Kyoukai no Kanata – Episode 2

Oh man. Get hyped. Loved the first episode – it was as gorgeous as always, rife with KyoAni’s trademark animation (applied both to small character gestures and actual action sequences) and once again making use of a blooming, nostalgic purple-pink color scheme. But there was actually a lot else there, too. We’ve got self-aware banter lightly poking at storytelling in general (a clear weakness of mine). We’ve got those very distinct shots of Mitsuki trying to use her sexuality against Akihito, both echoing Monogatari in framing style and gracefully establishing some relationship dynamics. We’ve the well-integrated exposition, sandwiched in jokes and patter, establishing a world without dictating that world to the audience. We have that interesting world itself, leaning towards dark fantasy but focused on character drama. We’ve got all those great horror-movie shots, setting this show in a tonal place very distinct from KyoAni’s general aesthetic. And of course we’ve still got derpy moe, for better or for worse – though Mirai has seemed more just inept than truly blobbish so far, which is definitely a good sign.

And there’s the timer. Alright, I’m excited. Let’s do this.

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Monogatari S2 – Episode 14

Alright, time for another pretty, piercing episode of Monogatari. This arc has certainly not been a light-hearted one – pretty much the entire running time has been split between Nadeko being told off for acting passive and playing the victim and Nadeko secretly agreeing with her snake-shaped other self’s assessment of everyone else being the problem. As always, the apparition is just an unwanted, unacknowledged, or unaddressable part of your true self, and I’m really interested in seeing how they resolve this. Outside of Nadeko’s passivity, what is there to her? Well, the resentment towards others and possible underlying guilt, represented through the snake. Her childlike obsession with Araragi, who’s probably only appealing as a caretaker anyway. Her adolescent need to belong, and equally adolescent faux-sophisticated love of retro media. When you make her address her false self, who’s she even going to be?

Let’s get to it.

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Nagi no Asukara – Episode 1

Doin’ a test writeup here. Not the biggest Okada fan, but Kill la Kill may prove to be too fun to watch for me to want to write up, and I’ve gotta waste my time overanalyzing something. So let’s see.

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Kill la Kill – Episode 1

This season has apparently been designed specifically to torture me, considering the release times of this and Kyoukai no Kanata. But that’s cool. Wait’s over. The Gainax Second Wave’s long-awaited full-length creation is upon us. Let’s have some stupid, glorious fun.

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Kyoukai no Kanata – Episode 1

I am seriously steaming in anticipation here, and I’ve had to wait six freaking hours to get off work and watch this, but let’s just take the briefest of moments to cover what we’ve got here.

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Uchouten Kazoku – Episode 13

Last Uchouten Kazoku. If I said I didn’t want it to end, that’d be kind of missing the point, right? Well, good, because I’m actually perfectly comfortable with it ending. Uchouten Kazoku has lived well – offering us many beautiful glimpses of a fantastically realized world, sharing a variety of well-written and relentlessly human (loaded word, but we’ll go with it) characters, and telling a sharp, perfectly composed story of life, family and duty. I’m not sad it’s ending, I’m happy it’s ending so well. I think Sou would approve.

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Attack on Titan – Episode 25

Hey guys it’s me. All caught up, just in time for this freakin’ finale. I’m excited. You guys excited? I guess everybody’s excited.

These last couple episodes have easily been my favorites of the series. Though Eren’s development still lags, I’m loving how they’re putting Armin and Jean’s character growth into practice, and the side characters of the Survey Corps are just extremely fun to see in action. Things are moving fairly quickly, they’re burning animation budget like nobody’s business, they’re bouncing effectively between flashbacks and action setpieces… just lots to love at the moment. I hope it finishes strong.

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Monogatari S2 – Episode 13

This weekend is gonna kill me you guys. I have written so many words. I have so many words left to write. C3-bu. TWGOK. Gatchaman. Uchouten. Titan. Why am I doing this to myself?!?

Alright, that’s not Monogatari’s fault. In fact, Monogatari’s the nice show, the one that isn’t piling on the mountain of reviews I’ve foolishly assigned myself. So let’s take it easy, Monogatari. Maybe just have an episode of pretty backgrounds I can cap and say “hey look at this pretty background” to. Please don’t get thematically dense on me here.

That seems pretty unlikely, though – between the snake and Ougi, this arc has already firmly declared it will be about the Fallacy of Victimhood, and how Nadeko uses her alleged helplessness as a defense mechanism even as she pursues selfish and potentially damaging ends. Given her desire to direct dissatisfaction outwards and minimal ability to express herself, Nadeko is possibly our most unreliable narrator yet, which in the context of Monogatari is really saying something. Let’s get to it.

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Attack on Titan – Episode 24

ERMAHGERD THERE’S A TITAN IN THE CITY WHAT THE FUCK.

Alright, I’m sure the army has some kind of backup plan here. And last episode managed the excellent trick of being an extremely entertaining twenty minutes without spending absurd amounts of animation budget. So I’m quite excited to see where they go with this – frankly, the fact that the army went so completely all-in on their Annie hypothesis (putting the words of Erwin and Armin into action) is by itself quite exciting, and demonstrates the overall military apparatus being both more intelligent and more decisive than we’ve seen previously. Does this mean we get more Pixis? Possibly a spirited brofist between Pixis and Erwin? A boy can dream.

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Gatchaman Crowds – Episode 12

And here we are. No idea how they’re gonna tie up all these loose ends – obviously there are a number of ways they could resolve the overt plot, but that was never really the point with this one. Can the show even take a coherent stance on all the issues it’s raised? Hajime’s philosophy of transparency and “if the internet’s being a jerk, just turn it off” sort of works… until you actually need the internet, in which case you hand out smartphones to everyone, and then Berg Katze gives everybody Crowds and you’re screwed all over again. Fortunately, the actual character journeys are pretty much done at this point – last episode cleared out any doubts of that. At this point, it’s pretty purely ideology versus ideology, so I guess we’ll just have to see what stands when the dust clears.

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