Today on Why It Works, I was hard at work hyping up some of the most exciting shows of the winter season. Though every season has its all star directors and staff, I felt this coming season was particularly stocked with S-tier directors, and so decided to highlight these terrific artists specifically. And hey, any excuse to use One Punch Man in order to trick people into reading about Kemono Friends and Rakugo is a good one. Here’s the piece!
Five Star Directors of the Coming Season
Alright folks, it’s time for more adventures with master thief Fujiko Mine. I’m happy to be more excited for this viewing than ever before, as the show’s terrific third episode went a long ways towards emotionally investing me in this overall narrative. I’m guessing a great deal of that simply came down to Goemon, who actually developed a pretty charming relationship with Fujiko, if a mostly one-sided one. While Lupin and Jigen both kept their emotional distance and generally acted like hard-boiled spy thriller props, Goemon was vulnerable and silly and honest at basically all times, making for a very endearing counterpoint to the show’s natural self-seriousness.
Granted, Goemon isn’t the main character of this show, but I feel like simply having Fujiko gain a real friend will make her own story that much easier to invest in. The Woman Called Fujiko Mine possesses a sense of overwhelming style and self-conscious Cool that makes it often thrilling to watch, but that style also tends to disallow any of the honest, intimate character moments that most appeal to me in fiction, and so my journey so far has been a somewhat bumpy road. Having Fujiko interact with people she quasi-trusts or considers equals helps, as will the natural escalation of the show’s drama, as we move from relatively safe and self-contained heists to ongoing narratives that consistently test Fujiko’s limits. And with the third episode ending on a shot of that ominous owl, I’m guessing we’ll be running into truly threatening foes sooner rather than later. Let’s dive right into another episode of The Woman Called Fujiko Mine!
Folks, it is absolutely time for more Ojamajo Doremi. The show has become a genuine favorite of mine, and offers a desperately necessary slice of optimism in a unforgivingly harsh world. I won’t lie to you – these last few years have rigorously tested my own optimism, as well as my faith in my fellow man. With my own country led by a man who essentially embodies all that is small and cruel about humanity, and a global rise of nationalism and xenophobia accompanying him, it’s become more difficult than ever to believe the future will be better than the past. As Donald Trump’s every hateful pronouncement earns righteous cheers from his supporters, I have to question whether the average person is simply less kind and empathetic than I assumed – whether our public commitments to charity and kindness were only ever aspirational, and whether our fundamental nature actual trends more towards cruelty and selfishness.
Fortunately, Doremi’s skies are in no way clouded by these unhappy thoughts. Doremi’s characters genuinely care about each other, and for the most part do their best to be kind. I’m not so naive as to believe the real world could ever be like Doremi’s, but the optimism of Doremi and its creators gives me a little hope, too. Doremi is a show that believes in people, and the sincerity of its creators, the passion of its artists, and their collective love for these characters come through in every episode. People might not actually be as fundamentally decent as Doremi posits, but to think otherwise leads only to despair. We have to believe in each other, and do our best to honor that belief in others. Great, empathetic media can foster that hope, and Doremi is a shining example of the form. Let’s dive into another episode of this beautiful and profoundly necessary show.
Neon Genesis Evangelion’s first several episodes all essentially slot into their own two episode arcs, each centered on their own emotional conflict, and each with a unique Angel used to better illustrate those conflicts. The first two episodes centered on Shinji’s introduction to NERV, and being introduced to both his new caretakers and the threat he would be facing. The second pair center on his feelings of depression, and his slow process of coming to terms with living in Tokyo 3. And here in our third mini-arc, we at last find ourselves with enough grounding to expand our focus outside of Shinji Ikari. In this third arc, we focus for the first time on the mysterious Rei Ayanami.
At the three quarters marker of the overall season, this would normally be the point where shows start ramping up towards their final acts, and setting the pieces in place for whatever confrontation is likely to dominate their last couple episodes. However, with two of my shows continuing into winter and Tsurune so delayed in its broadcast, this turned out to mostly be just another week, as shows like Run with the Wind and JoJo turned in relatively workmanly episodes, and only Gridman truly swung for the fences. In truth, the big story this week was probably my continued efforts to catch up on Bloom Into You. I enjoyed the show’s first episode, but fell off it due to a combination of my already-full schedule and the fact that Bloom Into You wasn’t on Crunchyroll. That’s turned out to be a big mistake; four episodes in, Bloom Into You is already shaping up to be one of the best character dramas of the year, and a strong contender for my end-of-year list. It won’t make it on that list without a fight though, so let’s take a moment and see how all of its seasonal compatriots are holding together. It’s time to run down the Week in Review!
