Category Archives: Episode Writeup

Ojamajo Doremi Sharp – Episode 7

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It’s a cold and cloudy day today, as the last dregs of summer’s humidity brush up against the chill of New England’s nine month winter. Somebody’s been hammering and yelling outside at about equal volume for maybe three hours now, which served as this morning’s alarm clock. I went to sleep with profound anxiety and have woken up with profound back pain, symptoms which may or may not be related. All in all, it’s been a pretty lukewarm morning.

Fortunately, all those trivial gripes don’t matter much now. It’s time for Ojamajo Doremi, and when it’s time for Ojamajo Doremi, I really can’t complain. Our last episode of Sharp offered the kind of story I’ve been eagerly awaiting all season – a return to vignettes about Doremi’s classmates, focusing on the charming friendship between Marina and Kimura.

Doremi’s strongest episodes often inhabit one of its genre extremes; either they’re full-on magical spectacle, either full of farcical spells or focused on the alluring witch world, or they’re full-on character drama, stories that barely make use of magic at all, and instead illustrate fundamental truths of emotional development. Last episode fell in the second category, and offered a tale of insecurity, misunderstanding, and regret that barely involved our actual stars. As is often the case, the resolution didn’t come about as a result of some massive emotional revelation or shocking twist; Kimura simply needed a friend he could talk to without any sense of insecurity or defensiveness, who could help him acknowledge the truth he already knew. With a full season of ensemble character development behind us, Doremi can now pull off episodes that are almost Doremi-free – we’re well acquainted with several dozen of Doremi’s classmates at this point, and watching them interact and resolve their own problems is an inherent validation of all the time we’ve shared. Whatever this episode brings, I’m excited to return to this lovely show. Let’s get to it!

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Scorching Ping Pong Girls – Episode 11

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Hello everybody, and welcome back for another episode of Scorching Ping Pong Girls! This week, we’ll finally be… wait, that was last episode. Koyori and Kururi played out their long-hyped match, Kururi’s unhealthy fixation on “proving herself worthy” was resolved through Koyori’s joyful play, and the two vowed to continue their rivalry at the actual tournament. Our heroes’ battle with Mozuyami ended with a glorious visual spectacle and satisfying emotional resolution, and Scorching Ping Pong Girls concluded the arc that has dominated its entire second half. So, uh, what do we do now?

Well, as it turns out, the process of adapting a continuing manga into a one-off anime season can be a little messy, and so it looks like we’ll be wrapping up the series with two episodes of post-arc downtime and training sessions. While this is certainly a little odd in a structural sense, it’s the kind of compromise you tend to get used to in this medium, and I’m frankly eager to see how the cast play out all the personal growth they’ve recently experienced in a less competitive venue. A great deal of Scorching Ping Pong Girls’ appeal is how much its cast obviously all love each other, and the Mozuyami arc featured reaffirmations of those relationships all across the main team. Let’s see how the dust settles in the next Scorching Ping Pong Girls!

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Rilakkuma and Kaoru – Episode 2

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You wouldn’t think a bright, stop-motion story about a young woman and her three stuffed animal friends would offer such consistently piercing meditations on aging and purpose, but here we are. Rilakkuma and Kaoru’s first episode offered a direct and familiar punch to the jaw, centered on the difficulty of maintaining contact with friends as you move into adulthood, and the fear of being left behind by the people you love. In the end, Kaoru’s friends didn’t all suddenly reappear in a glorious refutation of those fears; after all, that process of separation is an inescapable fact of adulthood. It’s not all sunshine and roses – in fact, it’s more often about coming to terms with imperfect circumstances, and finding the joy in what you can. Kaoru can’t rekindle her college friendships, but she can sit and watch the stars by the riverbank, and maybe that’s enough.

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Scorching Ping Pong Girls – Episode 10

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The preliminary matches have all been concluded, and the record stands at two matches to our brave and gallant heroes, and two matches for our fiendish, nefarious villains. After their enemies ruthlessly cut down Hokuto and Hanabi, Suzumegahara’s heroes rallied back with Mune and Kiruka’s doubles match, followed by Agari’s close win against Mozuyami’s captain Zakuro. Now, with Koyori’s faith in her own play having been restored by Agari’s victory, it’s time for the true battle. You folks ready for battle!? You folks ready for BLOOD?!?!?

