Category Archives: Essay

Moonlight, A Quiet Film

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Moonlight is a quiet film.

I actually had to turn up my speakers just to hear the dialogue, and had to turn them up even more when, after ten minutes, our protagonist resentfully speaks his first words. He doesn’t follow those words up with too many more. Whoever else he is, Little, or Chiron, or Black, is not one for big speeches. His feelings maintain an internal smolder, clear in his downturned eyes and inward-sloping shoulders and perpetual inability to stand in the middle of the frame. Our hero is a man of big feelings afforded minimal release. There is so much there, so much contained in all his unhappy, furtive glances, so much preserved across the astonishingly congruent performances of three brilliant actors.

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Why It Works: Kyoto Animation’s Masterpiece Has Arrived on Crunchyroll!

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Look, did you think I wasn’t going to write an article celebrating Hyouka’s move to Crunchyroll? Anyway, here is my contractually obligated squealing about Crunchyroll nabbing what could well be the best television anime of all time, along with some hopefully convincing illustrations of why I’m so damn excited. Hyouka is the best, and I am thrilled that so many new people will now get to experience it. Get to it!

Kyoto Animation’s Masterpiece Has Arrived on Crunchyroll!

Why It Works: Everyone Loves All Might And Here’s Why!

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Today for Crunchyroll, I did a very enjoyable character profile on one of My Hero Academia’s most compelling figures. All Might is critical to My Hero Academia in a thematic and character arc sense, but he’s also just a really endearing guy who’s always fun to see on screen. I hope I properly highlighted both these fractions of All Might’s appeal, and also hope you enjoy the piece!

Everyone Loves All Might And Here’s Why!

Why It Works: Junk Dog Vs. Soldier, Part Two

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Today I finish up my breakdown of the Joe versus Aragaki fight, covering just a few of the many smart structural and aesthetic decisions that made this fight work. The show hasn’t pulled off another episode this good since, but I’ve got plenty of faith that the last act will be a stunner. Megalo Box has just continued to impress me at every turn, and at this point it only needs to stick the landing.

Junk Dog Vs. Soldier, Part Two

The Promised Neverland – Volume 1

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Even from the cover of the first volume, it’s clear that The Promised Neverland isn’t your standard Shonen Jump property. The base art style favors delicate, almost wobbly linework and evocative scribbles over the bold splashes of black and white favored by, say, My Hero Academia or Bleach. The cover is confident in this fraying delicacy, happy to let a clearly defined spiraling staircase fade into half-imagined detail, and in doing so evoking the visual style of something like a children’s picture book. This doesn’t feel like the steady work of a Jump veteran; this feels like the first manga of a dedicated illustrator, perfectly suiting its fairy tale storytelling.

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Why It Works: Junk Dog Vs. Soldier: MEGALOBOX’s Finest Fight

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This week on Why It Works, I finally start on a big craft breakdown for Megalo Box, exploring the many smart decisions that made its recent Aragaki fight so spectacular. Megalo Box has always been a stylish and entertaining show, but the storytelling here felt the most sturdily constructed and rewarding so far. I hope you enjoy the piece!

Junk Dog Vs. Soldier: MEGALOBOX’s Finest Fight

Annihilation, Which Covets the End

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In trying to collect my thoughts on Annihilation, my mind kept returning to that earlier scifi/horror “humans are overrun by a new order” classic Jurassic Park, and that film’s own relative optimism. Putting aside one-liners like “must go faster” and “clever girl,” I feel like that film’s soul was captured in the line “life finds a way.” It’s unsurprising that a heart-on-sleeve director like Spielberg would make a movie about dinosaurs eating people into something life-affirming, and I can’t help but shiver at the contrast between that and Alex Garland’s comparatively soul-destroying Annihilation. Life might find a way in Annihilation, but it’s highly doubtful that we’ll be finding a way along with it.

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Why It Works: Family is What You Make of It in Hinamatsuri

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For this week’s Crunchyroll article, I used Hinamatsuri as a platform to celebrate another of my favorite topics in fiction: found families. As I say in the piece, I think this world could use far more validation of the families we choose for ourselves, and it’s always nice to find more reasons to recommend shows like Sekai Seifuku or March comes in like a lion. There are only so many ways as an anime critic to strike my “I did a good deed today” itch, but I think leading more people to Rei Kiriyama’s story hopefully qualifies.

Family is What You Make of It in HINAMATSURI!

Why It Works: Oh Right, You Guys Are Here Too: The Unsung Heroes of Class 1-B

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Sometimes this job is so damn great. I had a lot of fun with this week’s Why It Works, as I looked back to catalog pretty much everything My Hero Academia’s second-most-heroic class roster have accomplished. As it turns out, the answer is Not Much, and a pretty hilarious Not Much at that. I hope you enjoy the piece!

Oh Right, You Guys Are Here Too

Hunter x Hunter – Volume 35

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Togashi, what the hell are you doing.

I had assumed, upon reading and critiquing Hunter x Hunter’s thirty-fourth volume, that I’d essentially covered the gist of Togashi’s schtique – his tendency towards creating impossibly convoluted tactical setups, and his skill for resolving them as a series of dramatically coherent action beats. The fight between Chrollo and Hisoka was essentially that instinct in isolation, split between half a volume of expository notes on Chrollo’s powers and half a volume of evaluation time “I hope you got all that” payoff. Surely the complexity would let up just a tad for the next volume?

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