Category Archives: Episode Writeup

Magical Girl Lyrical Nanoha A’s – Episode 3

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Alright folks, we’re strapping in for another furious episode of Nanoha! Though to be honest, I can’t imagine this episode being any more furious than the last, which was easily the most action-packed episode this franchise has offered yet. Building upon the first season’s relatively concise vocabulary of magical combat, that episode saw Nanoha taking massive strides towards the diverse, cacophonous action madness of spiritual successors like Symphogear. Nanoha has always come off as a negotiation between magical girl drama and mecha action, but its apparent embrace of “signature weapons” this season has drawn its battles even closer to the giddy appeal of Gundam fights. Though the last fight was more a series of reveals and introductions than tactical exchanges, I’m already excited to see how the show marshals these tactical resources going forward.

And of course, there’s all the themey-wemey stuff. Nanoha’s first season had a few core themes, but the ambiguity of familial bonds was definitely its most central. Through the contrast of Nanoha and Fate, the show demonstrated the diverse influences our families can provide, along with the assurance that ultimately, we have the power to choose who we see as family. The first season had plenty of “can’t we all just get along” argumentation courtesy of Nanoha, but ultimately, its moral perspective wasn’t particularly ambiguous. Fate’s mother was a manipulating abuser, Fate was a victim of circumstance, and those who could be redeemed eventually all shuffled over the side of righteousness.

Here in season two, Nanoha seems to be testing its philosophy with an antagonistic family who are just as loving and supportive as Nanoha’s. Though they’re clearly up to some shady shit, Hayate’s family also support and care for each other, exemplifying what this show has consistently defined as its most central value. “What happens when personal moral conviction and professional obligation collide” is the root of endless dramas, and I’m excited to see Nanoha tackle a direct challenge to its conflation of familial love and moral righteousness. Let’s get right to it!

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Land of the Lustrous – Episode 1

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“As long as we collect enough parts, we can be put back together.” That’s the promise that Rutile makes to our protagonist Phos, while explaining the unique nature of their crystalline bodies. It’s a true statement, and a source of comfort for Land of the Lustrous’ stars, but its implications also speak to the fundamental question and hope of this entire narrative. “As long as we collect enough parts, we can be put back together” we tell ourselves, as the world chips at us, and our bodies betray us at every turn. We can be fixed. We can be remade. Perhaps, one day, we could even be whole.

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Hugtto! Precure – Episode 7

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Folks, I’m so happy to be watching another episode of Huggto! The show has been a total joy so far, constructed on a variety of stellar fundamental pillars, from Hana’s excellent performance as the heroine to its great sense of humor, along with both its generally appealing art design and its major directorial highlights. Huggto! has already offered some truly stunning cuts of action animation, with their signature appeals so far seeming to be their clear sense of scale and weight. You can really feel how massive and imposing these Precures’ enemies are, as well as the impact of their attacks, be it through the carefully animated struggle of their limbs to hold back some attack, or through the understanding of tempo and sound design that informs the often terrifying distance between when a Precure is knocked aside and when they actually hit the ground.

And outside those fight scenes, Huggto! has established a clear thematic thrust and a team of heroines worth rooting for. After last episode offered Homare’s proper introduction into the team’s everyday life, I’m guessing this one will be ramping up the threat of their foes, or perhaps even moving us towards our next Cure. I have no goddamn clue, frankly, but I’m excited regardless. Let’s check out some Precure!

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Bloom Into You – Episode 11

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Alright folks, you know it’s time for Bloom Into You. As the season moves towards its endgame, we find ourselves approaching an inevitable clash between the rapidly diverging desires of Yuu and Touko. For Yuu, the last several episodes have seen her undergo a profound shift in how she views both Touko and herself. She can no longer affect the nonchalant, flirtatious person who once effortlessly sparred with Touko – having actually developed strong feelings for her senpai, she is now hyper-aware of Touko’s every movement, and increasingly unsatisfied with their romantic stasis. Meanwhile, challenges to Touko’s desire to replace her sister seem to have only hardened her own resolve. While misinterpreting Yuu’s newfound self-consciousness as a pushback against her own affection, she moves ever closer to fulfilling her sister’s role in the play, and thus completing her last wish. But what comes after she’s already done all the things her sister pursued? And will Yuu’s feelings even remain repressed that long? We’ve got plenty of thorny drama to look forward to as we explore another episode of this terrific show!

