Category Archives: Episode Writeup

Scorching Ping Pong Girls – Episode 7

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Settle in everybody, we’re watching more Scorching Ping Pong Girls! After a long run of match-filled episodes introducing the main team, Ping Pong Girls slowed down for the first time last episode, and used Hokuto’s family store to emphasize the importance of the unconditional friendships uniting our heroes. It was a charming episode that demonstrated Ping Pong Girls’ slice of life elements can be just as satisfying as its sports elements, while also clearly setting this show’s thematic axis on the importance of friends who love you for who you are. The use of color to illustrate how Hanabi’s presence impacted Hokuto’s life was an effective trick, and the villain Futamaru’s introduction was as wonderfully stupid as I might have hoped. On the whole, as always with this show, it was a very nice time.

That episode also left me more than eager to see these girls actually engage in some doubles matches. I’ve never seen a slice of life property pair up its characters quite this aggressively – every member of Agari and Koyori’s team has a specific partner they trust completely, and having spent so much time building up these relationships, I can’t wait to see those bonds paid off through thrilling acts of teamwork on the ping pong court. With only half a season left, my guess is that we’re about to witness a disastrous practice match that will both set up the threat of our opponents and serve as motivation to succeed in the actual tournament. But either way, I’m happy to be watching more of this consistently charming and often thrilling production. Let’s get to it!

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Neon Genesis Evangelion – Episode 11

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Having most recently tasked our heroes with mastering Dance Dance Revolution in order to defeat an angel in a dance-off, followed by wrestling in a volcano while wearing a fat suit, it should be clear at this point that Evangelion’s reputation as a grim and self-serious production is perhaps a touch overstated. While we’ve already run through episodes that grapple frankly with topics like social isolation, anxiety, and depression, the arrival of Asuka has heralded our entrance into the middle act of Neon Genesis Evangelion, where it most closely resembles a conventional episodic giant robot show. Shinji has gained friends and allies, the full NERV team has been established, and the stage is properly set for a menagerie of bizarre angels to attack NERV. But all of that is not to say that this stretch of episodes is lacking in aesthetic craft or distinctive personality – on the contrary, episode eleven’s pacing and directorial style offer one of the most clearly defined and energetic personalities of the show so far.

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Magical Girl Lyrical Nanoha A’s – Episode 8

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Alright everyone, we’re diving back into Magical Girl Lyrical Nanoha. The show’s previous episode was a goddamn barn-burner, both illustrating Fate’s continued integration into a loving civilian life, and also pulling off some of the most technically impressive fights of the series so far. To be honest, that feels like the Nanoha A’s experience in a nutshell – a looping sequence of thinking “surely they can’t top THIS fight,” only for that fight to be dutifully topped by whatever clash happens next. And in episode seven’s case, the introduction of cartridge shells to both of our heroines’ staffs meant their attacks grew in both power and flexibility, leading to Vita almost getting nuked out of orbit.

Instead, our masked spoiler arrived, saving Vita and stabbing Fate in the back. Right now my money’s on that guy secretly being the old admiral, but I have no in-text reason for that suspicion – it’s solely a “well, they introduced this guy and haven’t done anything with him, so maybe he’s secretly evil” meta-textual assumption. Whether we receive some actual clues or focus on some other thread entirely, I’m very ready to continue this bombastic adventure. Let’s check out Nanoha A’s!

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Girls’ Last Tour – Episode 4

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Folks, I’d say it’s well past time we settle down for another episode of Girls’ Last Tour. This production has been a charming and profoundly atmospheric show from episode one, with the sound design, use of color and space, and general pacing consistently elevating the show’s world from a narrative conceit to an immediate, tangible reality. From the start, the show has embraced the unique emotional appeal of the apocalyptic travelogue, contrasting a global situation that seems completely hopeless against a friendship that at least provides a light in the dark.

Last episode, the thematic subtext which tends to always underline this subgenre rose up into the actual text. The introduction of Kanazawa, an actual human in the wasteland, led the show to frame its thoughts on purpose and hope in the starkest of terms. While Chi and Yuu at least have each other, Kanazawa’s source of meaning was the map he was creating – in a world gone to ruin, he found hope through his dream of cataloging the fading city. But when his map blew away in the wind, Kanazawa was forced to ask himself why he really keeps moving, and what purpose he can actually serve in this world. Ultimately, Kanazawa was consoled by the unexpectedly profound words of Yuu: “you don’t need a reason. Good things happen sometimes.”

