Category Archives: Episode Writeup

The Fragrant Flower Blooms With Dignity – Episode 1

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Hello folks, and welcome back to Wrong Every Time. Today we’re checking out a fresh new production, as we explore the debut of last year’s The Fragrant Flower Blooms With Dignity. Based on a manga by Saka Mikami, the show centers on the romance between a girl from a fancy prep school and a boy from a school for delinquents. So we’ve clearly got some elements of class conflict to complicate our would-be romance, alongside a school rivalry that puts this drama somewhere between West Side Story and Romeo & Juliet.

Not that I’m expecting anything quite so tragic as that; by all accounts this is a charming and gentle narrative, and also a genuine hit for Netflix, where it stayed among the top rankings for a significant portion of the year. That all sounds fine by me; I’m a fan of romances of all stripes, and adaptation director Miyuki Kuroki’s work boarding and key animating for productions as visually impressive as The Idolm@ster and Fate/Grand Order, as well as animation director Kōhei Tokuoka’s prior work as AD on Josee, the Tiger and the Fish, gives me ample reason to assume we’ve got a delicate and character acting-rich drama ahead of us. Let’s meet our lovebirds!

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Trigun Stampede – Episode 9

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to check back in on the evolving drama of Trigun Stampede, after our last episode revealed the tumultuous childhood of Vash and his brother Knives. As ambiguous creations with the form of humans yet the genealogy of power-generating plants, it was the pair’s caretaker Rem who taught Vash the fundamentals of true humanity, and his companions at Home who showed him that life is a continuous cycle, and that hope can spring from even the most barren of soil.

As long-living children of the stars, Vash and Knives are destined to experience many cycles of human existence, with all the good and bad that entails. But it is up to them to decide the meaning of such an existence, whether it leads them to the megalomania of Knives, the despair of Vash’s early years, or the hope he now carries for the next turn of the wheel. Can Vash’s faith in our better nature survive the endless deprivations of No Man’s Land, wherein the fragility of life so often forces us to be our worst possible selves? More so than his physical power, it seems that faith might be his greatest strength – for just as Vash’s surrogate parents taught him to treat others with compassion and dignity, so might his own ethos foster such fragile, precious values in the world at large.

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Shoushimin Series – Episode 8

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Hello folks, and welcome back to Wrong Every Time. Today we’re returning to Shoushimin Series at a moment of unexpected crisis, having just learned that Osanai has apparently been abducted for ransom! It’s a development so sudden and dramatic that I’m frankly not entirely sure I believe it, but Osanai does have a habit of getting dangerously ahead of the team when it comes to these investigations, as demonstrated through her reckless actions during the bicycle thief incident. And as that adventure also demonstrated, there are stakes to these investigations beyond boredom or disappointment; our protagonists are idly toying with their town’s various crime rings, heedless of the material consequences.

But can you really blame them? Abduction aside, these last two episodes have served as a warm celebration of Jogoro, Osanai, and even Kengo in their element, flexing their wiles and enjoying each other’s company and eating a whole bunch of good cakes in the bargain. Shoushimin Series’ marvelous character chemistry should come as no surprise to any fan of Hyouka, with each conversation demonstrating layers of affection, one-upmanship, and an underlying testing of comfort levels, as Osanai continues to push their relationship in a more overtly codified, romantic direction. Well, there’s nothing like a dramatic rescue to prove your love, so let’s see where the case takes us today!

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Thunderbolt Fantasy S3 – Episode 7

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Hello folks, and welcome back to Wrong Every Time. Today I am delighted to be returning to a long-dormant adventure, as we continue to navigate the dramatic twists and turns of Thunderbolt Fantasy’s third season. Having dealt with death cults, demon lords, murder princesses, and even a goddamn dragon over the show’s first two seasons, Shang and his allies now stand in dangerous disarray, ill-prepped for the simultaneous machinations of Ming Huang’s divine swarm, Xing Hai and her sister-sword, and whatever the fuck Murder Princess and her new cyborg ally are up to.

