Sekai Seifuku – Episode 3

I’m actually kind of surprised at how much I’ve been looking forward to this episode. This show is just a lot of fun – it’s witty, colorful, and endearing, and has a great sense of humor that isn’t tied to any single gag. Basically, the world itself is funny – a world where the Great Ruler Kate actually makes sense, a world where those meddling do-gooders can be fooled by flipping the sign on your secret base, a world where you decide to conquer the world just because you want a bigger family. When your world is inherently funny, you don’t have to stretch too far for jokes, which is good – trying too hard is the easiest way to kill almost any joke.

Not that making jokes look natural and effortless is easy, either. They have to emerge naturally while still being witty – the fact that the base world plays with your viewer’s expectations in a way conducive to humor doesn’t mean you get to slack off.

And trying too little is also death – even when you’re going for simple jokes, that just puts that much more weight on every tool you do use. You can’t just have a character make a funny face – first the audience has to buy into that character, then the audience has to buy why that face would be funny relative to that character, then you have to perfect your pacing and direction, and even then the face better friggin’ convey what you’re trying to convey, since so much of the humor in funny faces is based in “wow, that expression makes complete yet ridiculous sense,” not just the face being silly.

Basically, humor sucks. I don’t know why anyone would try to be funny, it’s too much work and no-one appreciates it. As far as art forms go, it may be the one that gets the least credit relative to the work involved.

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Why Critics Are Always Wrong

Management: This particular piece only covers one side of the equation, so before I start, I should link this earlier piece that tackles this issue from the opposite angle.

Over the last couple weeks, I’ve witnessed a good number of online teapot-tempests related to both criticism generally and tone specifically. Which seems like a silly thing to even announce – of course people have been bickering, this is the internet, that’s what it’s for. But these particular arguments kinda struck me – though they all concerned different groups of people, they all played out similarly, and I think the reasons why touch on some general pitfalls of both criticism specifically and discourse more generally. Unfortunately, those pitfalls don’t all line up in a neat row, so I’m gonna have to break this down into a few pieces – starting with the dangerous assumptions critics can make and hopefully meandering my way towards something approaching a point. Consider this an open letter to critics, fans, and anyone else who’s ever valued their own opinion enough to inflict it on others.

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Kill la Kill – Episode 15

I am goddamn excited you guys. After a long, continuously baiting first season, a defiantly resolution-lacking finale, and two more episodes of buildup, I am ready for this universe to fucking explode. I already know they’re going big this episode, and I couldn’t be happier to hear it. Let Ryuuko find her own philosophy, let Satsuki’s master plan be revealed, let the entire narrative erupt into an impromptu musical number – just do something crazy. Something I haven’t seen before. If this is following in the Gurren Lagann model, then this episode should herald the end of Kill la Kill Part One, and I’m ready to see it go out in a blaze of glory.

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Winter 2014 – Week 3 in Review

Welp, I guess we’re well and truly into the season now, which means it’s high time to start getting jaded and pissy about shows not living up to expectations. Hurray for fandom!

This week was almost identical to the last couple quality-wise, which spells good things for the carryovers and less good things for the new pickups. Let’s run them down…

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Sekai Seifuku – Episode 2

Well, here we are. Sekai Seifuku had the easily strongest premier of this admittedly weak-ass season, and though that first episode was mainly very pretty, very silly, and very endearing, this show is possibly the only one that shows the potential to go somewhere. That’s based on a couple very specific strengths, with the central one being the fact that it’s actually got a talented writer. That’s something you can’t fake – the first episode consistently hit a variety of styles of jokes, and even featured a solid speech from the protagonist that pointed to some possible themes while also demonstrating his own personality and bias in a very natural way.

But of course, this is also the show about a little girl in a ridiculous outfit conquering the world. So if it just remains the “I’ll share my snacks and the world with you” variety hour, that’s pretty okay too.

Anyway. Let’s see what we’ve actually got.

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Kill la Kill – Episode 14

And here we are again. Senketsu in pieces, Mako shipped off to war, Ryuuko filled with conviction only to be slammed immediately back down by Rusemaster Nui. Back at the end of the first half, I was somewhat frustrated the show hadn’t kicked into changing-the-paradigm gear yet – last week certainly did work on that front, but we’re not there yet. At this point, with the episodes ahead outnumbered by those behind, it’s time for Kill la Kill to put up or shut up – with no more time left to dick around either narratively or thematically, if it wants to continue sleeping on the couch, it’s gonna have to get to work.

You hear that, Kill la Kill? Get off the fuckin’ couch, Kill la Kill. Go out and get a fuckin’ job!

Ahem. Anyway. Let’s go to war.

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Winter 2014 – First Impressions, Part Two (Chuunibyou S2, Nisekoi, Sakura Trick, Hoozuki no Reitetsu, Sekai Seifuku)

Management: As you may have noticed, I’m rolling these “first impressions” into my standard Week in Review posts. Hope nobody finds that unforgivable.

And with this week, we have our full set of premiers. And what a set it is!

Well, not really. Pretty mediocre set, to be frank. Having checked out the first episodes of close to everything that sounded interesting, I’m beginning to think this will actually be a great season to dig into the ol’ backlog.

Not to say there’s nothing I’m enjoying. Running it down…

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Chuunibyou S2 – Episode 2

Still covering this, I guess. I mean, I don’t know. It’s Chuunibyou, you guys. I suppose as the person actually writing the piece, I shouldn’t be the one questioning the reason for its existence, but… yeah. It’s Chuunibyou. My analysis is it will probably be chuuni as fuck and also adorable. What added value can I actually provide?

Well, I am watching it while eating a delicious sandwich. I guess I could…

Alright, here’s Bobduh’s guide to making italian subs.

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Why Don’t Anime Characters Ever Have Parents?

Question:

Why is it so rare that main characters in anime actually have parents? Or if they do have parents, they’re away on an extended trip, or just never show up in-show. Given how unlikely it is any teenager would be left to their own devices in real life, it seems weird that this comes up so often in anime.

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White Album 2 and the Futility of Everything

“My bridge is burned, and perhaps we’ll shortly learn/That it was arson all along/Can we just get home, sleep this off/Throw some ‘sorry’s’ and then/Do it all again.” – Frightened Rabbit, Late March, Death March

So, I just watched White Album 2, and holy shit you guys. Holy shit. Don’t even know what to say, but I gotta say it anyway. Let’s get through this one together.

White Album 2 has a very dim view of human nature. Not even Evangelion dim, where cruel things happen to broken people pretty much continuously. Evangelion is optimistic – it features plenty of hardship, but the message it puts forth about its characters is fundamentally a positive one. White Album 2 is, like, School Days dark. Everyone’s awful and selfish and wrong. Nobody learns, everyone suffers, the moral is sadness. It’s a hard show for me to square any real intention on, much less enough of a point to actually write a coherent essay. In the end, nobody really wins, and the only question you’re left with is the one the characters ask themselves – where did it all go wrong?

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