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Magical Girl Lyrical Nanoha A’s – Episode 2

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Hello folks, and welcome to another friggin’ episode of Magical Girl Lyrical Nanoha! I’ve been having a lovely time with this series, and I hope you have as well – in addition to filling out an important gap in my history-of-anime knowledge, it’s also just been a very fun, aesthetically compelling show in its own right. It always bears repeating that few creative ideas truly come from nowhere – all creators are reprocessing and reflecting the works that inspired them, and thus engaging with Nanoha has naturally enriched my understanding of works like Madoka Magica, Symphogear, and modern interpretations of magical girl drama as a whole. And considering Wrong Every Time has not-so-subtly transformed into some kind of magical girl appreciation blog (shoutouts to Precure, Doremi, and Princess Tutu), it’s probably a good thing that I’m finally investigating one of the modern titans of the genre.

So far, the transition into Nanoha’s second season has come with a variety of aesthetic consequences. The shift from Akiyuki Shinbo to Keizo Kusakawa has been accompanied by a general consolidation of the Nanoha aesthetic, with fewer of the striking two-tone compositions Shinbo favors, but plenty of generally evocative symmetrical compositions. The show’s ostentatious post-processing work and focus on mechanical transformations remain intact, but the introduction of an antagonist who actually combines magic with physical strikes has lent the battles a newfound sense of physical weight, along with more animation flourishes. To be honest, that first episode fight was probably the best-composed battle of the franchise so far, and I’m excited to see Fate herself take the stage. Let’s dive into another episode of Magical Girl Lyrical Nanoha!

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Neon Genesis Evangelion – Episode 7

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Throughout its early episodes, Neon Genesis Evangelion has taken care to impress upon us the scale of this conflict, and the necessity of an organization like NERV. As I’ve previously discussed, apocalyptic scifi like this can have a tendency to feel pretty myopic in its scale – there are these heroes and these villains, but the concept of a greater world hanging in the balance can feel dramatically distant. Through conceits like the army’s initial failure in episode one, and the collaborative efforts of all Japan in six, Evangelion has consistently reminded us that humanity has truly been pushed to the edge, and that NERV really is our last line of defense. And here in episode seven, we receive the most stark indicator yet that NERV is truly humanity’s final barricade – as they scramble to defend that title, in light of a direct challenge by professional rivals.

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Ojamajo Doremi – Episode 51

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Well folks, the moment has arrived. After fifty diverse and rewarding episodes of Ojamajo Doremi, and one climactic stab at the final witch exams, we have at last arrived at the end of Doremi’s first season. The things I’ve enjoyed about this season feel too numerous to list, but we’re at the dang finale now, and I think some pomp and circumstance is probably appropriate.

First off, I’ve come to absolutely love this main cast, with all four of our heroines surprising and impressing me over time. As is appropriate, Doremi started as the most helplessly ojamajo of any of them, and yet has probably undergone the most growth as well. Doremi started this series kindhearted and motivated, but very often petty and rash, as well as lacking in a personal passion she could take pride in. She can still be petty and rash, but her developing progress as a witch has forced her to challenge her own feelings, step back from the spotlight when necessary, and ultimately gain both the confidence and skill to apply herself and positively change the world through her mastery of witchcraft. The World’s Unluckiest Pretty Girl has grown into a genuine hero, and it’s been wonderful to witness.

Of course, Ojamajo Doremi has always been an ensemble production, and its illustration of Doremi’s friends and family have offered some of its most poignant, thoughtful, and emotionally instructive tales. Aiko’s process of coming to terms with her parents’ divorce, as she grapples with the distance between her and her father’s feelings, clings to the memory of her old home life, and ultimately learns to assert her needs without retreating into the past. Hadzuki quietly demonstrating she’s actually the weirdest of the three of them, proving herself equally suited to absurd kidnapping capers and somber meditations on death and the limits of our strength. Onpu finding the intimacy her family withheld in the camaraderie of her peers, and the trust of her closest friends. And all their various families and classmates and mentors and friends, who through their stories have collectively rung out that whatever your passion, if you embrace it with a positive spirit, it is worth celebrating.

That, in the end, may be our heroines’ saving grace. All through this season, characters have hidden the passions they love, often using them as a stand-in for the feelings they’re repressing as well. Their ultimate celebration of those passions has often echoed their celebration of those feelings, be it Masaru’s memory of playing trumpet with his father, Mutsumi’s determination to become a pro wrestler, or whatever else they most secretly and earnestly feel. Here in the last episode, the greatest secret of all is on full display – but at this point, Doremi and her friends have become such talented, laudable witches that perhaps that’s not such a big deal. However this season resolves, I feel privileged and delighted to explore one more episode with you all. Let’s watch some Ojamajo Doremi!

