Girls’ Last Tour – Episode 2

Folks, I am very happy to be returning to Girls’ Last Tour! The show’s first episode was equal parts charming slice of life, and, er, I guess more contemplative slice of life? It was essentially a post-apocalyptic travelogue, a subgenre that actually boasts a whole bunch of top-tier anime. Kemono Friends and Kemurikusa both fall in a similar space, while both Haibane Renmei and Sound of the Sky, though they don’t have a specific focus on journeying, capture a similar combination of warm slice of life contrasted against a majestic yet fading larger world.

Slice of life and post-apocalyptic despair might not seem like a natural combination, but the pairing actually makes a lot of sense to me. There are no longer any battles to fight in these worlds – whatever some action hero might have been able to accomplish, their deeds are no longer relevant, as the world has already arrived at its end. Instead, those who survive must focus on what they still have – and in any world, the one thing a broken civilization can’t take from us is each other. In a world gone to ruin, the comfort we can provide each other becomes all that much more crucial, and a natural symbol of how human kindness is ultimately undefeatable. Even in a world in decay, two people can still care about each other, and find comfort in each other’s presence.

Resonant premise aside, Girls’ Last Tour is also just a lovely aesthetic object in its own right, full of evocative backgrounds and tied together with incredibly precise sound design. Let’s see what adventures these girls get up to in episode two!

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Toradora – Episode 4

Toradora’s third episode is largely dedicated to Ryuuji having his preconceptions about his classmate Minori forcefully challenged, first through Taiga’s defense of her close friend, and then through confessions by Minori herself. Trapped in a tool shed with a distressed Minori, he learns that the strength and energy which he sees as an effortless component of Minori’s base nature is actually anything but. Minori isn’t naturally confident or naturally strong; she simply plays the part, putting on an appearance of strength in order to inspire real strength.

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Bloom Into You – Episode 13

Folks, the moment has arrived. At last, we’re gearing up to explore the final episode of Bloom Into You, and see how this charmingly on-the-nose theater production plays out. Last episode saw Yuu experiencing a crucial and long-awaited turn, as she at last went against Touko’s overt wishes in order to try and make her friend embrace her own identity.

Through doing this, Yuu also neatly managed to embrace her own identity. Yuu started this series unsure of either who she currently was or who she wanted to become, with the twin pressures of her lack of romantic inclinations and lack of professional aspirations embodying each of those feelings. Touko, someone who has made a willful point of not embracing any personal selfhood at all, likely saw a lot of herself in Yuu, thus prompting her initial combined declaration of “I love you” and “please, never change your feelings for me.” But while Touko has spent this season doggedly defending her non-identity, Yuu’s insecurities were never based in any permanent or chosen truth about herself – they were just things a lot of people feel as a high schooler, and things she’s subsequently started to grow past.

While Touko was once able to use her confidence and ultimatums to make Yuu obey her (something Yuu accepted more or less willingly, given her own desire for direction), Yuu has at this point gained such confidence and determination that she’s willing to potentially sacrifice her relationship with Touko in order to help Touko grow. Though Yuu herself describes this instinct as “selfishness,” we in the audience can clearly see it as a combination of selflessness, strong determination, and love. If you really, truly believe you are working in someone’s best interests, trying to help them against their wishes is never “selfish.” If your desire to help someone is greater than your desire to stay by their side, congratulations, you’ve found love. Whether Yuu realizes that or not, I’m thrilled to see her embracing her own desires, and can’t wait to see how this performance plays out. Let’s explore the finale of Bloom Into You!

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Neon Genesis Evangelion – Episode 8

Neon Genesis Evangelion is a terrific work of art, but it’d be a stretch to describe it as a generally “fun” show. Instead of embracing the sense of exhilaration, freedom, and power that you might expect would come with piloting a giant robot, Evangelion instead emphasizes the great terror of that experience, and the sense of shame that would compel a depressed young boy to pilot such a thing. Given that general tone, Evangelion’s eighth episode stands as a stark break from our prior journeys through anxiety and isolation and depression and betrayal. For the first time, Evangelion proposes that maybe, just maybe, action could be fun? Could be cool? Could be genuinely validating?

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Princess Tutu – Episode 23

Our twenty-third episode opens with a cradle viewed through bars, and a story that speaks to all of Princess Tutu’s misbegotten heroes. “Once upon a time, there was a princess who was held captive. She was imprisoned in the demon king’s castle. And with her freedom taken from her, she had no choice to dance like a puppet to the tune set by the whims of the demon king. One day, a hero came to fight the demon king, seeking to save the princess. However, there was no way the hero could win against the demon king. The hero did not know, you see, that he himself was a puppet created by the demon king.”

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Magical Girl Lyrical Nanoha A’s – Episode 4

There’s no time to waste, folks – we’re barreling ahead with more Magical Girl Lyrical Nanoha, as our heroes face off with the Velka knights! Given this season’s previous episode was basically all tied up in exposition or board-setting, I’m hoping for some fierce battles this time, and I’m guessing I’ll get my wish.

Though there’s still plenty of the uniquely paced slice of life material that helped inform the first season’s identity, Nanoha seems to have on the whole oriented itself in a more overtly action-focused direction this season, essentially following through on the genre transformations it underwent throughout that first season. There’s no going back to “Nanoha and her familiar seek magical shards” – that wasn’t ever the natural state of the world, that was just the only context we had for it until Chrono and his associates showed up. The show’s various reveals and structural changes since then have seen it fully embracing a scifi action template, while still holding onto some of the aesthetic touchstones and (most importantly) thematic priorities of a magical girl narrative. This isn’t a story about freedom, war, technology, or any of the other things that tend to define scifi narratives – this is a story about family, and about finding a place where you can grow into your best possible self.