Today on Why It Works, I explored a topic that’s been intriguing me all season – Gridman’s pronounced divide between its two principle genre modes. Obviously giant robots shows care about their characters in general, but Gridman seems to be making a genuine point of splitting its drama into categories defined by unique styles of direction, animation, and storytelling. It’s a neat trick that seems to genuinely reflect the show’s themes, and something I was very happy to talk about. Here’s the piece!
Giant Robots and Absent Friends: The Split Identity of SSSS.Gridman
It’s a miracle, folks – for once, I can’t really say “how are we already approaching the winter season.” By all accounts, 2018 has been one of the longest years on record, spanning for actual decades and leaving us all withered and creaking. Remember Violet Evergarden? That actually came out this year. Hell, remember Planet With? That only ended a couple months ago! With each new day in the real world offering some fresh disaster and further hastening the End of History, it feels like I’ve lived fifty years over the last ten months, and 2018 still isn’t over. Fortunately, though the real world may be perpetually on fire at this point, anime seasons have maintained a welcome solidity, and given us all something to look forward to.
On that note, let’s get to the shows! Winter anime seasons seem to have a tendency to have the lightest schedule and fewest heavyweight releases, but this one’s actually looking pretty rich on potential pickups. And with both JoJo’s Bizarre Adventure and Run with the Wind continuing into the new year, we’re certainly not going to be having an anime shortage any time soon. As usual, I won’t run down every show of the new season here – you can check out anichart for a list like that. Instead, I’ll just be covering the shows I’ve got genuine expectations for, along with whatever tipped me off to their potential quality. Starting with my most anticipated new shows, let’s see what winter 2019 has to offer!
Settle down kids, it’s Doremi time and that’s final. In our last episode, Ojamajo Doremi proved it can actually weave Onpu’s ongoing antagonism into the show’s usual classmate-focused mode, as she brainwashed a hapless upperclassman into briefly falling for our orb-haloed heroine. “Doremi in love” episodes are always a bunch of fun, and this one was no exception, while also benefiting from one of the strongest sets of layouts the show has put together yet. Between last episode’s love drama and the episode before’s kaiju shenanigans, it feels like Doremi’s visual mastery of its own drama is improving over time, which is almost frightening to me. If Doremi gets too much more visually appealing, I’m not sure any of us will have the power to stop it.
Beyond its own inherent appeal, last episode also ratcheted up the urgency of dealing with Onpu’s witch delinquency (witchlinquency?). She’s not casting constant illegal spells at Ruka’s command – she actually just is That Bitch, and even Ruka is totally unable to control her. She’s also made it perfectly clear that she feels no guilt or responsibility for her actions, so it’s probably going to take a disaster closer to home to make her realize what a turd she’s being. Whether this week sees us challenging Onpu directly or rambling through more classroom drama, I’m eager to see whatever’s in store. Let’s dive into another episode of Ojamajo Doremi!
Buckle up folks, it’s time for another episode of the altogether excellent Bloom Into You. The show’s first episode offered a poignant and consistently convincing glimpse into our heroine Yuu’s worldview, and the followup extended that grace of illustration to her “friend” Touko and the greater world around them. So far, director Makoto Katou’s fondness for rich colors and saturated lighting have aligned perfectly with Bloom Into You’s dramatic intentions, creating a world that can alternately feel lonely and claustrophobic or as fancifully beautiful as a shoujo confession scene. The careful execution of sequences like Touko kissing Yuu have created a consistent and fascinating tension between the world as Yuu experiences it, and the world as she’s been led to believe it’s supposed to be. The conflict playing out in Yuu’s thoughts is thus beautifully echoed by the world around her, resulting in a show whose visual style perfectly mirrors its dramatic priorities. When you couple that compelling aesthetic holism with the show’s generally strong dialogue and compassionate approach to its core conflict, you end up with an altogether excellent high school drama. If the show can keep this up, we’re in for a very rewarding journey. Let’s embark on our next episode!
As we continue into the second half of the season, all my anime contenders seemed to have settled into themselves at this point, offering a variety of sturdy and compelling episodes. The highlight this week was Yamada’s star turn on Tsurune, but there was plenty to enjoy in Gridman as well, and Run with the Wind is still probably the most consistent new show of the season. I was sad to bid goodbye to the Mistress of Cruelty over in puppet theater country, but outside of that admittedly personal complaint, I really don’t have much to gripe about. It’s a good season, folks! Good dramas, good action, good anime all around. That might make for repetitive Week in Review intros, but it also makes for a very happy Nick. Let’s get right to it then, and see what we’ve got to celebrate as we break this week down!