Spring 2021 – Week 3 in Review

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Hello everyone, and welcome back to Wrong Every Time. I’ve got a bit of an odd selection for you all this week, as a fair amount of my standard movie-watching time was once again consumed by One Piece. I am loving the heck out of One Piece, but I’m also noticing a problem developing here – given my amount of free time, the show is more or less functionally infinite, so I’ll have to find a better way of managing my watch schedule. Still, having a pile of Chimera Ant-scale arcs in my future is a nice feeling; it’s been some time since I felt this much natural incentive to plow through an anime, so I’m cherishing the feeling, and letting it serve as a reminder that plenty of great shows are still hiding out there. I’ll find you, great shows! Just listen to the sound of my voice, or… no, no, I’ll come to you. Just wait right there!

Anyway, the Week in Review.

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Adachi and Shimamura – Episode 4

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Hello folks, and welcome back to Wrong Every Time. You all ready to enjoy some Adachi and Shimamura? Well, “enjoy” might not be the appropriate word for this show. After all, the bulk of its running time is frequently comprised of Adachi and Shimamura coexisting in uncomfortable silence, while Shimamura reflects on how this relationship might be reshaping her self-image, and Adachi screams GIRL HOT GIRL HOT internally at the highest possible volume.

They make for an interesting pairing; Adachi’s understanding of her emotions is so limited that she’s basically running on feral instincts, while Shimamura is deeply self-reflective, but not so mature that she can actually reach healthy, productive conclusions from her personal reflections. Ultimately, each of them are fascinated by the other, but possibly more afraid of getting hurt than they are enticed by the idea of being loved. It’s precisely the kind of messy, honest emotional disconnect I love to dig into, and it’s been too long regardless since we last checked in with these anxious kids. Let’s dive back into Adachi and Shimamura!

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Dorohedoro – Episode 10

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Hello everyone, and welcome on back to Wrong Every Time. Today I’m eager to dive back into Dorohedoro, even though at this point, I’m well aware that any predictions about our trajectory are destined to be mocked, subverted, and turned into a meat pie. Dorohedoro winds where it wills, and it’s actually part of the story’s strength that it so resolutely avoids any pat, convenient narrative arcs. Just as the world of Hole is a sprawling and unknowable place, where strange rituals and unfamiliar faces lurk around every corner, so is Dorohedoro’s narrative a twisting, undefinable construction. How else could slice of life and horror coexist so casually, without either undercutting the other? Perhaps today you find the villain you’ve long been seeking, or perhaps you simply make a new friend, and enjoy some muffins together. Or perhaps this is the day you die.

Within this labyrinthian sprawl of treasure hunts and mysteries, a few truths are starting to emerge. The person in Caiman’s mouth is Risu, and the sorcerer he seeks most likely Ebisu – though how those two are connected, we’re not quite sure. On the other side, the time-manipulating sorcerer that En seeks is undoubtedly Nikaido, and he’s already making his move. Whether we follow up on any of that, join Fujita and Ebisu for a trip to the park, or check in on Caiman’s part-time labor, I’m sure Dorohedoro will somehow make it a thrilling experience. Let’s get to it!

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Toradora! – Episode 7

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“Just be yourself” is well-intentioned advice, but frankly a little incomplete. What if your genuine self isn’t actually a nice person? What if your most honest instincts aren’t the most charitable ones, and your greatest talent is tearing people down? The truth is, being yourself is a luxury within society, a privilege that demands either an unusually charitable disposition, or an unusually forgiving audience. To truly be yourself, you must first find your people – the soil that fits you, and the dynamic that rewards your natural instincts. Growing up is a process of both tempering your own instincts, and feeling around for an environment that accepts you – and until you reach that point, most advice about self-presentation is just going to sound like a sack of lies.

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Spring 2021 – Week 2 in Review

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Hello everyone, and welcome back to Wrong Every Time. We ran through a wild grab bag of films this week, touching on fantasy, action, comedy, and even a Musical Filmic Journey that more or less defies characterization. Along with these various films, I actually have been watching a fair amount of anime in my free time, though I haven’t even started with the spring season yet. Instead, I’ve mostly just been gorging myself on One Piece, powering through Skypiea as I work on Monster Hunter Rise, and having an altogether terrific time with it. Did you folks know One Piece is good? Niche property, I know, but probably deserves a second glance. Anyway, I’m sure I’ll dig into that at more length, so let’s dive right into the Week in Review!

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Space Battleship Yamato 2199 – Episode 4

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Are you ready to journey across the sea of stars? Today we’re returning to Space Battleship Yamato 2199, a show that I am happy to report has absolutely ensnared me. I resisted its charms for an episode or two, but “Jupiter is hiding a secret floating continent full of mystical fauna, which our protagonists blow up with a giant space laser” was just too hard of a sell. Space operas aren’t generally my main thing, but high fantasy is one of my passions, and Yamato is wearing its fantasy influences with pride.

