Why It Works: JoJo’s Bizarre Adventure is Invading Your Home!

Yep, we’re back on the JoJo train. For this week’s Why It Works, I focused specifically on the show’s long history of home invasion narratives, and how well they work for its specific blend of action and horror. To be honest, you could probably write a supplementary article on how the show embraces “invasion” more generally, often through terrifying Stands like Rohan’s Heaven’s Door. But the language of home invasions specifically is baked deeply into JoJo’s DNA, so I was happy to focus on that for now!

JoJo’s Bizarre Adventure is Invading Your Home!

Princess Tutu – Episode 17

We open Princess Tutu’s seventeenth episode with yet another strange, thematically resonant image; a rose standing alone, captured in either a mirror or a picture frame. “Once upon a time, there was a young man with a beautiful face” our untrustworthy narrator explains. “The people loved the handsome young man, but he never showed any interest in loving anyone. This is because all he loved was himself. When the young man, who had neglected to love anyone and sought only to be loved, found someone he truly cared for, he realized he had lost even the words to express those feelings.”

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Ojamajo Doremi – Episode 37

Folks, it is absolutely time for more Ojamajo Doremi. With Doremi’s generous, handsome, and highly intelligent principle funder having recently stuffed the Doremi fund, we’re looking at Doremi Saturdays for a while to come, and I couldn’t be happier. The show’s last episode held to one of its less common modes – a wholly plot-focused adventure in the Witch World. Pitting Doremi, her friends, and their fairies against an uncommonly disciplined hare and an absurdly speedy tortoise, the episode was a gleeful celebration of Doremi’s very silly world, offering few life lessons beyond “if you’re making a hole for Doremi to crawl through, make sure to leave room for her hair orbs.”

That episode also saw the continuation of Onpu’s antagonism, though frankly, “briefly interrupting the girls for a conversation while shopping” isn’t exactly the height of villainy. Onpu is treading a difficult line of kinda sorta maybe attempting to sabotage the girls while also remaining their friends, which feels like a natural expression of her generally staged existence. Onpu likely sees friendship as perfectly compatible with villainy, because to her, both of these things are a kind of performance. The only thing she seems to genuinely care about is making sure she herself gets what she wants, and she seeks that goal with the bright smile and feigned innocence of a natural performer. We haven’t seen a single moment of true honesty from Onpu, and I’m eager to see the show actually investigate her character. Whether this particular episode focuses on her or not, I’m excited to see Doremi ramp up into another high-stakes arc. Let’s get right to it!

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One Piece – Volume 18

There are scattered moments within One Piece that seem to embody the romance of the high seas; the mysteries of the ocean, the scale of its vast movements, the ways we can come to understand it so well it feels like an old friend. Nami excels at facilitating these moments, as her navigator’s knowledge and generally contemplative personality tend to make her most attuned to the ocean’s sway. The scene early in chapter eighteen, where Nami muses on the nature of underwater vents, doesn’t impact our ongoing narrative in any way, and would be skipped in a point-to-point summary of this arc’s events. Nonetheless, it’s a beautiful moment that naturally embodies the wonder of the ocean, and highlights how One Piece is far more than a straightforward action tableau. I appreciate that Oda consistently offers these little tonal oases, these beautiful moments that are only their own reward.

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Fall 2018 – Week 5 in Review

With the season nearing its halfway point, basically all of my shows have settled into their mid-run neutral at this point, and continue to each offer their own steady charms. Thunderbolt Fantasy feels like it’s at last in full swing at this point, offering thrilling fights and meaty discussions between its thoroughly established cast. Run with the Wind is also demonstrating great confidence, and JoJo’s Bizarre Adventure seems to be harnessing everything Araki has learned so far. The only real weak point this week was SSSS.Gridman’s beach episode, but to be honest, I feel like a beach episode was basically a sunk cost for that show from the start. All in all, the fall season continues to offer plenty of excitement, and seems determined to end this year on a high note. Let’s run these shows down!

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Why It Works: Don’t Sleep on Tsurune

Today on Crunchyroll, I ran through a brief formal breakdown of the vivid visual storytelling apparent all through Tsurune’s first several episodes. Part attempted sell and part close visual reading, I’m hoping this piece convinces at least a few wary souls to pick up Kyoto Animation’s latest production. The show’s been very satisfying so far, and given me plenty to chew on in both an aesthetic and character sense each week. I hope you enjoy the piece!

