With the over-the-top cooking competition over, you might think Hyouka would tune its energy level down to something approaching the regular level. Well, Hyouka is going to have none of that – this fifteenth episode is just as self-consciously dramatic as anything else the show has done, exploding with dynamic poses and wild angles and unexpected fantasies. With the show focus expanding far beyond Oreki, the storytelling moves outside of his monotone affectation as well, expressing the worlds of Chitanda, Mayaka, and Satoshi in their own brilliant purples and oranges and greys. It’s an affectation fitting for this arc’s new focus – with the thief Juumoji now having declared his intentions and laid out his modus operandi, Hyouka is turning towards its first self-conscious, overtly fiendish, catch-me-if-you-can mystery caper. Magic acts and phantom thieves and heated negotiations form the narrative bulwarks of an episode packed with more drama than the show’s ever seen.
Dagashi Kashi – Episode 5
Dagashi Kashi was generally enjoyable again this week, if not so consistently funny that it actually felt shorter than twenty minutes like last week’s. I frankly kind of expected the show to peter out in the style of the third episode, and rely on a bunch of unfunny repetitions of the same one or two ideas – but the show is both varying its style of humor and actually making its characters more likable by the episode. Both Kokonotsu and Hotaru have exceeded my expectations as characters, with Kokonotsu in particular going far and above the general “straight man MC” template I’d pinned him for. The show is warm and funny and easy to watch – it’s not great television, but it’s never something I feel bad about watching.
You can check out my full review over at ANN, or my episode notes below!
ERASED – Episode 5
ERASED finally had an episode where its weaknesses sadly overwhelmed its strengths. That likely comes down to the fact that this was apparently an outsourced episode – left to a new studio with very few credits to its name, it’s very easy for ERASED’s delicate balance between atmosphere and theatrics to lean into either melodrama or monologue-heavy doldrums. So I guess the good thing about this episode is that it reminded me how difficult it is to actually pull off a show like ERASED when it’s working? That’s an awkward silver lining, but I’ll take it.
You can check out my oversized review over at ANN, or my episode notes below!
Active Raid – Episode 5
Active Raid had another episode in what is turning out to be its usual pattern – fairly boring episodic thriller, reasonably compelling worldbuilding/thematic background details. These procedural plots just wholly lack the creativity, narrative momentum, or aesthetic execution to sell their own stories, but the most of the ways they reflect on this show’s world are pretty interesting. Active Raid isn’t really a good show, but it’s the kind of mediocre show I don’t have any trouble watching, because the stuff it’s bad at is the stuff I don’t tend to prioritize anyway. It’d be nice if all these neat little ideas had a story that could actually support them, but I wouldn’t be watching anime if I didn’t like broken stories that still have glimmers of beauty in them.
You can check out my full review over at ANN, or my episode notes below!
Ripples and Shadows in Angel’s Egg
Angel’s Egg has a firm reputation as one of the premier “anime art films,” for whatever that’s worth. In anime fandom, it doesn’t really mean much; fans have a tendency to scorn the unfamiliar, and when you get to the kind of visual storytelling or narratively disruptive scene-setting that are often part and parcel with “arthouse film,” people who are into anime for the girls or robots tend to check out. “Pretentious” is the word – a word that in fandom dialect has come to mean anything outside of the familiar, and when your “familiar” is almost strictly genre fiction for teenagers, the Other can be a fairly broad place.
Winter 2016 – Week 4 in Review
Things are still settling to some extent here in the fourth week, largely due to the fact that a full third of my current watch group consists of comedies. Comedies are tricky, and comedies are inconsistent, and comedies have much less of a tendency to settle into a reliable groove than most genres. So while Rakugo and ERASED continue to be excellent week after week, this time Konosuba was pretty terrible, while Dagashi Kashi was actually consistently funny. Other than that, I’m beginning to lose patience with Dimension W – the show is reasonably watchable, but absolutely nothing beyond that, possessing virtually no personality and being more interesting as a demographic artifact than an actual piece of media. Grimgar, on the other hand, is all personality, personality to a fault, and that actually makes it my third-favorite show at the moment. All that and more in this week’s Week in Review! Let’s RUN ‘EM DOWN!
Hyouka – Episode 14
Hyouka’s fourteenth episode opens with a set of slow, silent establishing shots, evoking all the hushed solemnity of a funeral. The first line tells us the reason for this framing, as Mayaka’s “I couldn’t find it” is contrasted against the disappointed faces of her underclassmen. Blinding morning light from outside casts the manga society in unnaturally gloomy shadows, and Mayaka’s face is deliberately hidden for two shots before she becomes visible only when she prostrates herself before her classmate. Close, shakey-cam, bokeh-heavy shots of the victorious party are followed by a transition to Kouchi’s feet, sticking us directly in Mayaka’s position. But surprisingly, Kouchi doesn’t rub her victory in Mayaka’s face. Instead, she simply drops the issue, telling Mayaka to get started on the posters with an “is that all?” tone. And then Mayaka realizes her supposed enemy remembered the manga title.
My Monster Secret, Volume 1 – Review
Back to the manga review grind, with a new release that arrives in the wake of the summer anime – My Monster Secret, the more conventionally (and googlably) titled localization of Actually, I Am…
I enjoyed the few episodes of this show I watched, but not enough to continue – it struck me as the kind of wacky comedy that would actually come off as more enjoyable when I could burn through the gags at my own reading pace. The manga somewhat bore that impression out, though it also made it clear that the adaptation had made a number of its own improvements – namely, getting the initially rough art up to a higher general standard of character designs, and also cutting some very weak early chapters. But those issues aside, this was still a reasonably charming and very breezy read. It’s nice to have some popcorn manga around.
You can check out my full review over at ANN, or my chapter notes below!
Dagashi Kashi – Episode 4
Dagashi Kashi really surprised me this week. I’d expected the show to be no more than reasonably pleasant from start to finish, with some occasionally effective jokes – but this episode was actually funny, featuring confidently constructed half-episode conceits with strong fundamental ideas and consistently inventive comic flourishes. The second half’s silly race in particular was one of the better-executed comic sequences I’ve seen a while now, offering both many incidental gags and a strong fundamental absurdity that the show wisely avoided actually pointing out. Having Kokonotsu actually be willing to play along with Hotaru’s schemes pretty much instantly improved this show, and I hope they maintain a real friendship going forward.
You can check out my full review over at ANN, or my notes below!
Eureka Seven – Episode 1
When I initially opened the Current Projects, er, project, one of my biggest concerns was that everyone having their own favorite shows would mean I’d end up watching a whole bunch of solitary first episodes, which as a general rule don’t tend to give you a solid impression of a series. I’ve largely avoided this issue so far by skipping between the most consistently funded show and smaller self-contained projects, but with Hyouka support slowing down a little, I’ve decided it’s time to skip around a bit and charge at some of those first episodes head-on. So how does Eureka Seven pan out?