Hello everyone, and welcome back to Wrong Every Time. This week marked the end of an era I commenced several months ago, when I first told my housemate “hey, you should finish Adventure Time so we can check out Steven Universe.” Having at last arrived at the end of Steven Universe Future, I can happily affirm that Steven sits comfortably alongside Avatar: The Last Airbender at the absolute peak of non-Japanese animation. Along with Steven, I also caught on anime’s own current thematic juggernaut Deca-Dence, and even snuck in a viewing of Bill and Ted’s first adventure. Let’s break ’em all down in the Week in Review!
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Dorohedoro – Episode 1
Hello everyone, and welcome back to Wrong Every Time. Today I am excited to be embarking on a journey through one of 2020’s most intriguing properties, the long-awaited adaptation of Q Hayashida’s Dorohedoro. Dorohedoro’s manga has been beloved for many years, at least among my social circles, and I’ve heard it described as an ultraviolent yet somehow cozy slice of life story in hell-world. I’m a fan of cozy slice of life, but don’t really have any love of ultraviolence, so I’ve held off on checking out the manga – that said, great storytelling can sell pretty much any premise, and Dorohedoro’s reputation is lofty enough for me to be expecting great things here.
As for this adaptation, we’ve got an excellent director in Yuuichirou Hayashi, who has more than demonstrated his ability to realize distinctive aesthetics through works like Garo and Kakegurui, as well as a legendary art director in Shinji Kimura, who’s contributed background art to works like Beautiful Dreamer and Akira. The use of CG character models is certainly a little disappointing, but for a work with designs like this, it’s likely the only way an adaptation could have been realized in the first place. With the stage set and my own experience established, let’s see what we find in the first episode of Dorohedoro!
The Weight We Carry: Spirit Circle, Volume 3
As Kouko drives him forward and Rune cheers him on, it’s becoming more and more clear that our young Fuuta is beginning to come apart at the seams.
This is not really Fuuta’s fault. At this point, he’s carrying the regrets of three past lives with him, all of whom lived longer lives than Fuuta himself. The vast majority of Fuuta’s memories are now inherited, and as he goes through his daily life, old selves float like intrusive thoughts to the surface. Sometimes, even Fuuta himself doesn’t notice the change; Spirit Circle frequently employs sequences of panels where Fuuta slips between selves without warning, with only the audience truly understanding his flickering selfhood. At other times, his past lives trudge behind him like a sad caravan, a burden he must carry wherever he goes.
Summer 2020 – Week 3 in Review
Hello everyone, and welcome back to Wrong Every Time! Last week I just barely managed to scrabble together enough airing shows to return to my traditional streaming-focused Week in Review model, but since then, my circumstances have taken a couple major turns that make that style significantly less tenable. For one thing, I’m dropping God of High School, because it’s not a good show and I don’t really enjoy watching it anymore. But more importantly, and far more positively, I’ve received some extremely generous reader donations directed towards Oregairu S3 writeups – meaning that from here out, I’ll hopefully be jamming out full weekly Oregairu articles, just as soon as I marathon the entirety of the first two seasons to refresh myself.
Considering the only thing you can really say about God of High School is “animation good, story bad,” hopefully all this counts as a net positive for you folks. And meanwhile, after a slight cooldown period to rekindle my engine after Preview Week, I’ve resumed munching through classic films in earnest, and have plenty more reflections to share with you all. Let’s dive into another Week in Review!
Keep Your Hands Off Eizouken! – Episode 9
Hello all, and welcome back to Wrong Every Time. Today I am very excited to return to Keep Your Hands Off Eizouken!, in the wake of the team’s successful premiere of their giant robot anime. Not only did Asakusa and her team’s production garner a massive crowd and dazzle the student body, it also neatly resolved Mizusaki’s conflict with her parents. Having seen how Mizusaki is able to “perform” through her animation, they have no doubts that she’s found a path that is right for her – she has proven she can convey unique human experiences through her art, to the point where even her professional actor parents can see their daughter in her work.
Unfortunately, it turns out making great art isn’t actually the hard part when it comes to anime production – it’s making money. Having been commissioned to create their most recent anime by the giant robot club, it seems quite likely that, as it goes for actual anime studios, they won’t have much right to the spoils of their labor. The actual industry’s production committee system tends to treat anime studios as replaceable contract workers, who get paid a flat rate regardless of how well their production does. On top of that, staggeringly predatory wages mean most young animators can barely support themselves, and often rely on their family, or projects like the animator dorm initiative, just to get by. We’ve spent plenty of time exploring the sheer joy of creation and the steady labor of production, but we’ve yet to cover the true dark heart of anime, and I’m guessing that time has finally arrived. Let’s dive into another episode of Keep Your Hands Off Eizouken!
Chihayafuru S3 – Episode 24
Well shit, guys. We’re really in the depths of it now, aren’t we? Taichi at last confessed, was rejected, and responded in the most dramatic possible way: by dropping out of the karuta club completely, and not even telling anyone. Chihaya had to actively chase him down to get any answers out of him, and even then, nothing was fixed or resolved; the club has suffered a dramatic splinter, and it’s questionable whether it can even recover.