I’m pretty excited personally, if you hadn’t guessed. But I don’t think I’m alone here – this series has literally spent two-thirds of its running time hyping up this particular match, with Kururi having been framed as the “true threat” of Mozuyami from the very start. Additionally, Scorching Ping Pong Girls’ core theme is “finding a positive, fulfilling reason to play,” and Kururi represents the most unhealthy negative articulation of that theme. Early on in the season, the show’s central emotional conflict was Agari learning to play for the joy of play itself, instead of the brittle comfort of having her skills validated. The moment that conflict was resolved, the narrative essentially introduced Kururi as a super-Agari, someone even more invested in table tennis as a source of validation, rather than personal joy. Will Koyori’s joyful play and inherent puppy-ness convince Kururi to play for her own sake, and realize that seeking her own happiness is also the best way to make Zakuro happy? I mean, probably, but I still wanna see how we get there. LET’S GET TO IT!

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Girls’ Last Tour – Episode 8

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I didn’t really intend for tragedy to always return me to Girls’ Last Tour writeups, but here I am again. This has not been an easy summer for me, and Girls’ Last Tour is pretty much where my headspace is – “getting along with the feeling of hopelessness” and all of that. At its core, Girls’ Last Tour is a story about death specifically, and about things ending more generally. The decaying civilization that Chi and Yuu struggle through is a reminder of the impermanence of all things, the kind of reminder that makes it impossible to live without acknowledging your own impermanence. Yuu and Chi cannot console themselves with “our lives will be remembered,” “our actions will contribute to a greater cause,” or anything else that implies a kind of eternity – the crumbled streets they putter through stand as a guard against any such illusions, emphasizing that all things eventually end.

As we make our own way through lives full of restless action and ambitious plans, perpetually reflecting on impermanence isn’t necessarily a helpful exercise – yeah sure, it may all turn to dust eventually, but we still gotta work and eat and take care of each other. But when you are reminded of impermanence, and lose something that cannot be replaced, it helps to have stories like Girls’ Last Tour, which acknowledge that loss while insisting that life is worth living even though life will end. There is so much beauty in this world, and I am forever thankful for the stories that acknowledge both the beauty and the sorrow, and greet the inevitable tragedies of living with honesty and hope. Living is its own meaning, and love is its own reward. Let’s return to the irrepressibly joyous Girls’ Last Tour.

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Ojamajo Doremi Sharp – Episode 6

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You guys, I think it’s about time for more Ojamajo Doremi. This year has been frankly terrible on the whole, with the summer of 2019 being marked by tragedies both personal and professional, and my own life undergoing some terrifying shifts as I do my best to resemble a functioning adult. But through all of that external calamity, Ojamajo Doremi has remained a consistent source of comfort and joy, with both its aesthetic charm and emotional warmth keeping me steady through the storm.

Ojamajo Doremi is one of those lovely shows I can enjoy passively and actively at the same time; it never asks too much of its audience, but every scene is still full of glimmering details of art design and storytelling. Additionally, its evolving narrative and rotating cast of all-star directors means every episode feels genuinely new, while still maintaining its comforting structure, and still presenting the Maho-dou as a place you can feel safe at the end of the day. Comfort food gets a bad rap sometimes, but a show being comforting doesn’t have to mean it’s also simplistic or unchallenging; Doremi tackles tough subjects with unflinching maturity, while simultaneously presenting a universe defined by mutual love and calming, familial beauty.

Last episode’s drama only enhanced that feeling of comfort, as the wholly regrettable Oyajii at last made his exit from the narrative. With our girls likely returning to either classwork or baby problems, let’s see what’s in store in the next Ojamajo Doremi!

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Simoun – Episode 19

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Alright everybody, let’s get back into another episode of the rich and beautiful Simoun! Episode eighteen saw the Holy Empire suffer a tremendous breakdown in its traditional structure, as the decision by Onashia to hold a ceremonial funeral for the foreigner Angulas served as the last straw for a great deal of Simulacrum’s military. Having seen their own sacred traditions trampled on, as well as having learned that Onashia’s loyalty isn’t even necessarily tied to their own country, has essentially broken the power that custom and ceremony had over them. Where once they deferred to the religious branch and its priestesses, they have now lost their faith and respect in these institutions, and without faith or tradition, it turns out the people holding all the guns ultimately also hold most of the power.

