Category Archives: Review

White Album 2 and the Futility of Everything

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“My bridge is burned, and perhaps we’ll shortly learn/That it was arson all along/Can we just get home, sleep this off/Throw some ‘sorry’s’ and then/Do it all again.” – Frightened Rabbit, Late March, Death March

So, I just watched White Album 2, and holy shit you guys. Holy shit. Don’t even know what to say, but I gotta say it anyway. Let’s get through this one together.

White Album 2 has a very dim view of human nature. Not even Evangelion dim, where cruel things happen to broken people pretty much continuously. Evangelion is optimistic – it features plenty of hardship, but the message it puts forth about its characters is fundamentally a positive one. White Album 2 is, like, School Days dark. Everyone’s awful and selfish and wrong. Nobody learns, everyone suffers, the moral is sadness. It’s a hard show for me to square any real intention on, much less enough of a point to actually write a coherent essay. In the end, nobody really wins, and the only question you’re left with is the one the characters ask themselves – where did it all go wrong?

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Monogatari and the Monster Inside

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The real world is a scary place.

Not because it’s full of monsters, though we’ll get to that. It’s scary because it’s full of other people. Because it’s full of risks, and setbacks, and harsh truths. It’s scary because to truly look at it, you have to first look at yourself, and acknowledge what you see. Engaging with the real world means acknowledging and embracing every ugly, selfish thing that makes you You, and being honest with yourself is the hardest, scariest thing of all.

Monogatari is a story about liars.

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Kyousogiga, a Home Like Any Other

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It was likely a practical, scheduling-minded choice to air Kyousogiga in the fall, but it certainly made for an appropriate ending. As the show drew to a close, so too did the year itself, the season’s promise of family and renewal mirroring Kyousogiga’s own humble themes. It’s a rare show – though it mirrors this summer’s Uchouten Kazoku in a number of interesting ways, perhaps the most review-relevant parallel is that it’s one more of those occasional glimpses of how good anime can actually be. It’s a world unto itself and a message both personal and universal. I’m sure I could ramble on it at length, but the show demonstrates its own strengths freely, so I’ll try to keep this concise.

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Top Twelve Anime of 2013

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And so 2013 comes to an end. This has been a big year for me in blogging, what with it being my first year in blogging, and so a lot of these shows hold a possibly unreasonable place in my heart. Nah, I don’t think that’s actually true. I think we’ve just had a great year, and that blogging really has done what I always wanted it to – force me to apply a more critical eye to my media, which, contrary to popular belief, has actually made me appreciate my favorites even more.

And there sure were plenty of favorites! As I said, this has been an excellent year in anime, with tons of genres, styles, and themes represented by stylish, confident productions. If this is your first time checking the blog, let me introduce myself by saying I’m a horribly biased shithead who wouldn’t know a good action show or comedy if it comically murdered me. I like people, and I like ideas, and my list reflects that (if you’re looking for Attack on Titan or Maou-sama, you can find my reviews of those here and here). I like to think I’m pretty good at telling good writing or direction from bad, but everyone has different things that appeal to them, and so you can consider the numbering here a mushy compromise between favorite and best, though the list overall encompasses both. I’m not gonna give you synopses here – if you’re interested, each title links to that show’s description, but that’s not what you’re not paying me for. These comments will cover why I loved these shows. I was aiming for a top ten, but when compiling the list, the shows that immediately bubbled to mind ended up numbering twelve, and instead of arbitrarily cutting two off I’ve decided to honor them all. Also, I’m only counting shows that ended in 2013 here, so no Kill la Kill or other half-finished two-parters. So here it is: my top twelve anime series of 2013!

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Gunbuster and Finality

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Loss is a constant of living. As long as you live, as long as you continue to make connections and entrust others with your feelings, you will always be saying goodbye, always be letting go. And this can be a crushing reality – people can spend their whole lives seeking connections long past rekindling, and the grieving process is different for all of us. This letting go is perhaps not the cheeriest subject for a cartoon, but it is a powerful and deeply human one, and the ways we overcome the continuous goodbye of living can be inspiring in their own right. As is so with Gunbuster.