This schism was certainly dramatic, but it’s a conflict that’s been brewing since the very start of the series. Taichi’s present relationship with karuta has almost nothing to do with karuta itself; though he also shares fond memories of playing with Arata and Chihaya, neither those memories nor a genuine, personal love of the sport are what drive him to compete. Taichi competes for Chihaya’s sake, making for a situation that is both consistently painful and unfulfilling for him personally, and also utterly unfair to Chihaya herself.
Chihaya does not owe Taichi anything; he has persistently been the one to make personal sacrifices in pursuit of an entirely theoretical romantic relationship, placing selfish expectations on Chihaya that would likely already have destroyed their relationship, if Chihaya weren’t so romantically oblivious. And now that he’s finally admitted the truth, and Chihaya has responded, he is taking back all the support he has provided to Chihaya’s entire team, even though he’s the team captain. It’s a very selfish act, but also an understandably human one, and a decision likely necessitated by the unhealthy attitude and romantic expectations he’s brought to this team all along. Taichi’s self-destructive behavior, overwhelming insecurities, and tendency to bottle up his unhappiness are all parts of him we’ve come to know; it’s painful to see them result in such a negative end, but that’s the pain of seeing a convincingly human character take a convincingly human fall.
Of course, “Taichi falls into despair and quits karuta forever and that’s the last we see of him” wouldn’t make for a particularly satisfying drama, so the question now is, where does Taichi go from here? I doubt he even wants to look at Chihaya right now, but one of his other rivals or clubmates might be able to reach him – or even Suo, who could likely relate to his current bleak perspective. Wherever Chihayafuru goes from here, I’m thrilled to at last be excavating the thorny relationship at the heart of this series, and eager to see what this shattered team do next. Let’s get to it!
Why It Works: What Are the Best Anime About Anime?
This week I’m once again diving into Eizouken-adjacent articles, as I use the show’s unique production focus to shamelessly promote some of my other favorite anime, like Shirobako and Paranoia Agent. As an artist and critic, stories about the creative process are obviously one of my weak points, and I’m happy to find another excuse to ramble about my favorites. Let’s get to it!
What Are the Best Anime About Anime?
Winter 2020 – Week 5 in Review
Well damn, it looks like Wednesday has come again. I’ve got a pile of Eizouken and Chihayafuru articles coming down the pipeline, but today we’ll once again be discussing this week’s non-anime attractions, which all seemed to follow a certain theme. In general, the films I tend to watch end up falling in two broad categories: critically acclaimed films and classics I get to in Me Time, and somewhat more crowd-pleasing fare I convince my housemates to watch. This week didn’t really feature anything from column A, but column B was full of fun attractions, as we explored the wild spectrum of martial arts films!
Fall 2019 – Week 2 in Review
Alright folks, we’ve got a ton of anime to discuss and not nearly enough time, so let’s get to work. In addition to catching up on all the second episodes I missed due to preview week’s never-ending nature, I also spent much of the last week tying up various loose ends from the summer season. I spammed through what remained of Vinland Saga, have nearly caught up on JoJo’s Bizarre Adventure, concluded Carole & Tuesday, and swore a blood oath to catch up on O Maidens at the first possible opportunity. With only a single season left in the anime year, it’s time to start thinking about 2019’s best shows, and that discussion kinda demands actually having watched the year’s best shows in the first place.
Meanwhile, the fall season itself is proving to be full of treasures, packed with strong continuing productions, excellent sequels, and some genuinely stunning new productions. Both Blade of the Immortal and Stars Align have immediately established themselves as top shelf 2019 productions, while steady favorites like Legends of the Galactic Heroes and Chihayafuru remain as compelling as ever. It’s a genuinely kickass anime season, and I’ve got a heck of a lot to talk about. Let’s break down the concluding stars of summer, and the new favorites of the fall season!
Spring 2019 – Week 10 in Review
This was not the best week in spring anime, I am sorry to say. Carole & Tuesday had what was easily its worst episode to date, and leaned into pretty much all of the show’s most dubious qualities, from its questionable sense of humor to its nearsighted cynical streak. Demon Slayer’s visual execution tried its best to make up for its lousy writing, but with even the mechanics of this week’s fight lacking in creativity, there was only so much to be done. And Sarazanmai… well, I’ve actually dropped Sarazanmai for now, after having it feel like a chore for most of the season. The show had recently made some strides towards humanizing its relatively flat characters, but trying to care about the show has always felt more like work than pleasure – like it assumes I should care about its characters and their entirely metaphorical world just because those things exist, and not because the show offers any points of emotional entry or narrative hooks. But hey, at least JoJo is still great! We’ll save the JoJo rambling for the finale then, and start off this week in review with a treacherous journey through the week’s lowlights. Let’s break down some cartoons!