Attack on Titan – Episode 24

ERMAHGERD THERE’S A TITAN IN THE CITY WHAT THE FUCK.

Alright, I’m sure the army has some kind of backup plan here. And last episode managed the excellent trick of being an extremely entertaining twenty minutes without spending absurd amounts of animation budget. So I’m quite excited to see where they go with this – frankly, the fact that the army went so completely all-in on their Annie hypothesis (putting the words of Erwin and Armin into action) is by itself quite exciting, and demonstrates the overall military apparatus being both more intelligent and more decisive than we’ve seen previously. Does this mean we get more Pixis? Possibly a spirited brofist between Pixis and Erwin? A boy can dream.

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Gatchaman Crowds – Episode 12

And here we are. No idea how they’re gonna tie up all these loose ends – obviously there are a number of ways they could resolve the overt plot, but that was never really the point with this one. Can the show even take a coherent stance on all the issues it’s raised? Hajime’s philosophy of transparency and “if the internet’s being a jerk, just turn it off” sort of works… until you actually need the internet, in which case you hand out smartphones to everyone, and then Berg Katze gives everybody Crowds and you’re screwed all over again. Fortunately, the actual character journeys are pretty much done at this point – last episode cleared out any doubts of that. At this point, it’s pretty purely ideology versus ideology, so I guess we’ll just have to see what stands when the dust clears.

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Attack on Titan – Episode 23

Alright, Survey Corps. You’re really in it now – morale is low, the public hates you, and like fifty people just got eaten by giant abominations. If ever there were a time to prove you’re secretly harboring a human-formed titan spy, just like that other human-form titan you swore wasn’t a spy, it’d be…

Well, actually, might want to keep that one under wraps. Good luck out there, Survey Corps! I’ll be right here, a healthy and anonymity-ensuring distance behind you.

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Originality versus Execution

Management: Another brief one. This topic could easily be expanded into questions like “what is originality?” and “what is the intersection of craft and voice?”, as well as the way craft and insight inherently lead to a level of specificity in storytelling which makes any good genre piece “original” enough to avoid feeling derivative or superfluous. But those are easily essays by themselves.

Question:

When forming your opinion of a show, what do you value more highly: originality or execution?

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Free! – Episode 12

The time is upon us, my friends (no, I’m not going to do an entire writeup in a McCain cadence, and who would even find that funny?). It’s been a long, mediocre, and inconsistently entertaining ride, but all moderately watchable things must come to an end. There were ups and downs, trials and gags, but through it all, Free held close to its strongest conviction – upper bodies are worth celebrating. Apparently this powerful message struck a chord with the people, for lo, Free has sold many thousands of BDs, and proven once again that KyoAni does indeed find a way. Though tonight we will be parting, this is not a time for sadness – for all those who held to the call of upper bodies this summer, let these sales numbers be consolation that some day soon, KyoAni will once again return to this fairly stupid show. It’s been a long paddle, Free. Let’s close out with the modest sum of dignity you’ve always managed to assemble.

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The World God Only Knows S3 – Episode 12

Keima you better not fuck this up I swear to god. Although I don’t know how he can avoid screwing this up – Chihiro’s basically demanding he give up on the system he’s relied on so far, and actually falling in love with the girls isn’t necessarily any better than his usual shenanigans. Plus screw Ayumi who cares about her anyway. Alright. Gotta maintain some distance here. Can’t let this shit get to me. Gotta stay cool.[1]

Agh can’t do it Chihiro better win. I know the manga is ongoing, and they still have to actually resolve the goddess stuff (though at this point it’s pretty clear the point of this arc has been merely to complicate the standard structure, not actually replace it). But I don’t give a crap about any of that. Keima and Chihiro are funny and adorable together, and she’s the only non-demon he seems comfortable being his usual abrasive self with. I know this show’s largely a comedy, but give me a hint of real romance and I will not be satisfied with anything but. Pander to me, show. PANDER TO ME.

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Attack on Titan – Episode 22

In my continued quest to put off watching more Fate/Zero (yes, I am determined to antagonize every anime fan, thanks for asking), it’s time to continue catching up on Titan. Last episode was awesome, and I mean that in the least ironic way I’ve ever used the term (meaning “only lightly tinged with irony”) – the action was sweet, the deaths were unexpected and fairly chilling, and the action was sweet. Though I know episodes like that are paid for in a whole lot of episodes like #19, here’s to hoping this show continues to do what it does best – spend money like a motherfucker.

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Attack on Titan – Episode 21

Welp, time for episode 21, or as I’ve surmised from reactions around the internet, “The One They Spent All the Money On.” Sweet! My body is extremely ready to see a lot of money turned into a lot of animation. How will they handle the spy?!

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Uchouten Kazoku – Episode 12

No time for foolish preamble! It’s time for Yashirou to save the day!

Incidentally, I just posted a review of the Uchouten writer’s other work, The Tatami Galaxy, so when you’re done slavering over how good this week’s episode is undoubtedly going to be, you can always head over there for more writer-adoration. Anyway!

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Monogatari S2 – Episode 12

New arc! Man has this season been some good Monogatari. I think Neko Shiro is probably my single favorite arc of the show to date, and Araragi-Shinobu: Time-Traveling Zombie-Fighting Buddy Cops isn’t far behind. I’ve written more about this goddamn series than any other by a fairly significant margin, but it’s generally been a show I found more interesting than fully coherent – the style of storytelling was very unique, and the tricks of direction were extremely compelling, but it didn’t necessarily gel into a cohesive production. This season has blown that complaint away, telling vivid and compelling stories that don’t lean on either Isin’s wordplay or Shinbo’s cinematography, but instead make best use of each of their strengths in tandem. And now we have the Nadeko arc.

This is gonna be interesting. In Bake, I felt her arc was basically a biting, caustic comment by Shinbo, but Nadeko herself didn’t really have any presence. These first two arcs have been well-written and well-directed, but they’ve also had the benefit of leaning on two of the Monogatari universe’s strongest variables, Hanekawa herself and the Araragi-Shinobu relationship. Since Nadeko is so loosely define, this arc could go basically anywhere. So let’s go on an adventure.

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