Yuu might not understand the gravity of those words, but “you don’t need a reason. Good things happen sometimes” is one of my favorite thematic arguments. Life is messy and unsatisfying, and we often won’t get the clean endings or earned payoffs we feel we deserve. Life is like people in that way, and just as I love shows about messy people, I love shows about messy lives, stories where our heroes just have each other, and ultimately discover that maybe that’s enough. In the realm of apocalyptic travelogue, “good things will happen sometimes” stands alongside “at least we have each other” as the defiant counterpoint to society’s wholesale collapse.

In shows like Sound of the Sky or Planetarian or even Kemono Friends, the world as we knew it isn’t coming back – the time for gallant heroes who set things right has passed, and all such heroes are dead and gone. But people live on past society’s end, and though we don’t need society, we do need hope. Yuu helped Kanazawa rediscover that hope, demonstrating the grounding kindness and common-sense, one-foot-in-front-of-the-other attitude that has likely kept Chi standing as well. It was a terrific episode, and though I suspect we’ll probably be heading back to more scattered vignettes this time, I’m eager to see what wonders this city still holds. Let’s dive into another episode of Girls’ Last Tour!

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Neon Genesis Evangelion – Episode 10

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After being forced to share the stage with that idiot Shinji during both her grand debut and her first official mission, Asuka Langley Soryu at last enjoys the full spotlight in Neon Genesis Evangelion’s tenth episode. No collaborating with wimpy boys, no interference from that creepy Rei Ayanami, no one at all to stop Asuka from demonstrating her brilliance as the greatest of Eva pilots, a hero with the talent, beauty, and courage necessary to inspire humanity’s future. Stand back and secure those dropped jaws, folks. Asuka has arrived.

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Hugtto! Precure – Episode 8

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At long last, we return to Hugtto! Pretty Cure. I’ve been greatly enjoying our journey through Hugtto!, both appreciating how it illustrates the evolution of the magical girl genre, and also enjoying it as a charming, good-hearted, and visually compelling production in its own right. While standout episodes like Homare’s big introduction have been genuinely stunning, episode-of-the-year level aesthetic objects, even the show’s usual mode is energetic and visually appealing and an altogether endearing time. And as a standard-bearer for its genre, Pretty Cure essentially slots in between Ojamajo Doremi and Nanoha, blending its life lessons with falcon punches while offering an unexpectedly forward-thinking focus on the difficulties of integrating into adulthood.

Our last episode was Saaya-focused, and featured a rival from her glamorous Veggie Girl past coming back to challenge her commitment to acting. With that resolving on the refreshing “I genuinely don’t know what I want yet, but I’d like to keep acting in order to find out,” we find ourselves immediately bumping into an old friend from Homare’s past. Homare’s focus episodes have been the show’s strongest yet, and though I’m not necessarily expecting another aesthetic triumph on the scale of her first appearance, I’m still excited to see what the show can pull together next. Let’s dive into Hugtto’s eighth episode!

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Girls’ Last Tour – Episode 3

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Folks, I’d say it’s about time we watch some more Girls’ Last Tour. This post-apocalyptic slice of life adventure’s first two episodes were an altogether lovely time; the show hasn’t really been making any grand philosophical statements or anything, but it’s done an excellent job of conveying the felt, sensory experience of Chi and Yuu’s journey. I’ve been particularly impressed by how well the lighting and sound design convey the sensation of traveling through heavy snowfall, from the muffled crunch of footsteps through snow, to the way snow can either steal your voice away or filter it through an alienating echo, as if there’s always someone just out of sight, shadowing your path and your voice.

Atmosphere-centric strengths like that have given Girls’ Last Tour an alternating sense of solemnity and quiet menace, which in turn serves to counterbalance the girls’ seemingly carefree adventures. Whether this show will continue to excel as a muted, contemplative tone piece or embrace more narrative structure remains to be seen, but I was happy to see the quest for high ground give us at least a general goal last episode. I mean, you kinda need something to hope for in a world like this, right? Regardless, wherever their journeys take them, I’m happy to spend some more time traveling with these blobby companions. On to episode three!