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Magical Girl Lyrical Nanoha A’s – Episode 1

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Hello all, and welcome back to another episode of Magical Girl Lyrical Nanoha! What, did you think we were finished? Of course not! Influential as its first season may already be, Nanoha wouldn’t be half the institution it now is if it weren’t such an, er, actual institution. The franchise has been receiving new sequels and spinoffs and manga adaptations ever since 2004, making it a fairly unique property within the late night anime sphere. Most long-running shows fall into either children’s anime or shounen adaptation territory, which are always intended to have lengthy and largely episodic running times. Nanoha bucks this trend, adding seasons and properties piecemeal across scattered seasons, kept alive by its own enduring popularity. So what is Nanoha’s second season about, then?

No clue. Pretty much everything I already knew about Nanoha happened in the first season – the combination of magical girl and scifi influences, the clash between Fate and Nanoha, and the ultimate friendship they develop. All I can really say at the moment is that even the context of the first season makes it no surprise this series got a continuation. Nanoha’s first season certainly possessed its own self-contained narrative, but so much of its running time was dedicated to establishing its evocative techno-fantasy world that it also felt like the prologue to something greater. “We must defeat Testarossa” didn’t feel like a meaningful capstone to the world they’d established; it was just Nanoha’s first assignment, and was treated as such. Having established this rich world, underlined Nanoha’s unique strength within it, and just recently yanked Fate over to the light side, the pieces are all set for a thrilling sequel that takes advantage of the original’s careful expository work. Let’s see what awaits us in Magical Girl Lyrical Nanoha A’s!

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Ojamajo Doremi – Episode 50

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Folks, we are well overdue for another installment of Ojamajo Doremi. Doremi has always been a pretty great show, but it feels like the production has been really swinging for the fences lately in terms of its personal drama and character development, as we’ve run through critical and brilliantly realized episodes focused on both Aiko and Onpu.

Onpu in particular has grown much closer to the main cast over her last several appearances, and last episode even used her magic to ensure she lost in her pursuit of an acting role, once she realized how much the part meant to her strongest competitor. That spirit of empathy seems a far cry from the girl who brainwashed an admirer to avoid actually dealing with him, and when that brainwashing nearly ruined his relationship, flew off with a carefree “not my problem.” Onpu has not just learned to take responsibility for her own actions (as when she resolved that group date catastrophe), but has also seemed to develop a genuine concern for others, and perhaps even a sense of moral obligation to use her powers well.

Given all this recent development, I’m guessing Onpu will be contributing heavily to the season finale. Speaking of which, HOLY SHIT WE’RE AT THE SEASON FINALE! After a rich and rewarding year of Doremi episodes, we’ve finally arrived at the two-parter that ends its first season. I’m told the show actually gets even better in its later seasons (I can’t friggin’ wait to see Mamoru Hosoda’s take on this show), so I’ve got no time for tears – I’m just excited to see what this consistently impressive show whips together for such a major occasion. Let’s dive into another episode of Ojamajo Doremi!

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Bloom Into You – Episode 10

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You know what folks, we’re watching more Bloom Into You. I have been absolutely loving this show’s thoughtful, incredibly sympathetic drama, and its characters have only gotten more rich and human as the show progresses. That goes doubly so for Touko, who just received an unexpected dash of sympathy from outside the show proper. Though I mentioned in the last two writeups that bad subtitles sabotaged Touko’s characterization, I originally watched through those episodes before I knew that – this writeup right here is the first time I’ve been actively aware that Touko’s confession was more “I’m afraid that if I accept my true self, no one will care for me,” and less “if you ever change, I’ll abandon you.” That puts Touko perfectly in line with both of our other leads, afraid that any expression of their true selves will get them cast aside. Though she still has more power in this relationship than Yuu, she’s nearly as vulnerable, and as Yuu begins to embrace her own feelings, I’m guessing that balance will continue to shift.

Speaking of which, holy crap, Yuu’s in love! Or lust, or infatuation, or something – regardless of their specific substance, Yuu is now clearly feeling physical, romantic feelings towards Touko. Though it would have been very interesting to have a genuinely asexual character as a romantic drama lead, it turns out Yuu’s issue was something also quite common to teenagers – it just took her a little longer to feel these feelings than others, and she assumed that meant there was something wrong with her. With Yuu now both intellectually and emotionally invested in moving beyond her current position, I’m guessing her current relationship will definitely run into some friction. Let’s see where this wonderful drama takes us next!

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