Management: Vague character-arc spoilers for a few shows here – FLCL, Eva, Tatami Galaxy, Cowboy Bebop, Hyouka. Hyouka’s the only one I get particularly specific on.
Gonna share something a little different today! Recently I’ve been thinking about characters, which is probably because I am always thinking about characters. While a lot of my personal views on character writing have obviously come from reading and watching a whole lot of stories, a fair amount of my understanding has also come from writing characters. As a fiction writer, knowing how to write a fleshed-out human being is rarely optional – but even just as someone who just wants to poke more deeply at the things they consume, I think analyzing characters from a character-creation standpoint can be very enlightening. Characters are kind of like trees – though the individual branches of their actions may look strange and circuitous, generally everything winds its way back to the central trunk of their base nature and desires. And looking at characters trunk-first can do a whole lot of work to make sense of their wildly winding limbs.
So let’s get down to that trunk, to the absolute base nature of a character. There are a few ways to approach this, but personally I think the easiest way to consider character writing is to start with two key variables. The two often-conflicting desires that tend to define their choices, their conflicts, and their ultimate resolution: what they want and what they need.
