Today I got to write a piece on Sweetness & Lightning for the first time, which was nice. The show honestly doesn’t offer that much to dissect a lot of weeks, but the Tsumugi-focused episode was a clear standout, so I had plenty to talk about. Hope you enjoy the piece!
Why It Works: Tsumugi’s Great Adventure
It’s interesting how fan communities often lionize the idea of “thematic depth” in stories, as if fiction with an underlying philosophical message is somehow more worthy than works that are largely concerned with having a good time. It makes sense for a few reasons – we see complexity as an inherent good, we see works that are trying to change the viewers’ minds as more challenging or morally profound, we more deeply connect with the works that taught us something new, etcetera. But it’s also a little funny to me, since there’s no type of art more prone to sermonizing than family entertainment.
I returned to JoJo again this week, unable to avoid the temptation of talking about a Yukako episode. Unfortunately, this article isn’t really about how Yukako herself is awesome – it’s more about the framing of her Cinderella story, and the influences it’s drawing on in both a narrative and visual sense. Hopefully that still sounds pretty entertaining!
Why It Works: Yukako’s Fairy Tale
Today I discuss Orange’s somewhat unique framing device, and the interesting way it colors our relationship with Orange’s characters. Some mild philosophy of the viewer shenanigans for your Saturday afternoon.
Why It Works: Emotional Distance in Orange
I took another stab at JoJo this week, breaking down some of the genre craft stuff that made one of the recent episodes so effective. JoJo’s just a really easy show to talk about, particularly this season – it’s got a wide variety of clear strengths, and yet tends to be strong in ways that make it quite different from most anime. I’m sure I’ll find my way back to covering it again!
Why It Works: Anatomy of a Rat Fight
Everyone has heard that “doing the same thing and expecting a different result is the definition of madness” cliche, but as a critic, I don’t always have the luxury of learning from experience. When I don’t think I’ll like something, I generally just stay away – I’m not a big fan of hatewatching, and feel that if you go into something expecting to dislike it, you’re not likely to learn anything from the experience. But when it comes to the Current Projects, sometimes my life is a sequence of touching a hot stove, burning my hand, hearing someone say “I’ll pay you fifty bucks to touch it again,” and then doing exactly that.
I’ve had difficulty getting into visual novels in the past. I started with Katawa Shoujo, which in retrospect probably gave me some unfortunate preconceptions about the medium at large. I know VN aficionados likely see Katawa Shoujo as an “entry level” piece, but it’s not a bad thing to possess qualities that makes your art accessible to a wider audience. And in Katawa Shoujo’s case, those qualities seem to be things like pacing, a believable interior voice, dialogue that sounds like human beings, and stories that respect the reader’s time and investment.
My experiences since then have been somewhat less positive.
Time for my second Crunchyroll column! This time I take a stab at JoJo, investigating its art design and love of horror classics and all that good stuff. Morioh is a wonderfully terrible place.
Why It Works: The Rolling Hills of Morioh
Welp, looks like I’m writing at Crunchyroll now. I’ve got a new column over there starting up this week, and opening with a closer look at just one element of Mob Psycho’s first episode. If all goes according to plan, that’ll be the general style – deep dives on specific ideas or characters or elements of craft that pull our favorite shows together. I’m very excited to start on this project, and hope you enjoy my first piece!
You can check out my first article right here.
I knew I was in for some shit even just by reading the genre tags for this one, which included a nice mix of things like “anal,” “bestiality,” and “dystopia.” And Keep on Vibrating certainly didn’t disappoint there – the seven stories here offer a pretty consistent mix of prostitution, violence against women, and occasional scatterings of war and cultural decay. Keep on Vibrating doesn’t quite match the overtly misanthropic tenor of Denpa Teki na Kanojo, but its author sure has a lot of violence in his head. And that’s about all there is to it.
(incidentally, there’s definitely going to be some NSFW image links in this one, so watch out!)
I mean, you and I know the answer to that. But The Lost Village’s style is awesome and unique and very worth digging into, and so today I’ve got a huge friggin’ article exploring the specific nature of The Lost Village’s charms. I loved this show, and I had a ton of fun talking about it here. The craft of comedy is just really fascinating in general, and I’m sure I’ll return to it again at some time. But for now, let’s just celebrate the glory of Lovepon and Friends one more time.
Is The Lost Village Actually A Comedy?
