Hello everyone, and welcome back to Wrong Every Time. Lately I’ve been thinking, as I often do, about just how terrible fandom can be. In the past, I saw fandom as just another natural expression of art appreciation; but lately, it’s beginning to feel like art appreciation and fandom are actually contradictory poles, antagonist routes you can pursue in your relationship with art. Obviously, a great deal of fandom is harmless and empowering – sharing personal experiences of shows you loved, creating new art based on them, etcetera. But fundamentally, a great deal of fandom seems to be about the search for community and validation – we find the works that resonate with us, and then build a home inside their fandom. We accept a fictional universe as it is, and set to work cataloging it, rather than questioning or critiquing.

In contrast, to actually grow as an art creator or enthusiast, we must seek the new. We must broaden our horizons, accept the limitations of our existing perspective, and embrace humility as we explore new artistic experiences, rejecting the idea that we are “bonded” to any one work in particular. These two instincts don’t have to be at odds, but they often prove to be – and with fandom at this point overwhelming art discourse in general, often any pointed criticism or urges for expanding your horizons are met with an emotionally empowered wave of anti-intellectualism. When you gesture towards the distant, alluring mountains of artistic history and achievement, fans frequently respond with “there are no mountains, all ground is equally flat, and how fucking dare you imply otherwise.”

Fans see their favorites as their identity, and thus a call to expand their horizons sounds like an attack on their personality – but in truth, the fundamental error here is defining your identity by your favorites in the first place. Art can play a different role in different people’s lives, and there’s no shame in simply not being that curious about exploring art – but in an era where consumption is identity, art critique can often sound like character assassination. And of course, production studios are happy to encourage their fans to be rabid defenders of their IP; if they could sell audiences the same product every year forever, they’d be delighted to. We’re currently at a point where fans are defending their right to be condescended to from the “mean” critics, who are bullying them by pointing out that other art exists. It’s a strange state of affairs, and I’m not really sure how we can “fix” this discourse, but it’s been on my mind lately, as I watch folks hang up their artistic curiosity and become Brand Defenders.

Anyway, I also watched a bunch of great movies this week. Let’s talk about those.

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