Seiren’s third arc ended in typically Seiren fashion, leaving me once again scrambling to describe this show in some way more evocative than “okay, I guess.” I actually did chance on a pretty decent hook for this writeup, as the episode’s legitimately successful climax gave me a chance to talk about the pluses and minuses of its distinctive writing style. I’m taking my victories where I can find them!
You can check out my full review over at ANN, or my episode notes below.
And we’re back with more ef! The second episode did a great deal to increase my confidence in this series, largely because it was so quick in revealing the dark and tragic secret of Chihiro’s memory. Chihiro’s problem is a Maeda-style device that would have made for a totally inert reveal if it were dragged out – her problem is tough to relate to, but that doesn’t actually matter if we can relate to her feelings about her problem. When dramas like this hide their tragic twists, they trade the audience’s ability to sympathize with their characters for a cheap combination of suspense and surprise. By revealing her condition right now, the show can work to put that condition in tangible, relatable terms through her future actions.
Anyway! We’ll see soon enough whether the show actually takes its variables in compelling directions. Let’s get right to it!
Welp, it feels like it’s about time to get back to Casshern Sins. Last episode’s visit to Niko’s flower garden was definitely one of the highlights of the show so far – though it stuck to the general format and preoccupations of the show’s usual fare, its beautiful setting and strong characters helped it stand out in a very tough crowd. Basically all of Casshern Sins’ episodic adventures have been a treat; the show’s running through classic fables with confidence and beauty, and it’s only when things get bogged down in exposition that the production can start to drag. Let’s see what today’s journey through Ruin entails!
Hoo boy, we’re in it now. Nadeko Snake #2 is a rich and uncomfortable episode, one of those things that’s better for actually being an unpleasant experience. Its visual framing makes it effective in the same way great interactive storytelling can be – you’re not just a witness, you are complicit in the crimes on-screen due to the way you are perceiving them. I did my best to articulate all my muddled feelings on this episode, and hope you enjoy my piece.
You can check out my full review over at ANN, or my notes below.
Alright, time for some goddamn Milky Holmes. I know from a brief prior attempt that this show is a very very stupid comedy, and thus that you all’s attempt to make me analyze it is your attempt at comedy. Or at least your attempt to promote Milky Holmes itself, which is an extremely valid reason to force me to do these things. But after years of suffering through bad anime comedies and months of unpacking very silly Nichijou gags, I am fully prepared for whatever Milky Holmes may throw at me. Your ball, Milky Holmes.
LET’S GET RIGHT TO IT!
March comes in like a lion arrived at its first season ending this week, thought it really wasn’t much of a conclusion. If the show were actually finishing here I’d probably be kinda miffed, but as it’s only six months until the next season, this served as a fair enough stopping point. And this episode’s second half was actually a minor highlight, so I can’t really complain. Cya next time, March!
You can check out my full review over at ANN, or my notes below.
Seiren’s third arc is almost at its close this week, and dear lord do I not have any more words to spend on this show. Blurrrgghhhhh. That’s all I got. Seiren is nothing. It offers me nothing to talk about. It’s probably not the worst show I’ve reviewed weekly, but it is almost certainly the most Nothing show. This is a seasonal workout I was not expecting.
You can check out my review over at ANN, or my limited notes below.
Today we return to Ojamajo Doremi! From my side, this is actually the day our first fascist in chief is being sworn in, so goddamnit, I need something to bring a little joy into the world. And Doremi certainly fits the bill – a beautiful children’s show with a broad cast and thoughtful worldview, it’s a spot of light in the fast-encroaching darkness. Make art, do public work, be kind to the people around you – do whatever you can to bring a little warmth to the world, everybody. We could all use a little more of it.
And here we are. The final episode of Nichijou. It’s been a terrific ride, and as often happens near the end of a great show, I’m actually feeling pretty alright about its ending. I certainly complained enough in the intros leading up to this one, but at this point, I’m just happy to know the show ends strong, and truly is an unmatchable comedy from start to finish. Nichijou is a unique kind of masterpiece, demonstrating an understanding of comedic timing and creativity of both conception and execution that puts it in a class of its own. Sometimes anime is good.
Alright, let’s get right to this.
Today we begin Bakemonogatari’s hella controversial fourth arc! Yep, it’s time for Nadeko. I had a bit of a tough time writing about this one, but not really because of the Nadeko material itself – more because this episode’s structure made it difficult to establish a single thesis and then explore it throughout a variety of scenes. Fortunately, I’m pretty sure the second episode will offer an extremely straightforward opportunity to explore What’s The Deal With Nadeko, so I’m looking forward to that. And this one was still a very strong episode!
You can check out my full review over at ANN, or my notes below.