March got back onto steadier footing this week, offering a strong episode that made solid use of the show’s secondary cast. The flashback sequences with Kyouko were terrific, and it was also just really nice to see Rei actually invested in something once again. I’m looking forward to the conclusion of this surprisingly gripping match.
You can check out my full review over at ANN, or my episode notes below.
Welp, here’s the end of Seiren’s first arc. Not really much to say that I haven’t already covered in the review – Seiren is a bland and by-the-numbers production in general, so there’s only so much to cover. I have to assume Amagami SS was a lot better than this one, because people really seem to like that show. Ah well.
You can check out my full review over at ANN, or my notes below.
Penguindrum’s thirteenth episode begins with the Takakura siblings at the hospital, now at the mercy of “Doctor” Sanetoshi. The Penguindrum has been stolen, and the woman who possesses Himari has seemingly run out of power. Only Sanetoshi can save Himari now.
Today I return to Owarimonogatari, for the inconsistent but ultimately satisfying Shinobu Mail. Stuck at the end of a broadcast run and crunched by SHAFT’s generally over-ambitious scheduling, Shinobu Mail definitely suffers in the visual department, but it’s still a very rewarding arc in terms of character and theme. Some of the peaks of this arc count among the franchise’s peaks in general, Kanbaru’s argument with Shinobu and Araragi’s phone call with Senjougahara among them. Even in a less consistent arc, it’s hard to keep this series down.
You can check out my full review over at ANN, or my episode notes below.
Continuing with Planetes’ cheekily appropriate episode titles, episode twenty-two is called “Exposure.” Though you might initially assume that refers to exposure in a “safety in space travel” sense, it becomes clears throughout this episode that they’re referring specifically to a camera’s exposure. Gigalt literally gifts Hachimaki a camera containing his final teaching, and physical motifs aside, the idea of exposure guides the drama of this episode.
Today I return with the second episode of Bakemonogatari! This one ended up being another tome of an episode review, but we’re still in the period where I have to kind of establish “how to get the most out of Monogatari,” so I assume things will get more reasonable shortly. Particularly since we’re about to embark on Mayoi Snail, which should offer a nice opportunity to really dive into my love-hate relationship with the series. But as for now, let’s explore the second half of Hitagi Crab!
You can check out my full review over at ANN, or my episode notes below.
Well shit, where the hell did all these shows come from. Last week I was basically on the verge of rechristening the Week in Review in Rakugo’s honor, and now I’ve got all these friggin’ words about dragon maids and nazi lolis. It turned out the winter season wasn’t quite done with me yet, and so it looks like we’ll be returning to my regularly scheduled ramblings. The second episode of Miss Kobayashi’s Dragon Maid was miles better than the first, and the second and third episodes of Tanya were… actually really entertaining? I mean, I can at least say for sure now that the show definitely isn’t Mahouka – a great part of the appeal is watching Tanya get kicked around by the actual deity of her world. Whether that appeal keeps the show entertaining for a full season, I couldn’t begin to say, but either way, it’s time for words. Let’s start with the two newcomers and RUN THESE SHOWS DOWN!
Welp, Charlotte’s second half was just as ridiculous as advertised. This was one of the least coherently constructed shows I’ve ever seen, and I’ve seen more than my share of extremely shitty anime. Even shows that are worse than this one in terms of moment-to-moment writing at least tend to have a narrative arc – Charlotte doesn’t really have anything resembling a narrative, and is more just a series of disjointed and ridiculous actions. Congrats Maeda, you are still the writer I’ve always known you to be.
You can check out my full review over at ANN, or my episode notes below.
Hey everybody! I’d say it’s right about time for a bit more Ojamajo Doremi. The world is a scary place, and sometimes it’s hard to bear with all of it at once, so it’s nice to take a breather with a show with such an upbeat tone and such positive intentions. I remember how when I was an emo teen, I’d scoff at media that embraces positivity as thoroughly as this, since I felt it was “lying” in some unacceptable way. At this point I’ve accepted how crucial it is to bring our own positivity to the world, and great children’s shows are one wonderful way to do that. So let’s dig right in and see what’s going on in Doremi’s world of kinda crappy witches.
March had another middling episode this week, which it feels sad to admit is what I’ve come to expect. The show’s fundamental material is still strong, but it could certainly have used a more courageous adaptation. Sequences like this episode’s first half clearly didn’t demand a full half episode in adaptation form, and the show’s visual motifs are starting to feel kind of abused as well. Still a fan, but it’s certainly not the show it could be.
You can check out my full review over at ANN, or my notes below.