Uchouten Kazoku and the Meaning of Life

Management: Reviews are inherently an act of attempting to paint the personal as the universal, but this piece in particular is overtly meant to share my personal experience of this show. I hope you enjoy it.

“Coming of age stories” generally have a very specific connotation, particularly when it comes to anime. They tend to focus on adolescence – on the discarding of our youthful conceptions of self, and the beginning stages of establishing a true mature identity. But the reality is life is not nearly that simple. You do not simply discover yourself at some arbitrary point in your teen years, and from then on no longer feel existential dread about self or purpose. You don’t wake up one morning and suddenly realize it’s time to Do Your Best for the rest of forever, and somehow find yourself continuously fulfilled by that one measly resolution.

Uchouten Kazoku understands this. It understands life and self-actualization are never so convenient as most stories’ linear narratives would like to pretend. It understands that living is not a coherent progression – living is what you’re already doing while you try and make sense of it all. And Uchouten Kazoku embraces this; the small lessons, warm friendships, and tiny moments that seem may inconsequential from an outside perspective, but that make up life itself, and when fully embraced, fully lived in, can swell to be heart-seizing moments on a monumental scale.

Uchouten Kazoku is likely the best anime of the year.

Continue reading

Nagi no Asukara – Episode 1

Doin’ a test writeup here. Not the biggest Okada fan, but Kill la Kill may prove to be too fun to watch for me to want to write up, and I’ve gotta waste my time overanalyzing something. So let’s see.

Continue reading

Gatchaman Crowds and the Death of Gods

Dramatic title, eh? But for this show it’s surprisingly appropriate. Gatchaman Crowds is the most ambitious show of the summer, and quite possibly the most ambitious show of the year. But does it succeed in its ambitions? Well, if I tell you that right now, why would you read the rest of this?

I’m just kidding it succeeds this show is sweet let’s talk about it anyway.

Continue reading

Kill la Kill – Episode 1

This season has apparently been designed specifically to torture me, considering the release times of this and Kyoukai no Kanata. But that’s cool. Wait’s over. The Gainax Second Wave’s long-awaited full-length creation is upon us. Let’s have some stupid, glorious fun.

Continue reading

Kyoukai no Kanata – Episode 1

I am seriously steaming in anticipation here, and I’ve had to wait six freaking hours to get off work and watch this, but let’s just take the briefest of moments to cover what we’ve got here.

Continue reading

Summer 2013 – Week 13 in Review

And so the summer ends. I really couldn’t be more burnt out on talking about anime, considering I just finished three 8+ page essays on TWGOK, Uchouten Kazoku, and Gatchaman Crowds, but I’ll at least wave my hand in the direction of final impressions.

Continue reading

Trust, Agency, and The World God Only Knows

Initially, I wasn’t really sure if there was a point to reviewing this one. I mean, it’s the third season of a self-aware harem comedy/parody. If you’re watching it, you know what you’re getting, and if you’re not, you know why you’re not. What would be the audience for a piece like that?

But the more I thought about it, the more I realized this season basically makes the show. Sure, it’s always been funny. Sure, it’s always taken pointed but lighthearted jabs at harem scenarios and anime character writing. But this season takes the gloves off. This season makes a point.

Alright, I’m gonna use one of my least favorite words here. Normally, I think it’s both misapplied and meaningless, but for once, it just might be appropriate.

TWGOK S3 completes the show’s arc as a deconstruction of harem comedies.

Continue reading

Uchouten Kazoku – Episode 13

Last Uchouten Kazoku. If I said I didn’t want it to end, that’d be kind of missing the point, right? Well, good, because I’m actually perfectly comfortable with it ending. Uchouten Kazoku has lived well – offering us many beautiful glimpses of a fantastically realized world, sharing a variety of well-written and relentlessly human (loaded word, but we’ll go with it) characters, and telling a sharp, perfectly composed story of life, family and duty. I’m not sad it’s ending, I’m happy it’s ending so well. I think Sou would approve.

Continue reading

Attack on Titan – Episode 25

Hey guys it’s me. All caught up, just in time for this freakin’ finale. I’m excited. You guys excited? I guess everybody’s excited.

These last couple episodes have easily been my favorites of the series. Though Eren’s development still lags, I’m loving how they’re putting Armin and Jean’s character growth into practice, and the side characters of the Survey Corps are just extremely fun to see in action. Things are moving fairly quickly, they’re burning animation budget like nobody’s business, they’re bouncing effectively between flashbacks and action setpieces… just lots to love at the moment. I hope it finishes strong.

Continue reading

Monogatari S2 – Episode 13

This weekend is gonna kill me you guys. I have written so many words. I have so many words left to write. C3-bu. TWGOK. Gatchaman. Uchouten. Titan. Why am I doing this to myself?!?

Alright, that’s not Monogatari’s fault. In fact, Monogatari’s the nice show, the one that isn’t piling on the mountain of reviews I’ve foolishly assigned myself. So let’s take it easy, Monogatari. Maybe just have an episode of pretty backgrounds I can cap and say “hey look at this pretty background” to. Please don’t get thematically dense on me here.

That seems pretty unlikely, though – between the snake and Ougi, this arc has already firmly declared it will be about the Fallacy of Victimhood, and how Nadeko uses her alleged helplessness as a defense mechanism even as she pursues selfish and potentially damaging ends. Given her desire to direct dissatisfaction outwards and minimal ability to express herself, Nadeko is possibly our most unreliable narrator yet, which in the context of Monogatari is really saying something. Let’s get to it.

Continue reading