Of course, the crisis of faith that is now splintering Simulcrum’s government has been playing out on a more personal level all through this series. Characters like Aaeru, Neviril, and even Floe have consistently grappled with what it means to be a symbol, a soldier, and an individual human being at the same time, with various members of our team all settling on their own relationship with faith, and reasons to fight. And outside of the specific priestess-versus-soldier conflict, characters like Para have struggled mightily with the fear of leaving a comfortable assigned role, and embracing their own messy personal desires. The way these larger societal assumptions and structures shape these characters’ lives and even identities has been illustrated thoughtfully from the start, and I’m eager to see how they all cope as those structures begin tumbling down. Let’s get to it!

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Neon Genesis Evangelion – Episode 13

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Neon Genesis Evangelion’s thirteenth episode opens on a shot of the NERV offices in disarray, as we pan across a desk stacked with loose papers, scattered electronic apparatus, and a worryingly placed coffee cup. The pan concludes by settling on the source of this disorder: Ritsuko Akagi, NERV’s chief technology officer, currently in the midst of a maintenance check on NERV’s Magi supercomputers. Ritsuko praises her assistant Maya for her efficient system checks, but when she notices an error, she takes over and demonstrates a typing speed and mastery of engineering far exceeding her star-struck assistant. The two central axis of this episode are thus immediately set: NERV’s physical layout and electronic mechanisms, and the brilliant technical chief who rules over these machines.

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The Big O – Episode 2

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Heck yeah everybody, let’s get back to The Big O. This show’s first episode was a terrific mix of evocative art design and snappy thriller storytelling, combining gothic and art deco architecture with an angular, shadow-heavy visual aesthetic, along with some striking layouts and unique robot designs. Though he’s technically a “negotiator,” Roger Smith’s first adventure cast him as something more like a resigned gumshoe in a noir thriller, putting his violent past to work as a private detective, haunted by vague and distant demons. Roger’s life was disrupted by Dorothy, an android on the hunt for her “big sister,” a quest that culminated in Roger sending a hyper-powered robotic piledriver into that sister’s chest.

We were left on the most precipitous of cliffhangers, with Dorothy I and The Big O tumbling down on top of Dorothy II in the midst of a decaying, domed city. I ended up enjoying that first episode far more than I expected to, and am already taken with a variety of this show’s key features – its unique and often beautiful art design, its efficient storytelling, its overarching sense of melancholy, and especially the developing relationship between Roger and Dorothy. I’m a sucker for a good partnership, and particularly fond of their classic “smooth talker is perpetually deflated by their deadpan assistant, but there’s romantic tension there???” dynamic. Let’s see if Dorothy has been flattened into a pancake!

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Magical Girl Lyrical Nanoha A’s – Episode 13

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The moment is finally at hand, everyone. With the Tome of the Night Sky fully separated from the Book of Darkness’s defensive programs, and those defensive programs having literally been shot into space in order to be obliterated by a giant laser, Nanoha and the rest of her friends have clearly earned a full episode of blessed, tearful denouement. Unfortunately, before anyone can actually relax, it seems some lingering element of the Book’s curse must still be extracted from Hayate’s body. Though to be honest, I don’t think this is actually going to be a problem Nanoha and her friends can solve through magical exertion – I’m pretty sure this is just the lead-in to the show returning Hayate to partial paralysis.

“Paralyzed character is rewarded with magical healing” is a common style of resolution that rarely sits right with me; it feels cheap, and overly dismissive of the reality of disabilities, as if disabled people need to be “fixed.” Hayate didn’t need to be fixed – she’s already a strong person who serves as the emotional rock of her family, and though her disability is a part of her, it absolutely doesn’t define her. One of Nanoha’s most central themes is learning to coexist with your past trauma, and accepting that although the past is still a part of our identities, we can choose to embrace a happier sense of self. Fate’s recent goodbye to her sister embodied that idea of acknowledging the past while facing the future, and I’m guessing this episode will be Hayate’s turn. But either way, this has been a terrific season of Nanoha, and I’ve greatly enjoyed seeing the cast filled out by Hayate’s adorable family. Let’s see how it all turns out in Nanoha A’s final episode!

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