Fortunately, we’ve still theoretically got Lin on our side, and boy is he having fun with this one. The Enigmatic Gale is fully in his element at the moment, forging bonds with fresh would-be villains and utterly infuriating Xing Hai in the process. The delicate alliance of convenience between the Divine Swarm’s allies makes it easy for Lin to play characters like the genuinely honor-driven Jun Po and utterly malice-driven Xing Hai against each other; if anything, I assume he’d complain that such foes are too simple, lacking the complexity of motivation necessary for him to really yank the floor out from under them. Nonetheless, he can at least console himself in the knowledge that his vile Nendoroid is pissing off Shang and the others, who have enough trouble as it is without suffering through Lin’s pint-sized provocations. With alliances forging and crumbling by the second, let’s see where today’s adventures take us!

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Scum’s Wish – Episode 12

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Hello folks, and welcome back to Wrong Every Time. Today we are returning for the last time to the tortured drama of Scum’s Wish, as our gaggle of lovelorn teenagers and their exceedingly dubious authority figures seek love, validation, or whatever else might fill the void inside them. From the initial dynamic of Hana and Mugi using each other’s bodies as surrogates for their true loves, we have spun our poor heroes through every pairing imaginable, with a mutually fulfilling and genuinely healthy relationship seemingly forever out of reach.

Well, until our last episode, at least. Scum’s Wish’s penultimate episode actually went a tremendous distance towards slotting our various leads into healthier perspectives. Having spent most of her life in a destructive spiral of self-loathing, Akane was at last reached by Kanai’s feelings, as he demonstrated that he not only loved all of her, but was moved to that love without the condition of being loved equally in return. And with their bond secured, Mugi was in turn able to move on as well, sharing his first and last date with Akane under the city lights.

So where does that leave our poor Hanabi? Well, the door is now open for a genuine Hana-Mugi relationship, although given their collective baggage, it might be best just to cut their losses and frame college as a romantic do-over. Nonetheless, we’ve got twenty minutes left to fuck everything up, so let’s see where the chips fall as we return to Scum’s Wish!

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CITY The Animation – Episode 5

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Hello folks, and welcome back to Wrong Every Time. Today it is altogether too cold for me to be tramping around outside, so we’re instead going to take a vicarious walk around the neighborhood, by enjoying a fresh episode of CITY the Animation. Keiichi Arawi and Kyoto Animation’s latest collaboration has proven an absolute wonder so far, and if anything, it seems like the show’s ambition is only growing with every passing episode.

Last episode’s concluding race served as the show’s most impressive flourish so far, combining copious kinetic animation and skillfully attention-drawing boarding to involve the entire community in Niikura’s quest to retain her dignity. What made that sequence possible was not just the production’s ability to maintain dramatic momentum across half a dozen distinct sub-narratives, but also the underlying fact that the show had set up all those narratives so well, making it easy to spend just a few seconds with any given story and pick up a bonus punchline. The best sitcoms tend to culminate in sequences that weave A, B, and C plots together into something surreal yet dramatically inevitable, and if CITY continues at its current rate, we’re likely due for future climaxes that reach all the way to F, G, and even H plots. I can only be thankful Kyoto Animation is using their terrifying powers for good, as we charge forward towards another day in the city!

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BanG Dream! Ave Mujica – Episode 10

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Hello friends, and welcome the fuck back to Wrong Every Time. Today the curtain rises on another performance by Ave Mujica, the crowd thundering in applause as our girls curse and spit and tear each other’s hair out. Though that brief CRYCHIC reunion seemed like it might stabilize our wayward quintet, the precise opposite has occurred: with the threat of CRYCHIC fueling their anxieties, Uika, Umiri, and Mortis have all rallied to demand a return of the tormented theatrical and (sometimes, if Mortis isn’t just screaming the whole time) musical extravaganza that is Ave Mujica.

The tables have turned dramatically since this group’s first incarnation. Back then, most of its members primarily joined as a favor to Sakiko – Uika was happy to feel needed by her target of obsession, Mutsumi was too desperate to say no, Umiri never says no to a new band, and Nyamu smelled an opportunity to expand her own profile. For Mutsumi, this was a chance to be with her old friend; for the rest, this seemed like a fine opportunity to pursue their otherwise well-tended personal ambitions.