It also helps that Yamato is simply a polished and vividly executed production. Its successes embody one of my favorite art maxims: narrative is incidental, execution is everything. In another show, the first passage into warp drive might be conveyed through a quick color filter and some simulated shaky cam work. In Yamato, it’s an episode highlight, elevated through inspired flourishes like the focus on a dart suspended in mid-flight, and a vision of the Yamato sinking into a kaleidoscopic sea. With its mixture of whimsical fantasy invention and wonder-struck execution, Yamato already feels like a beloved bedtime story, a show that embodies the pleasures of a great fairy tale. Let’s get back to the bridge!

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Pokemon Sun and Moon – Episode 40

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Hello all, and welcome the heck back to Wrong Every Time. You folks ready for some Pokemon? It’s been a few weeks since I last checked in on Alola on my side, since I’ve been trying very hard to push through a variety of my ongoing projects, and make sure everyone’s getting some articles to enjoy. But goddamnit, sometimes you have to play favorites, and it’s hard to deny that Sun and Moon is one of mine.

Rather than the slow deterioration in production quality you tend to expect from long-running productions, Sun and Moon’s last episode was actually one of its greatest so far, elevated by Masaaki Iwane’s stunning animation work. Like Precure, Sun and Moon possesses a stable of top shelf talent that many shows would kill for, and I’m delighted to see them apply their talents to concepts as inspired as Mallow’s drunken finger role. Whether we’ve got more luxurious animation or simply fun times with friends ahead, I’m here for it. Let’s get back to Sun and Moon!

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The Girl in Twilight – Episode 9

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Hello everyone, and welcome back to Wrong Every Time. Today we’re watching some The Girl in Twilight, because it’s long past time we got some goddamn answers. After performing a merry tour of the multiverse with Asuka and her companions, we’ve finally arrived at Seriosuka’s own blighted reality – and what’s more, Yu has agreed to serve as the tether, at last embracing the central role in their new adventure.

Given the general sturdiness of its writing so far, I expect this new adventure will do a fine job of connecting the reveal of Seriousuka’s history to its explanation for why the multiverse is deteriorating. But personally, as a character and relationship junky on perpetual lookout for my next fix, I’m most interested in seeing Asuka and Yu’s relationship stress-tested by Yu’s engagement in this new reality, and hopefully reaffirmed by Asuka’s eventual return to her. This show has been very good at illustrating the nuances that differentiate one friendship from another, and it’s been clear for quite a while that while Asuka has fun with all of her friends, Yu is both her closest and oldest friend. Meanwhile, Yu is so used to taking care of Asuka that she compromises on her own needs without a thought, and actually has to be reminded to prioritize herself by Asuka. They have a firm, rich friendship, and I’m eager to see this last arc test it in every way possible. Let’s get to it!

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Spring 2021 – Week 1 in Review

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Hey all, and welcome back to Wrong Every Time. I watched a grab bag of horror movies this week, along with continuing my journey through the Ghibli catalog. I’m frankly getting a little anxious about that Ghibli journey at this point; I now only have one Miyazaki left, two Takahatas, and then a light scattering of their non-royalty productions. That’s not enough movies! Like my dive into Mamoru Oshii, I’m realizing that what initially felt like an intimidating library of canon classics actually comprises just a handful of films, and when I’ve watched them, that’ll be it. Anime is extremely young among art forms; if you’re judging from Tezuka onwards, its birth is actually still within living memory. Fortunately, there are still plenty of other mountains to climb – I certainly need to watch the pre-Ghibli Toei Doga films, I’ve got a bunch of key ‘70s and ‘80s series to examine, etcetera. But it’s an odd feeling to realize a once-imposing slate of historical context is now largely behind me, and when I’m done, there will be no more Miyazaki or Takahata films to enjoy. I guess you can’t really have a journey without a journey’s end.

Anyway, enough of that melancholy nonsense. Let’s break down some films!

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Hugtto! Precure – Episode 21

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Hello everyone, and welcome back to Wrong Every Time. Today we’re celebrating a truly momentous occasion, as Emiru and Lulu have at last achieved their goal of becoming Precure. It certainly wasn’t an easy road – I mean, Lulu’s a goddamn renegade cyborg, and in the end, it took a literal deus ex machina to split the final device and accommodate them. Even the gods of this Precure universe agree that Emiru and Lulu must not be separated, and deserve their long-awaited Precure glory.

Given the pacing of this arc so far, I’m expecting we’re getting one more victory lap before we move on to other concerns, and I’m all for it. Emiru has been my favorite Hugtto character from her first appearance, and seeing both her and Lulu flourishing through their love is a balm for the soul. It can be a dark world out there, but Precure is a jubilant reminder of the good things, like when cyborgs and tiny musicians become best friends. Without further ado, let’s touch back down in the world of Huggto Precure!

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