Don’t Sleep on Tsurune

Liz and the Blue Bird – Review

Today I’ve got a review of one of my favorite films, Naoko Yamada’s indescribably good Liz and the Blue Bird. It’s a little tough to describe things which are indescribably good, but I do my best over the course of this review, and am pretty proud of the overall piece. I hope you enjoy it, and GO WATCH LIZ AND THE BLUE BIRD! Here’s some screening info. Get to it!

Liz and the Blue Bird

Liz and the Blue Bird

Magical Girl Lyrical Nanoha – Episode 7

Today we’re jumping back into Magical Girl Lyrical Nanoha! The show crossed a very important milestone last episode: it was actually, genuinely good. Nanoha’s been a perfectly watchable show from the start, and has been interesting enough in terms of its design and execution to give me plenty to talk about, but its first few episodes were neither so narratively gripping nor so compellingly executed that I’d actively recommend it. Things like its unusually mundane conversations and unique backgrounds were interesting aesthetic tools, but they weren’t being used to truly elevate the overall production.

That all changed last time, fortunately. On the visual side, the show’s background art was stronger than ever, offering a mix of dramatically charged and just-plain-beautiful compositions that made for an inherently compelling viewing experience. And on the narrative side, the show’s idle, incidental conversations contributed directly to the episode’s emotional core, naturally humanizing Nanoha’s relationship with her friends. On top of that, it seems like the show’s overarching paradigm is about to be broken as well, as the destruction of Nanoha and Fate’s staffs promises at least some disruption to the status quo. Boasting a new paint job, a greater mastery of its own strengths, and an urgent cliffhanger hook, Nanoha is looking stronger than ever as we enter its seventh episode. Let’s get right to it!

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Ojamajo Doremi – Episode 36

Today we return to Ojamajo Doremi, in the grips of one more dramatic witch-on-witch arc! Last episode introduced Onpu, a child actress who absolutely made the most of her debut by dunking on Tamaki, grappling with Doremi, and ultimately using mind control powers to make sure she earned a romantic lead role. That episode was an utter joy in its own right, exemplifying Doremi’s more farcical material, and once again leaning heavily on the endearing rivalry between Doremi and Tamaki. Tamaki is a terrific antagonist, and framing an episode around “Tamaki is challenged by a new girl who’s EVEN MORE Tamaki” was a great idea, even before we got to the silly appeal of their various audition challenges.

Of course, once the battle was over and Onpu had claimed her prize, we swiftly learned that this was all the plan of an old foe – Rika’s long-time rival Majo Ruka. The last time Ruka appeared, we ended up running through an arc that saw the girls losing their shop altogether, a paradigm-shifting conflict that ultimately felt a little drawn out. Ruka’s material lacked the emotional thoughtfulness of Doremi’s classmate-focused episodes, and I felt it leaned into the show’s magical worldbuilding in a way all these vaguely defined spells couldn’t necessarily support. That said, Onpu has already proven herself to be a more compelling character than Ruka, and adding an antagonist who can interact with the girls on their own immediate level seems like a very good way to add some emotional bite to this conflict. In spite of her poise, I’m getting strong gremlin vibes from Onpu, and am eager to see how she continues to torment our heroes. Let’s dive right into another episode of Ojamajo Doremi!

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The Woman Called Fujiko Mine – Episode 3

Alright folks, it’s time at last to return to The Woman Called Fujiko Mine. The show’s first two episodes were each highly entertaining in their own ways, though I still find myself a little emotionally removed from its proceedings. Everything feels very ornate and beautiful and stylish, but it also strikes me as a little impersonal; the second episode’s narrative in particular, while theoretically centering on an intimate lovers’ betrayal, proceeded with all the majesty and emotional distance of a melodramatic stage production. It was an effective and very pretty story, but not an intimate one, and it’s not easy for me to immediately assign that to either Sayo Yamamoto’s general style, Fujiko Mine’s storybook affectation more specifically, or that episode’s even more specific tributes to Cowboy Bebop’s Ballad of Fallen Angels.

Of course, while Fujiko Mine might not yet be a star in an emotional sense, it’s still succeeding brilliantly as a series of ultra-stylish heist capers. The show’s visual direction is superb, its layouts are consistently brilliant, and Fujiko herself embodies the lusty, desperate tone of the entire production. Fujiko Mine possesses an instantly iconic and utterly story-appropriate style that feels like little else in anime, and since we’re still in episodic vignettes, the lack of an emotional punch isn’t really all that damaging. Let’s see what adventures await our master thief!

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