Hello all, and welcome back to Wrong Every Time. Today I am eagerly awaiting our continued explorations of The Big O, a show that has impressed me anew with almost every new episode, marrying gothic grandeur and neo-noir smolder to dazzling effect. I say “almost” there as a specific nod to the show’s last episode, which was unfortunately a bit of a step down from the show’s standard; a little more monster-of-the-week than usual, and also a bit less impressive in terms of its overall storyboarding.
But of course, as we hopefully all understand at this point, an anime production isn’t really a singular, cohesive organism; it is a composite of many individual artists, all of whom tend to leave a definable signature on their work. And in this case, one of those artists happens to be Akihiko Yamashita, co-architect of the astounding Giant Robo, and one of The Big O’s most accomplished storyboarders. With him on boards and series mainstay Ikuro Sato on direction, I’m expecting great things from The Big O’s ninth episode. Let’s get to it!