Since then, all three would-be professional musicians have lost basically everything beyond Ave Mujica; Umiri has abandoned all of her superficial band engagements, Nyamu’s career has stalled, and Uika has grown increasingly dependent on Sakiko’s presence. In spite of its melodramatic trappings, there is an authentic pain expressed by Sakiko’s music, a pain that has shifted from an idly appropriated costume to the guiding star of all her bandmates. Can Sakiko save her allies from this nightmare? I couldn’t possibly say, but I’m eager to hear Nyamu’s thoughts on the matter as we return to Ave Mujica!

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Rock is a Lady’s Modesty – Episode 7

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Hello folks, and welcome back to Wrong Every Time. Today we’re returning to the storied halls of Oushin Academy, as our fledgling high class ladies continue to “rock out with their cocks out,” as Lilisa so eloquently put it. Having rocked out so successfully they actually conscripted Lilisa’s sister into their conspiracy, they have since learned that their symphonic band mutiny attracted a good deal of additional attention. Now both the accomplished guitarist Shiro and council vice-president Tina want to join their band, forming an unruly quartet where it’s unclear if any of these rock stars actually like each other.

Nonetheless, a collective love of music can be a powerful binding agent. And with such distinct and potentially incompatible personalities vying for power, my main hope is that the friction will force them to reveal more of themselves; both the personal histories that led them to rock music, as well as whatever ambitions they might possess regarding their musical future. So far, rock music has been framed as a form of “rebellion” that is as ethereal and temporally bound as the vision of queer love presented by this story’s Class S influences – a lark that might be tolerated during their questing adolescent school years, but which will surely be “outgrown” by the time they emerge from their chrysalides. Modern versions of these narratives have directly challenged this assumption of eventual passive integration into society’s conservative expectations, and given it’s actually starting from a point of “conservative social norms are bullshit,” I’m eager for this story to also chart a course beyond fully closeted expressions of identity. But for now, let’s see how the first full band meeting goes as we return to Rock is a Lady’s Modesty!

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Yuki Yuna is a Hero: Hero Chapter – Episode 3

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Hello folks, and welcome back to Wrong Every Time. Today I’m feeling a strong urge to defy some cruel and distant gods, which can only mean it’s time for Yuki Yuna is a Hero. After this show’s first season built to the chilling revelation that our brave heroes are actually just batteries being sacrificed to facilitate a war between eldritch superbeings, it’s been hard to feel that much enthusiasm for the Divine Tree’s sacred tasks. And as this Hero Chapter has already demonstrated, even their alleged retirement was another illusion, as Togo was nonetheless tasked with single-handedly appeasing the fires of creation, a perpetual witch burned on a perpetual pyre.

Unsurprisingly, Yuna was not going to let her best friend suffer eternally in a pit of celestial agony. Thus the contract was broken, and our team was provided the frail assurance that “Togo was simply too tough to die,” even as the seal of duty migrated from Togo to Yuna herself. What does this mean for our team? Well, I’m frankly excited to not know; after two seasons with a fairly similar structure, we are now charting unknown territory, continuing the battle both for and against the Divine Tree into an era of increasing information parity. Can the empathy Yuna and her companions bring to their duties chart a new path, an escape from either the inhumanity of the Divine Tree or the oblivion lurking beyond the wall? Let’s find out!

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Monogatari Off/Monster Season – Episode 9

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Hello folks, and welcome back to Wrong Every Time. Today we’re continuing our journey through Monogatari’s aptly named Monster Season, having just concluded the tale of the Princess Acerola’s transformation into Kiss-shot Acerola-Orion Heart-under-blade. As we discovered, that name is not just an ornate title, but also a statement of intent: from her first moment as a vampire, Kiss-shot pledged to make her violence an act of love and sacrifice, always killing with a kiss so that she might eventually extract her heart from the blade of her inherent nature.

That brief arc demonstrated Nisio Isin at his most fanciful, turning a twisted fairy tale into a reflection on how we sculpt our own identities, externalizing Acerola’s self-hatred and Deathtopia’s self-regard as reflections of their respective curses. Acerola’s journey towards valuing her continued existence mirrored Deathtopia’s path towards valuing the life of another, and with Acerola now having theoretically achieved the bond Deathtopia hoped for, I’m curious to see just what the original vampire makes of Araragi and Shinobu’s whole deal. Let’s return to the season of monsters!

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