The dog days of summer have arrived, and Hyouka wants you to know it. Establishing shots of the dry heat outdoors, the valiant struggle of a standing fan, and Oreki’s sun-crushed condition set the tone as those inescapable cicadas and Oreki’s classic “letter to his sister” song vividly create the sense of a vacation nearing its end. Days like this aren’t meant for solving mysteries – they’re meant for going to the pool or the beach, relaxing and spending time with friends. Classic OVA activities! Unfortunately, Oreki is in the mood for none of that – his usual laziness has been compounded by his recent identity crisis (this OVA actually was streamed between the airing of episodes 11 and 12, making it somewhat uniquely chronology-friendly), and now he just wants to sit around and be a lump.
Category Archives: Episode Writeup
ERASED – Episodes 1-2
And reviews begin for the season’s big tentpole thriller! I’m really enjoying this one, and it’s frankly nice to actually be enjoying one of a season’s popular shows in general. ERASED deserves it – the direction and sound design are sharp, and the underlying storytelling is great so far. Not many shows manage to juggle the immediate entertainment value of a thriller with the long-term satisfaction of a thematic/character story, so I’m pleased this one is handling it so smoothly so far. It’s nice when you see such a clear intersection of adaptation talent and strong source material.
You can check out my full review over at ANN, or my episode two notes below!
Active Raid – Episodes 1-2
Active Raid didn’t fall apart! In fact, it actually got better! I was extremely worried this was going to end up being my obvious Beautiful Bones of the season, a show that started with middling potential and only nosedived from there, but so far we haven’t run into anything so dire. In fact, these first two episodes were actually a lot of fun to talk about – there’s all that moral ambiguity and grey character stuff that I like so much, all wrapped up in a generally pleasing visual/genre package. I don’t have sky-high expectations for this show or anything, but it’d be nice if it turned out to be a generally solid show, and so far it’s holding to that course.
You can check out my full writeup over at ANN, or my episode two notes below!
Hyouka – Episode 11
Irisu changed something for Oreki last episode. The whole show had been moving towards his acceptance of his own talents, through Satoshi’s jokes, Mayaka’s frustration, Chitanda’s gentle prodding. When Oreki claimed he was just lucky, they’d each accept this in their own ways without truly believing it. And it’s very likely Oreki didn’t believe it himself, and was simply saying the thing that was convenient, the path of fewest consequences. But Irisu insistently told him he was special, and for once, Oreki seemed willing to accept that weight. Being special means you’re responsible – being special means you can find the truth. Oreki was ready to be special, and by the end of the last episode, it seemed like he was even beginning to like the taste of it.
Well, it turns out Oreki isn’t that special after all.
Hyouka – Episode 10
Hyouka’s tenth episode opens with one more of those classic sequences where the framing tells two-thirds of the story, in a way you can viscerally feel even if you’re not looking out for it. The intent is to put you in a character’s headspace – Oreki’s, as usual. But this sequence isn’t designed to visually evoke his intimacy with Chitanda, or discomfort embracing the rose-colored life he consistently approaches. This sequence is about establishing How Freaking Scary Irisu Fuyumi Is.
We open with long shots down a well-to-do neighborhood and across a lengthy teahouse, shots that serve a duel purpose here. First, they establish this place as intimidating purely through its class and wealth; second, they create an initial assumption of open space, one that is swiftly countered as we switch to Oreki and Irisu. Our first shots of their meeting focus on Oreki’s intimate, uncomfortable body language, and then we see the small room they actually inhabit. Oreki is visually and emotionally cornered here by a much stronger predator, one who, unlike Chitanda, seems perfectly comfortable using her wealth as an extension of her own power. Extremely brief shots of Irisu from straight-on seem to imply that Oreki has difficulty making eye contact, and closeups emphasize how imposing her presence is. It is only when Oreki is able to establish his issues with each of the three detective theories that some semblance of equality is established.
Hyouka – Episode 9
Hyouka’s eighth episode pulled all sorts of meta visual tricks, using the context of an in-show movie in order to play with character acting and shot framing in a variety of interesting ways. Through its awkward direction and oddly remarkable animation, it pulled off techniques anime normally doesn’t use for very good reasons, in order to make intentionally bad staging decisions. The episode’s middle act was essentially a self-aware interrogation of the nature of visual storytelling; and so it seems only appropriate that the following episode is entirely focused on narrative storytelling, and how our relationship with a theoretical author dictates everything stories could possibly mean.
Hyouka – Episode 8
Hyouka returned to the school this week, to begin the second major arc of the series. The first third of this episode is a long, slow buildup to a new character reveal, one that begins before the opening, in one of the show’s most weirdly dramatic sequences yet. Text messages and chat window conversations speak of crisis and desperation as the camera very deliberately avoids giving us a clear view of the typist. Quick shots and zooms that crop all but the text create a sense of urgency, anxiety, and entrapment. The overall effect puts the audience off-kilter and in a position where they naturally distrust the typist… and then another participant joins the chat, and it’s clear even through text that this is Chitanda. The gang’s getting roped into another mystery, and it seems likely their patron is actively withholding information.
Hyouka – Episode 7
In this episode, the gang take one of those inevitable trips to a hot spring inn. And though Hyouka does find time for just a smidgen of fanservice (which is very appropriate, given this episode was directed by the future director of Free!, and even this piece of animation was handled by one of Free!’s shirt-flinging maestros), the majority of this episode’s running time is dedicated to another hot springs staple – the classic ghost story. We’re here for mysteries, after all, and what’s more mysterious than whatever compels a lost spirit to haunt its final resting place?
Hyouka – Episode 6
Episode six of Hyouka is very nearly a bottle episode – an episode where every scene takes place within the same room. Episodes like this used to be born of budgetary necessity; nowadays, they’re more often used as an intentional dramatic gimmick, as in shows like Community or Breaking Bad. Of course, this episode isn’t really self-consciously trying to do some structural trick with that; this is Hyouka, it’s all about small moments, and even episodes that aren’t exactly bottle episodes generally use a sparse economy of settings. This show is about tiny events that are nonetheless important, and spaces that contain great import in spite of their everyday nature.
Owarimonogatari – Episode 12
Owari is done and Owari is good. It honestly took until this episode for me to really feel that Owari was on par with second season, but yeah. It’s there. Maybe we didn’t get an entire Kaiki arc or Medusa Nadeko, but Sodachi’s story was wonderful, and these last two episodes have been overwhelmingly good. Such great conversations all through this episode, with characters ranging from Senjougahara to Kanbaru to even Yotsugi getting great little bits. Even Araragi was excellent in this arc, demonstrating some of the most consistent growth and true strength of character he’s displayed all show. This season was another triumph, and I now feel even more confident in Monogatari succeeding all the way to the ending. It continues to demonstrate why it’s one of my favorite shows.
You can check out my supersized review over here, or my notes down below!