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Ojamajo Doremi Sharp – Episode 1

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I hope you folks are ready. Today we’re embarking on a journey both new and familiar, as we begin the second season of the ambitious, heartwarming, and stunningly executed Ojamajo Doremi.

As I’ve already rambled my way through fifty episodes of this acclaimed children’s show, I’m sure you know my general feelings on it by now. Ojamajo Doremi demonstrates that great children’s entertainment need not be dramatically or emotionally simplistic – in fact, it reveals that children’s anime that doesn’t talk down to its audience can actually broach a wider array of topics and emotions than many shows aimed at more general audiences. There is no artifice or bravado in terms of Doremi’s presentation – the show is honest, perceptive, and brimming with sympathy for its young cast. Over the course of the first season, Doremi has explored topics as sensitive and wide-ranging as love, divorce, bullying, family, creative passion, professional ambition, and even death, elevating its nuanced dramas through its strong visual sensibilities and plenty of fantastical flourishes.

Not only are Doremi’s various adventures all funny and heartwarming in their own right, but the show’s strength is also cumulative. Within our main crew, Doremi has grown from being a perpetual screwup to a genuine leader, and though she’s still unreliable in many ways, her growing confidence, strength, and compassion are clear as day. Having admitted her own fundamental loneliness, Onpu has learned to look outside of herself, and found both friends and a greater sense of purpose through helping others. Aiko has taken great strides in coming to terms with her parents’ separation, and Pop has become a formidable witch in her own right. And outside that crew, we’ve come to know and love dozens of Doremi’s classmates and teachers, making each new episode a testament to the power of ensemble storytelling.

All that, and I’m told Ojamajo Doremi actually improves as it continues, with the contributions of anime titans like Mamoru Hosoda still to come. Ojamajo Doremi has been both an aesthetically rewarding experience and a genuine source of comfort to me, and I hope all of you are enjoying this winding journey as well. Let’s see what awaits us in the first episode of Ojamajo Doremi Sharp!

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Neon Genesis Evangelion – Episode 9

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While Neon Genesis Evangelion’s eighth episode served as Shinji and Asuka’s formal introduction, any camaraderie they might have developed during that adventure was more or less necessitated by circumstance. In the wake of that explosive field trip, their initial impressions seem stable: Shinji finds Asuka mean and terrifying, while Asuka considers Shinji weak and childish. Their ability to work as a team outside of any but the most desperate of circumstances is basically negligible; thus we enter Evangelion’s ninth episode, an episode famous for being the most ridiculous, farcical, and unabashedly Super Robot-influenced episode of all Evangelion. Get ready folks, it’s time to dance like you want to win.

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Magical Girl Lyrical Nanoha A’s – Episode 7

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Get ready folks. It’s time to continue our journey into Nanoha, and see what those dastardly Velka Knights are up to now! A’s prior episode was a very important one, as it centered on the long-awaited reveal of Hayate’s true family history. As the family’s many idle interactions have made obvious, regardless of what evils the Velka Knights performed in the past, at this point they are entirely dedicated to preserving Hayate’s idyllic family life. To that end, they’re even willing to disobey their master’s own wishes, and work to complete the book of darkness in order to keep her alive.

The reveal of the Velka Knights’ history went basically as expected, and did great work in further illustrating the moral contrast between these foes and the first season. While Hayate feels ever more like a direct parallel for Nanoha, her knights have been defined as essentially the opposite of Fate.

Condemning Testarossa, and drawing Fate from her side, was a pretty morally straightforward proposition – Fate was being abused and mislead by her mother, and Testarossa’s own goals were catastrophic in both nature and intent. In contrast, the Velka Knights are actually working to help their master in spite of her own wishes, are fully aware of the stakes and consequences of their actions, and are working in service of a goal that, while dangerous, is still fundamentally sympathetic. While Testarossa was responsible for basically all the pain Fate both inflicted and endured, Hayate has been nothing but good to her knights, and they’ve done nothing but become more human and sympathetic in turn. They’re frankly getting far more sympathetic framing this season than our actual protagonists, who are very nice people, but also technically Space Cops.

With their history finally revealed, A’s is prepped and ready for another confrontation between our main teams. Whether this episode focuses on that or Yuuno exploring a friggin’ library, I’m ready for whatever may come. Let’s dive into another episode of Nanoha A’s!

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