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Attack on Titan – Final Review

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Welp, guess I better review the heavyweight.

Attack on Titan arrived at the head of quite the hype train this spring, based on both praise from manga readers and this impressive PV. Its OP inspired countless parodies, its sales were enormous, its cultural penetration extended far beyond the reach most anime could dream of. With good reason – most anime essentially self-marginalize themselves through overt anime-ism aesthetic choices that cut off significant potential markets. Titan does not do this – it’s an unapologetic action blockbuster with an evocative western aesthetic and a fundamentally compelling premise. Humans live in a massive renaissance-era walled city, titans try to break in, humans fight using sweet spiderman-esque maneuvering gear, action ensues. Let’s start with those strengths.

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Uchouten Kazoku and the Meaning of Life

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Management: Reviews are inherently an act of attempting to paint the personal as the universal, but this piece in particular is overtly meant to share my personal experience of this show. I hope you enjoy it.

“Coming of age stories” generally have a very specific connotation, particularly when it comes to anime. They tend to focus on adolescence – on the discarding of our youthful conceptions of self, and the beginning stages of establishing a true mature identity. But the reality is life is not nearly that simple. You do not simply discover yourself at some arbitrary point in your teen years, and from then on no longer feel existential dread about self or purpose. You don’t wake up one morning and suddenly realize it’s time to Do Your Best for the rest of forever, and somehow find yourself continuously fulfilled by that one measly resolution.

Uchouten Kazoku understands this. It understands life and self-actualization are never so convenient as most stories’ linear narratives would like to pretend. It understands that living is not a coherent progression – living is what you’re already doing while you try and make sense of it all. And Uchouten Kazoku embraces this; the small lessons, warm friendships, and tiny moments that seem may inconsequential from an outside perspective, but that make up life itself, and when fully embraced, fully lived in, can swell to be heart-seizing moments on a monumental scale.

Uchouten Kazoku is likely the best anime of the year.

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Gatchaman Crowds and the Death of Gods

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Dramatic title, eh? But for this show it’s surprisingly appropriate. Gatchaman Crowds is the most ambitious show of the summer, and quite possibly the most ambitious show of the year. But does it succeed in its ambitions? Well, if I tell you that right now, why would you read the rest of this?

I’m just kidding it succeeds this show is sweet let’s talk about it anyway.

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Trust, Agency, and The World God Only Knows

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Initially, I wasn’t really sure if there was a point to reviewing this one. I mean, it’s the third season of a self-aware harem comedy/parody. If you’re watching it, you know what you’re getting, and if you’re not, you know why you’re not. What would be the audience for a piece like that?

But the more I thought about it, the more I realized this season basically makes the show. Sure, it’s always been funny. Sure, it’s always taken pointed but lighthearted jabs at harem scenarios and anime character writing. But this season takes the gloves off. This season makes a point.

Alright, I’m gonna use one of my least favorite words here. Normally, I think it’s both misapplied and meaningless, but for once, it just might be appropriate.

TWGOK S3 completes the show’s arc as a deconstruction of harem comedies.

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C3-bu: Like Evangelion, but with More Moe Airsoft

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C3-bu is a strange little show, marking the second entry in a little genre I like to call “moe club shows that aren’t pointless and terrible.” The first entry in this hopefully burgeoning genre was Girls und Panzer, and going into this show, my most optimistic assumption was that it would be a less good but at least watchable version of that.

C3-bu is not that. Not in the slightest. Girls und Panzer succeeds by working as a legitimate sports show, and C3-bu doesn’t have the slightest pretension of being a sports show. Sports shows survive by infusing their central game with drama, by laying out specific rules to create believable tension, by pulling off fun pure-plot turns in the winding of combat or sport or cards or whatever their chosen game is. And C3-bu never grounds the airsoft enough to make for actual tension – all the battles are essentially “wacky stuff happening,” and sides win because the show’s actual goals demand it.

What are the show’s actual goals?

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