That said, in terms of visual style, the shift from Shinbo to Kusakawa has definitely pushed this show in an action-oriented direction, as well. Kusakawa lacks the unique sensibilities that Shinbo used to give the first season’s mundane conversations some visual allure, but he’s proven to have an excellent grasp of action cinematography, and the sequences of warriors clashing over Nanoha’s city have been some of the franchise’s most dazzling to date. Let’s see what wonders await in A’s fourth episode!

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The Woman Called Fujiko Mine – Episode 6

Alright folks, it’s time we return to The Woman Called Fujiko Mine. This distinctive series’ last episode was mostly unusual in terms of how not unusual it was – that is, it was pretty darn close to a classic Lupin adventure, from its heavy focus on Lupin and Jigen, to its consistent portrayal of Fujiko as an unattainable prize, to its ultimately straightforward grave-robbing narrative. If it had any single thematic intent, it was to emphatically reiterate that to people like Lupin and Fujiko, the ownership of valuable objects is nearly meaningless – it is only the chase for those objects they revere, the covetous glee of wanting something precious that isn’t yours. This show has regularly contrasted that thief’s creed with various characters’ attitudes towards Fujiko herself, and in episode five, she used the power of her unattainability to spin Lupin like a little toy top. In the end, these two chases collapsed into one resolution, as the team’s need to abandon the blue peacock led to Fujiko disappearing into the sunset as well.

As fun as it was, I’ve been informed that episode is basically the only “traditionally Lupin” installment in this series. With that in mind, let’s see where Fujiko’s journeys take us next, as we navigate power, gender, crime, and much else on this thrilling ride!

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Bloom Into You – Episode 12

Oh my god you guys it’s finally time. We’re diving back into Bloom Into You, and I couldn’t be happier. Last episode saw this phenomenal drama experiencing one of its most fundamental shakeups yet, as Touko learned that the facade she had been putting on in order to better emulate her sister was… actually a facade in her sister’s case as well. Though Mio put on a convincingly professional face as the head of the student council, in truth, she constantly leaned on her councilmates, and wasn’t really a diligent leader in the slightest.

Learning her personal ideal was a lie has left Touko understandably shaken, though it remains to be seen how she’ll actually adjust her behavior in consequence. It’s been clear all along that Touko’s desire to emulate her sister wasn’t really something her sister or family actually wished for – having seen her sister’s success, Touko has simply internalized a belief that achieving anything less would be a profound personal failure, and likely even a betrayal of her sister’s memory. Beliefs like that, the foundational myths of our self-images, don’t just dissipate when they’re proven not to match the historical record. Touko might reinvent herself or simply stay the course, but I can’t imagine her embracing full sincerity now – to be honest, it feels more likely that the coming rush of self-doubt and insecurity will only make her double down on her initial beliefs. But the fun of this show, and of character dramas altogether, is that great characters will always surprise you, and through surprising you teach you something new and true about the human experience. Let’s see how Touko handles this shift in another episode of Bloom Into You!

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Magical Girl Lyrical Nanoha A’s – Episode 3

Alright folks, we’re strapping in for another furious episode of Nanoha! Though to be honest, I can’t imagine this episode being any more furious than the last, which was easily the most action-packed episode this franchise has offered yet. Building upon the first season’s relatively concise vocabulary of magical combat, that episode saw Nanoha taking massive strides towards the diverse, cacophonous action madness of spiritual successors like Symphogear. Nanoha has always come off as a negotiation between magical girl drama and mecha action, but its apparent embrace of “signature weapons” this season has drawn its battles even closer to the giddy appeal of Gundam fights. Though the last fight was more a series of reveals and introductions than tactical exchanges, I’m already excited to see how the show marshals these tactical resources going forward.

And of course, there’s all the themey-wemey stuff. Nanoha’s first season had a few core themes, but the ambiguity of familial bonds was definitely its most central. Through the contrast of Nanoha and Fate, the show demonstrated the diverse influences our families can provide, along with the assurance that ultimately, we have the power to choose who we see as family. The first season had plenty of “can’t we all just get along” argumentation courtesy of Nanoha, but ultimately, its moral perspective wasn’t particularly ambiguous. Fate’s mother was a manipulating abuser, Fate was a victim of circumstance, and those who could be redeemed eventually all shuffled over the side of righteousness.

Here in season two, Nanoha seems to be testing its philosophy with an antagonistic family who are just as loving and supportive as Nanoha’s. Though they’re clearly up to some shady shit, Hayate’s family also support and care for each other, exemplifying what this show has consistently defined as its most central value. “What happens when personal moral conviction and professional obligation collide” is the root of endless dramas, and I’m excited to see Nanoha tackle a direct challenge to its conflation of familial love and moral righteousness. Let’s get right to it!

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Land of the Lustrous – Episode 1

“As long as we collect enough parts, we can be put back together.” That’s the promise that Rutile makes to our protagonist Phos, while explaining the unique nature of their crystalline bodies. It’s a true statement, and a source of comfort for Land of the Lustrous’ stars, but its implications also speak to the fundamental question and hope of this entire narrative. “As long as we collect enough parts, we can be put back together” we tell ourselves, as the world chips at us, and our bodies betray us at every turn. We can be fixed. We can be remade. Perhaps, one day, we could even be whole.

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