So yes, I technically may have used SHELTER as an excuse to ramble about Idolm@ster again. Those may ultimately be the facts as they are presented – but is that a crime you could convict me for? Could ANYONE fault me for using this clearly valid opportunity to talk about why Megumi Kouno is extremely good? I present myself to the people: let he among you who is without moe cast the first stone.
Why It Works: SHELTER’s Animation Genius
I took a few weeks away for the start of the fall season, but I couldn’t stay away from JoJo for long. This week I go into another of JoJo’s general-purpose strengths – the way it’s so genuinely invested in not-so-thrilling adventures that it drags the audience along as well. It’s pretty much a constant for JoJo, but I figured a week where Kira faced down a cat-plant was as good a time as any to discuss it!
Why It Works: JoJo’s Equal-Opportunity Drama
The nice thing about working for ANN and Crunchyroll is that I get to be as greedy as I want when it comes to writing about shows. Sure, I’ve already got three great anime over at ANN, but why should Flip Flappers have to be left out? So this week I return to Flip Flappers, and talk about some of the neat details used to construct Cocona’s internal world. I hope you enjoy it!
Why It Works: FLIP FLAPPERS’ Lonely World of Windows and Doors
This week on Crunchyroll I gave a wave to a few of the less renowned premieres of the season, before we get into the period where I can only really discuss the shows I’m actually following. There’s just too many dang shows out there for me to watch everything, but I’m sure somebody could use the direction of these recommendations. It can become easy to forget that to most people, there’s really no way of knowing what new shows might actually appeal to you!
Why It Works: Rough Gems of the Fall Season
The new season has begun, meaning Why It Works has a whole new crop of shows to talk about! Today I started with Izetta, breaking down a bunch of the details that come together to make that opening train scene work so well. It’s nice to have such a broad selection of new things to discuss!
Why It Works: Izetta’s Great Train Escape
Goodnight Punpun’s second volume is clammy and claustrophobic and cold. Its characters are alternately bundled in heavy winter clothes or sweating and naked beneath the sheets, suffused with a sense of spiritual isolation or simply embarrassed at the wriggling baseness of their desires. Childhood is over for Punpun, and even if it was an awkward and frightening time, it was still laced with precious, golden memories. Punpun is in middle school now. Middle school is terrible.
I finally got around to featuring Thunderbolt Fantasy over at Crunchyroll, just in time for the end of the season. With most of the new shows not yet airing, I figured this was a perfect time to catch up on a show that definitely deserves some recognition. Thunderbolt Fantasy was an excellent ride, and I’m happy to hear we’ve got another season on the way!
Why It Works: A Brief Plea for Thunderbolt Fantasy
Alright, I’ll confess: I wasn’t able to get a meaningful distance into Heaven’s Feel. I got through all of the pre-route scenes that involved Sakura, and I had a nice long chat with Kotomine at the church, and then I got nearly murdered by Ilya, and then Rin finished me off with an interminable conversation about magical energy. All of that took several hours of clicking through, but it didn’t really accomplish anything narrative-wise – I’m still basically in the introduction phase of the route, and there’s no indication that that’s going to end any time soon.
I guess I just can’t help myself. I returned to the JoJo well once again this week, since Koichi and Kira’s fight offered such a handy demonstration of one more of the show’s myriad strengths. You could probably do some further writing on how JoJo manages the hues of its palette shifts to echo their emotional intent, but I stuck to the basics this time – most great comic/animation artists give their characters distinctive visual signatures, and JoJo is able to use those signatures combined with its own style tricks to create some profoundly impactful battles. Let’s get to it!
Why It Works: The Chromatic Battle of Koichi and Kira
Her opens with a sequence that appears to be a heartfelt confession, as protagonist Theodore Twombly addresses both an old love and the screen itself. As fond memories are extolled and warm feelings expressed, his words gradually land false – Theodore is neither the assumed writer nor recipient of this letter, and everything he’s recalling applies to a life that isn’t his. And when the screen pulls out, we see Theodore is not alone in his fabrication – in fact, he’s one in a long line of cubicled workers expressing the same thoughts, a factory producing emotional catharsis. Theodore works for Beautiful Handwritten Letters Dot Com, a company that has risen to meet the public’s need for thoughts so poignant and personal we can’t express them ourselves.