven herself to be a more compelling character than Ruka, and adding an antagonist who can interact with the girls on their own immediate level seems like a very good way to add some emotional bite to this conflict. In spite of her poise, I’m getting strong gremlin vibes from Onpu, and am eager to see how she continues to torment our heroes. Let’s dive right into another episode of Ojamajo Doremi!

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The Woman Called Fujiko Mine – Episode 3

Alright folks, it’s time at last to return to The Woman Called Fujiko Mine. The show’s first two episodes were each highly entertaining in their own ways, though I still find myself a little emotionally removed from its proceedings. Everything feels very ornate and beautiful and stylish, but it also strikes me as a little impersonal; the second episode’s narrative in particular, while theoretically centering on an intimate lovers’ betrayal, proceeded with all the majesty and emotional distance of a melodramatic stage production. It was an effective and very pretty story, but not an intimate one, and it’s not easy for me to immediately assign that to either Sayo Yamamoto’s general style, Fujiko Mine’s storybook affectation more specifically, or that episode’s even more specific tributes to Cowboy Bebop’s Ballad of Fallen Angels.

Of course, while Fujiko Mine might not yet be a star in an emotional sense, it’s still succeeding brilliantly as a series of ultra-stylish heist capers. The show’s visual direction is superb, its layouts are consistently brilliant, and Fujiko herself embodies the lusty, desperate tone of the entire production. Fujiko Mine possesses an instantly iconic and utterly story-appropriate style that feels like little else in anime, and since we’re still in episodic vignettes, the lack of an emotional punch isn’t really all that damaging. Let’s see what adventures await our master thief!

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Ojamajo Doremi – Episode 35

Settle in folks, it is absolutely past time for another dash of Doremi. I’m currently sitting near the end of a long and stressful workday, but my spirits have legitimately been kept high all day by knowing I’ve got a new Doremi episode waiting at the end. This show’s world is so inviting, cast so charming, and stories so suffused with empathy that it’s hard not to smile while watching. Doremi is a genuinely thoughtful and often dramatically creative children’s show, but it’s also just the most inviting comfort food of all time, and I’m always happy to return.

The show wasn’t really in comfort food mode last week, though – in fact, Aiko’s failed reunion with her mother was another of Doremi’s signature tearjerkers, and its nuanced, dramatically somber finale felt like one of the most painfully real moments of the show so far. After having her trust betrayed by her father and finding herself incapable of greeting her mother, Aiko ended up simply reflecting on her childhood memories, her friends by her side. Life can be frustrating like that; we’re often burdened with feelings that demand some sort of cathartic, coherent resolution, but the real world rarely offers neat conclusions for our personal stories. We’re often forced to find solace much in the way Aiko did; by accepting that the past is the past, our stories are still being written, and we can always rely on the support of our friends.

Anyway! Last episode was a truly great one, but given we just passed a big dramatic highlight, I’m guessing we’re in for some also-welcome farcical nonsense this time. Let’s get right to it!

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Princess Tutu – Episode 16

After a half-dozen episodes of escalating tension and epic climaxes and dramatic board-flipping, I’m almost relieved to announce that Princess Tutu’s sixteenth episode is a very normal episode of Princess Tutu. The aftermath of Ahiru and Fakir’s battle with Kraehe has been largely settled, and the show has established a new episodic mode centered on Kraehe’s efforts to find a sacrifice for her father. This episode embraces that focus while returning to the sturdy, predictable narrative arcs of the show’s first half, arriving at a subtly menacing tone that evokes something like Revolutionary Girl Utena’s black rose arc. “We won, but the substance of our world only continues to fray” is an evocative concept, and Princess Tutu’s second half is happy to embrace that tonal energy.

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Magical Girl Lyrical Nanoha – Episode 6

Alright folks, let’s settle in for another episode of Magical Girl Lyrical Nanoha. The show has stuck relatively true to a conventional magical girl template so far, though it’s certainly offered its own interesting embellishments. Nanoha’s plentiful worldbuilding, for one; instead of offering a vaguely defined set of magical powers or binary conflict between eternal enemies (like in Precure, where it seems like the “sides” have existed for all of time), Nanoha seems determined to sketch out an entire magical/science fiction universe, with Fate’s antagonism coming from a place of individual grievance, not destined conflict. That meshes a little weirdly with the numbered items they’re gathering, which seem more like the kind of plot device you’d see in a world where everything actually does revolve around our protagonists. In Card Captor Sakura, Sakura gathers all the cards herself because this is a show about Sakura – in Nanoha, our heroine and her enemy seem less destined than accidental, and so there’s an interesting style tension there.

Beyond the unique interplay of Nanoha’s magical girl and scifi action roots, the show is also just, well, weird. The storytelling is an odd mix of material seemingly aimed at both older and younger audiences, the story labors over incidental conversations that don’t really explain themselves, and the visual execution ranges from genuinely inspired to either baffling or totally flat. That makes for a very imperfect show, but it’s great news for me – I love investigating messy stuff, and Nanoha is certainly messy. Let’s check out what’s in store for our heroes in episode six!

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