Holy shit is it ever time for Nichijou. This is my first post-election Nichijou episode, so I’m really counting on Nano and Yuuko to bail me out of these incoming apocalypse blues. The world could very conceivably end in the next several years, but you know what, at least our species created one super funny cartoon. That’s gotta count for something in the grand scales, right? Nichijou is pretty good.
Alright, enough frighteningly justified doomsaying. LET’S NICHIJOUUU.
March returned this week with what was honestly a pretty disjointed episode, mixing Rei’s thoughts on the Kawamoto family home with the first stages of a tournament and even a brief showdown with a new nemesis. Gotou isn’t anything but a one-note antagonist so far, but March has very good about avoiding that sort of character in the past, so hopefully he’ll gain some complexity before the Lion King finals. Either way, it’s nice to have this show back.
You can check out my full review over at ANN or my notes below.
Hey everybody! Today I’ll be running through some notes for a new series: Ef – A Tale of Memories. I’ve heard this franchise was one of Shin Oonuma’s greatest contributions to studio SHAFT, before he went off to reign over Silver Link for all eternity. I’ve also heard that it’s both extremely visually compelling and exactly my kind of thing, full of sharp character writing and romance and visual storytelling that actually elevates those things. Either way, the die has been cast for the first couple episodes, so we’ll see what Ef has to offer. Onward!
Let’s dive into another episode of Casshern Sins! I should be a bit more familiar with the show’s style at this point, given the gap between watching episodes has shifted from around ten months to about six hours. The last episode offered perhaps the first glimpse of lasting hope for the series – in contrast with the doomed church of two and dying human of three, Sophita provided both friendship and hope to Casshern, giving him someone to return to in this wasteland. Given that dash of optimism, I’m expecting this episode to counterbalance with some oppressive, beautiful sorrow. This world won’t decay into forgotten tombstones all by itself, so let’s get right to it!
Welp, only half my shows even aired this week, so I guess we’ll be keeping this one brief. It was all endings this time, which pretty much went down as expect – while Girlish Number’s last episode as a bit underwhelming, both Euphonium and Flip Flappers nailed the dismount, which was a great relief. As extremely good shows near their end points, I often feel more anxious than excited; when you’re competing for the big leagues, all I’m hoping for is an ending I’ll be happy to return to over the years. Euphonium and Flip Flappers both more or less managed that, so I can’t really complain. Let’s start Girlish Number and run these three down!
Wandering Son’s seventh episode opens with the turning leaves, as the late summer warmth of the school festival fades into the bundled coats of fall. Those leaves don’t just give us an indication of the time passing, though – they also directly echo this episode’s focus. Alternately titled “Rosy Cheeks” or “Growing Pains,” this episode hones in on the unwelcome shifts of adolescence, as Nitori finds her body changing in new and unwelcome ways. As the rich summer leaves shift into crinkly reddish paper, Nitori’s own rosy cheeks are turning red not with passion or beauty, but with the pimples of puberty.
Natsume’s second episode opens with a distant shot portraying Natsume’s school, along with more of the rural scenery that has already proven to be one of the show’s central characters. I love that scenery, beautiful even in this show’s simply drawn, low-resolution format. Rural Japan is one of my favorite anime settings, along with that “vaguely medieval Mediterranean countryside” employed by shows like Kino’s Journey and Haibane Renmei. Perhaps it’s simply a natural tendency towards exoticism, but something about Japan’s rolling hills and sprawling farmlands naturally puts me at ease. Continue reading
At last, it ends. Euphonium’s second season was far messier than the first, and was partially hamstrung by adopting a middle book that always felt fairly superfluous, but it sure did come together well. Asuka and Kumiko’s material has always been some of the best in the series, and watching their relationship grow over the course of this season was a wonderful experience. This was a graceful and poignant epilogue to a consistently rewarding series. Those friggin’ euphoniums did it again.
You can check out my excessively huge review over at ANN, or my notes below.
Girlish Number ended with as happy of an ending as you might have hoped for, and frankly a bit happier of an ending than I expected. Even Kuzu-P got to act like a big damn hero this time, though at least his smug posturing was quickly cut down by Chitose. Overall, this was mostly just a workmanly finale to a generally solid show. I’m sad this one sold like crap mostly because I’d like to see Wataru Watari continue to write anime-originals – but hopefully this doesn’t really impact his future plans. Anime could desperately use more prolific writers who construct people so well.
You can check out my full review over at ANN, or my notes below.
The Von Braun is preparing to set sail, and all likely crewmates must head to earth. In the wake of last episode’s mine defusal, the Debris Section has found itself with a new lease on life. Having leaked the footage from the event, the section is hailed as heroes, and become too politically popular to fire. That’s all that their footage accomplishes, of course – INTO is a multinational corporation, and so the revelation that they’re laying mines for their political enemies doesn’t really have any other effect. In an age where the United States already bombs civilians to take out kill-worthy targets, it’d be more fantastical for INTO to actually be harmed by this setback.